Serial ①

Tai Ji Chuan's actual combat usage serialized by Yang Taiji. com and the interpretation of actual combat usage by several Taiji masters have important guiding significance for modern people to practice Tai Ji Chuan.

Tai Ji Chuan, as a kind of martial arts, has rich offensive and defensive connotations, unique "method" posture and "technique". Knowing the meaning of each boxing posture, you can have rules to follow in routine practice. When you raise your hand, the goal is clear and the action is more targeted, which not only lays a solid foundation for pushing hands and practicing Sanshou in the future, but also has a better fitness effect.

Especially this set of practical usage comes from the collection of practical usage of traditional young master Tai Ji Chuan. This book collects Tai Ji Chuan's works by Yang Chengfu,,,, Niu Chunming, Cui,, and, with Yang Chengfu's fist photos and Two People Against the Enemy as the main atlas, and classifies and edits Yang Tai Ji Chuan's famous artists' and famous artists' explanations of various usages of Yang Tai Ji Chuan. It is novel, unique and pleasing to the eye.

The serialization of this book has been authorized by the author Professor Li Xiu.

Practical usage

Formula: All the big intentions are to relax and solidify the spirit.

Yang Gongcheng's Rise in Tai Ji Chuan (boxing photo in his later years)

1, Yang Chengfu:

This is the posture of preparing for action ..... especially mental consolidation. It's natural to be calm, not far-fetched. If you keep my peace and treat others with actions, you will be integrated inside and outside, with both body and function. It is easy to ignore this situation, but I don't know that the revision and usage are based on it.

2. Niu Chunming:

Prepare for action and use it flexibly.

Lifting your arms as strength, that is, grasping (sticking) as a potential counterattack, lifting your arms as strength and borrowing from the enemy, has four or two kilograms of use.

3. Li Yaxuan teaches Chen Long Xianghe Li Mindi:

Start by calming down, nourish the spirit of emptiness, and prepare for the unexpected hand of the other party. Every part of the body can be moved by the camera. Don't underestimate it.

4. Cui Yishi teaches Jung-sam Choe:

Usage (1): The other person holds my wrist tightly and presses it down. I sank my shoulders to ease my opponent. At the moment when the other party pulls back, I exert my strength on my feet, lift my hips and waist, and lift my arms forward and send them out, destroying the center of gravity of the other party and making it fall backwards.

Usage (2): If the opponent's palm comes at me head-on, or if the opponent's palm grabs my shoulder, I will pick up the opponent's elbow or the lower side of my arm with my arm, lift the opponent backwards, and then attack the opponent's chest with my palm.

Usage (3): When my opponent holds my wrist forehand or backhand, I relax my waist, sink my hips, sink my shoulders and hang my elbows, and combine the arc route with the palm-picking action to introduce internal solution: make him lean forward, pull up his heels and lose strength.

Usage (4): Although I have destroyed the opponent's center of gravity by combining upward movements, I am still not free. At this time, I immediately split my hands sideways, leaving my opponent in a passive situation. When the opponent wants to withdraw his hand and change direction, I will let go and hit far, push my hands to my opponent's chest and push him out with the strength of my legs and waist.

Usage (5): I attack the other person's chest with both hands, and the other person is in a passive situation. When my opponent distributes my palm from the inside out, I immediately release my elbow, hold my opponent's wrist with both hands, and quickly fall to make his body center of gravity lean forward. When my opponent leaned forward, I began to hit him with my knee.