Traditional Culture Encyclopedia - Traditional customs - What changes did the "Wei Jin style" and ethnic integration bring to dress during the Wei Jin and North and South Dynasties?

What changes did the "Wei Jin style" and ethnic integration bring to dress during the Wei Jin and North and South Dynasties?

What changes did the "Wei and Jin manners" and ethnic integration bring to the costumes during the Wei, Jin, and North and South Dynasties? The following content will answer this question.

During the Wei, Jin, and North and South Dynasties, the ideas of Laozhuang, Buddhism, and Taoism became fashionable, and were known as the "Wei and Jin style". The "Wei Jin style" was also expressed in the dress culture of the time. The dress of Wei, Jin and North and South Dynasties advocated wide clothes and broad belts, which became the popular dress for the common people down to the princes and nobles. Men wore clothes with chests and arms exposed, striving to be relaxed, natural and casual; women's dresses were long skirts, big sleeves, and decorative belts were layered, showing elegance and elegance of the style.

This period of frequent wars, to the various ethnic groups in the dress to the mutual influence of each other the opportunity to penetrate each other, and promote the fusion of the various ethnic costumes. Women's clothing inherited the legacy of the Qin and Han dynasties, and absorbed the characteristics of minority dress, improved on the basis of tradition, generally wearing shirts and jackets, and wearing skirts, mostly in the style of the upper thrifty under the abundant, tightly fitted body part, fat cuffs, skirts for the pleated skirts, skirts, skirt length of trailing, loose hem, so as to achieve the effect of handsome and dashing.

Dyeing and printing this branch of ancient crafts wonders have thousands of years of history, growing in the middle of the people, deep-rooted, unique and marvelous, embellish and beautify the people's lives. The work of the book said that the printing and dyeing of the Qin and Han dynasty straight to the present day, showing that it has a century of exuberant artistic vitality. During the period of Wei, Jin and North and South Dynasties, dyeing and printing products have been mass produced, and the dyeing and printing process has matured. At that time, printing and dyeing products had relatively simple small clusters of patterns, such as plums, butterflies, begonias, etc.; there were also whole patterns of patterns, such as white dots of the "Caviar Val", the dots are slightly larger "Onyx Val", and resembles the plum blossom deer of the purple ground with white spots of the "Deer Tire Val", and the "Deer Tire Val". "

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During the North and South Dynasties, printing and dyeing products were widely used for women's clothing, and there are records of "Purple Val Fu" (i.e., blouse) and "Green Skirt" in the "After Records of Searching for the Gods," and "Purple Val 襦" (Purple Val 襦) and "Green Skirt" in the "After Records of Searching for the Gods". The "purple val jacket" refers to the jacket with the pattern of "deer tire val". These costumes are all branded with "Wei Jin style" and national integration.