Who is the designer of the deepening drawings of the ancient pavilion?

At 9 o'clock in the morning, Zhao Hanru walked slowly to an ancient building design studio 100 meters away from home. This studio is run by his two sons. Zhao Hanru never asks about the operation, but writes for the design drawings. It takes two or three hours to sit down and paint. This is the normal state after Zhao Hanru retired. This year, he is 80 years old and has silver hair.

From 1972, he entered Susan Temple as a stonemason to repair flower beds, and then became an ancient architecture designer. Zhao Hanru has been dealing with ancient architecture for 49 years. Almost all the antique buildings in Meishan were born under Zhao Hanru's pen, such as the south gate of Temple, Sha and Daya Gallery. There are also many design units coming from Chengdu, inviting Zhao Hanru to design or propose amendments.

During this period, Zhao Hanru is perfecting the design of Renshou Jin Quan Palace. He is not good at using computers, but he still keeps the habit of drawing with paper and pen decades ago. Under a pair of reading glasses, the pen tip is rustling and smooth.

"Eat a hundred meals" and practice skills.

Susan Temple in Meishan is the place that changed Zhao Hanru's fate. This garden complex, which is only 6 kilometers away from Jianggong Village, Dashiqiao Street, Dongpo District, the hometown of Zhao Han Confucianism, was once "out of reach".

Young Zhao Hanru embarked on an artistic path with the encouragement of the first teacher. 1959, 18 years old, admitted to the art class of Leshan Normal University. "It was a top class at that time." Zhao Hanru said, it's a pity that I will graduate in half a year, because I am in a difficult period of three years. The school will lay off staff to reduce the burden on the country, and the urban population will be transferred to Meishan Teachers College, and the rural population will return to the countryside.

"I'm thinking, I may never be able to engage in my favorite art career in my life. But I want to go out and don't want to stay in the village. " After working at home for three years, Zhao Hanru decided to go out of the village.

In the city, can't enter the formal unit, Zhao Hanru went to Yong Guang power station to move stones. "At that time, I was still young, and I also had a lot of strength in my twenties. I have done everything that others don't want to do, just to earn more work points. " Zhao Hanru has to save some money to buy paint, because he is always painting when he is at rest, and the workers around him call him a "painter".

"My former classmates helped me a lot, saying that I have culture, can draw pictures, and can learn to play with stones. They found me a manual, a chisel and a ruler, so I' ate a hundred meals', taught myself during the break from work, and gradually developed the skills of masonry. Later, when I went back to the village, everyone decided to find me to carve a monument. "

A year later, Zhao Hanru went to Wanghe Power Station in Hongya Mountain, where the conditions were even more difficult. It is very cold in the mountains. Even in summer, Zhao Hanru returned to the dormitory after work, and the paint turned into ice.

After moving stones for several years, 1972, Zhao Hanru got the opportunity to repair the stone flower bed in Susan Temple through the introduction of his old classmates in the art class of Leshan Normal University.

The stone flower bed was Zhao Hanru's first object in Susan Temple, not a cultural relic, but it has been demolished now. After the stone flower bed was repaired, Zhao Hanru thought about carving flowers on the wall of the flower bed. "When my classmates come over and think it's not bad, just find me information and let me finish carving all around the flower bed."

Hu Huifen, then the curator of Susan Temple Museum, saw the stone flower bed carved by Zhao Hanru and asked him if he would like to stay. "Of course I do!"

After moving in, Zhao Hanru mainly worked as a familiar stonemason, and at the same time began to learn to be a mason and carpenter. "Meishan of Susan Temple has first-class craftsmen. I followed them and was slowly cultivated. "

In the early days of reform and opening up, the cause of cultural relics was highly valued by the party and the state. Especially in 1980, after the shift of the party's work focus, the first national conference on cultural relics was held, and the State Council issued the Notice on Strengthening the Protection of Historical Relics, Ancient Buildings and Cultural Relics.

This year, the first ancient grotto art workshop in Sichuan Province started, and Hu Huifen made an exception and won a study quota for temporary worker Zhao Hanru. Only when he walked into this workshop did Zhao Can Hanru formally step into the door of ancient architecture art.

198 1 year, Zhao Han returned from Confucianism, and the first ancient architectural work designed was the south gate of Susan Temple. At that time, the south gate of Susan Temple was built by Meishan local officials in 1928, which looked like a memorial archway. Zhao Hanru combined the architectural style of western Sichuan folk houses in Ming and Qing Dynasties with the design of memorial archway, and made it into a three-eaves mountain-resting style, with the gate facing south and the foyer in the middle, with an wing in the east and a floor tile in the west. The two ends of the front ridge are decorated with kisses, rolling grass patterns, vertical ridges, ridges, faucets and rolling grass patterns, which have become the landmark buildings of Meishan today.

In this way, from the facade to the interior, with the participation of Zhao Hanru and others, Susan Temple has been repaired for decades, while retaining its historical charm, it has also given off new vitality.

Decided to stay in susan temple for three times.

1998, Zhao Hanru wrote notes for the observation deck in the office of Susan Temple, and the latter observation deck was demolished during the renovation of Dongpo Jincheng. (Image provided by the interviewee)

Zhao Hanru, who has worked in Susan Temple all his life, can only be regarded as a long-term temporary worker.

Zhao Hanru didn't work for a few years. At that time, the leaders of Susan Temple asked for two places to become full members, provided that they had urban hukou. As a result, a bricklayer with an urban hukou became a regular worker, and a carpenter with another rural hukou saw no hope of becoming a regular worker and left. Zhao Hanru decided to stay and continue to be a temporary worker: "I can only engage in technology, not marketing, not to mention leaving Su San Temple. I won't have such a good environment to do an art-related career."

At that time, Zhao Hanru's garden infrastructure department had three groups: nursery group, quality assurance group and construction group. For a long time, Zhao Hanru was the only one in the construction team. After the roof of the ancient building leaked rain and the tiles were moved, he was the only one who did the repair work.

In the 1990s, Zhao Hanru became an expert on ancient architecture in Meishan, and no prefecture-level city has been built in Meishan. At that time, the director of Leshan City Garden Bureau was from Meishan. He made a special trip to find Zhao Hanru and extended an olive branch to him, hoping that he could work in Leshan City Garden Bureau and solve the household registration problem for Zhao Hanru's family. "At that time, the urban hukou was much more expensive than the rural hukou, let alone entering the city from the county seat. But when I thought that Susan Temple trained me, I left like this. It was really not authentic." Zhao Hanru refused the other party's invitation and chose to stay in Susan Temple.

In 2003, Zhao Hanru retired. Lin Xiaoping, the current Minister of Landscape Infrastructure of Susan Temple, who had an affair with Zhao Hanru, clearly remembers that Zhao Hanru doesn't drink at ordinary times, but he offered to pour some wine at the farewell banquet to celebrate his retirement. Zhao Hanru picked up his glass and said calmly, "The Susan Temple is yours."

After careful study, Susan Temple Museum decided to hire Zhao Hanru as a lifelong consultant, and Zhao Hanru stayed in Susan Temple for the third time.

Landscape of susan temple.

Nowadays, Zhao Hanru often goes to Susan Temple in his spare time. He knows every brick and tile here.

After the Lushan earthquake on April 20, 20 13, many problems were exposed in the ancient buildings of Susan Temple. The tenon and mortise structure of the cloak pavilion is loose, the pavilion is inclined, and many tiles on the roof slide down. National Cultural Heritage Administration sent experts to inspect it and suggested that it must be repaired immediately.

Zhao Hanru came from home with a thick stack of drawings. Experts from the Cultural Relics Bureau looked through it and asked, "Are these drawings typed by computer?" Zhao Hanru replied that he painted it himself. After listening to this, the experts sincerely gave a thumbs up and said, "This level of hand painting is rare in the country.