What are the important artistic functions and characteristics of prehistoric art in China?

China's classical poetry is one of the most prominent representatives of China culture, which can be traced back to ancient times without words. The Book of Rites records a sacrificial ballad in Shennong era: "The land is against its house! Water belongs to its valley! Insect, don't do it Vegetation, return to its jersey! " "Wu Yue Chun Qiu" also recorded a ballad "Dage" reflecting the hunting of primitive people: "Break bamboo, continue bamboo, fly soil and drive away meat." These songs are typical examples of the combination of poetry, music and dance, which is an important feature of China's poetry. In the 6th century BC, The Book of Songs was compiled into a book, including local folk music 160, elegant music 3 1, 74 ditties, 40 sacrificial music, * * 305 songs and 6 sheng music, and the score was lost. The producing areas include Shaanxi, Shanxi, Henan, Hebei, Shandong and northern Hunan. There are poems in The Book of Songs that reflect the joy of feasting, such as Xiaoya Luming Literature. There are poems reflecting the war, such as Xiaoya in June; Famous love poems such as Zheng Fengji; The ironic reality of Feng Wei's attack on Tan: There are also a number of large-scale royal epics of the Zhou Dynasty that reflect the founding history of the Zhou Dynasty, such as Sheng Min, Gongliu, Mian, Yi Di and Daming. The Book of Songs, which is mainly composed of four words and repeated sentences, shows China's lyrical national literature characteristics. Since then, China's poetry has embarked on a lyrical road, and lyric poetry has become the main form of China's poetry. The enthusiasm for reality, strong political and moral consciousness and sincere and positive attitude towards life in The Book of Songs are summarized as the spirit of elegance, which has become the most basic and far-reaching tradition of China's poetry. On the 14th day of the first month in 339 BC, Qu Yuan, the first great man in the history of China poetry, was born. At the end of the Western Han Dynasty, Liu Xiang compiled works such as Qu Yuan and Song Yu. A book "Songs of the South" was written, including twenty-three songs of Lisao, nine songs (1 1), nine chapters of Tian Wen (9) and Evocation. Among them, "Li Sao" takes loyalty to the monarch and patriotism as the theme and vanilla beauty as the symbol, which repeatedly generates lingering grief and indignation and creates a loyal and noble hero image. Qu Yuan's poems created a new poetic style, which directly influenced the emergence of Han Fu. And a large number of Chu dialects, such as "some, talented, Qiang, dispute, oath, oath, oath", have a strong local color. Chu Ci highlighted the romantic spirit and influenced later poets such as Li Bai, Li He and Han Yu. The symbolic tradition of vanilla beauty has a long history, and its influence has been extended to Strange Tales from a Lonely Studio in the Qing Dynasty. Following the Book of Songs and Songs of the South, Yuefu poems in the Han Dynasty appeared in the poetry circle, and were collected by Yuefu organs in the Western Han Dynasty and Huangmen Propaganda Department in the Eastern Han Dynasty. Yuefu poetry is good at narration, Lang tells about the beauty's resistance to violence, Sang tells about Luo Fu's disobedience to the satrap, Xing tells about his wife sewing clothes for a wanderer, causing her husband's suspicion, and the famous poem Peacock Flying Southeast tells a sad love tragedy. The poet's brush strokes go deep into their respective classes, which together fully reflect the true face of the whole society, both exhorting wealth and sympathizing with suffering. Yuefu poems in the Han Dynasty realized the transition from four-character poems to five-character poems with miscellaneous words. During the Eastern Han Dynasty, poems created by literati groups appeared. Five-character poems have replaced the traditional four-character poems and even produced a complete seven-character poem. The earliest extant literati poem in the Eastern Han Dynasty is Ban Gu's Ode to an Epic, and his Poem of Bamboo Fan is an early and complete seven-character poem. The most famous literati poem is Nineteen Ancient Poems, without the author's name. It is about wandering and caring for women, so nostalgia and love are integrated. At the same time, it involves many philosophies of life, discussing eternity and brevity, people's mentality and life cycle, sadness and joy. Literati's poetry is good at expressing emotion, and the language is perfect and precious, which directly influenced Cao Zhi and Tao Yuanming. From the Jian 'an period at the end of the Eastern Han Dynasty to the early Cao Wei period, three Cao and seven sons came out at the same time. Honest and frank's sad Cao Cao, graceful and restrained Cao Pi, and Cao Zhi, who is both a father and a brother, completed the final transformation of Yuefu folk songs into literati poems with the wings of "Jian 'an seven sons" and opened up the broad road of five-character poems. The famous ones are Cao Cao's Short Songs, Cao Pi's Beautiful Songs, Cao Zhi's White Horse Wang Biao and White Horse Pieces. Cao Zhi is the most respected poet in Jian 'an, because his literary talent is gorgeous, which has a great influence on the development of five-character poems, and his unfortunate life experience has aroused the admiration of later scholars. "Jian 'an Style" is a distinctive and energetic style in Jian 'an literature, especially in five-character poems. Based on the writer's generous thoughts and feelings, he has formed the characteristics of deep ambition, broad outline, sadness and generosity. The distinctive personality and characteristics of the times have become the unique charm of Jian 'an's poetic style. In the early period of the last years of Cao Wei, Sima came to power, and a group of people were dissatisfied with Sima's rule and lived in seclusion in the mountains. Seven people, led by Ruan Ji and Ji Kang, are called "Seven Sages of Bamboo Forest". Ruan Ji's masterpiece is "Eighty-two Poems for Memories", which is the first poem in the history of China literature. The poem is full of loneliness and depression, but under the pressure of politics, he dare not speak, relying on metaphors and symbols to pin his arms. The highest achievement of Ji Kang's poetry is four words, pursuing nature and transcending independence. Generally speaking, Zheng's poetic style has changed into a poem with a long theme and profound sustenance, which embodies a unique artistic view.