The painting method of lotus in Chinese painting?

Chinese painting calligraphy of lotus

1, the lotus leaf painting: first paint the lotus leaf, take the medium-sized Tidou pen dipped in ink or three green, three green, the tip of the pen dipped in blue and light ink, a breath of fresh air, pay attention to is the size of the pen arrangement, can not be uniform. To be staggered. Ink color to

there are changes in intensity, the shape is not too round. Painting lotus leaves generally require the edge of the real, the center of the virtual. Near the umbilicus of the leaf should not be filled, leaving more blank. The edge of the leaf is the place where the brushstrokes are revealed, as far as possible, no or little modification. At the same time to draw a light ink lotus leaves, or not too round, the beauty of the broken is the pursuit of the realm of the realism painting. Use the tip of this brush dipped in thick ink to draw the small unopened lotus leaves. Pay attention to the changes in density.

2, lotus painting:

Change the big white cloud brush dipped in vermilion fat, dawn red, the tip of the brush dipped in a little rouge, the side of the outline while dyeing the shape of the head of the lotus flower, the first to draw the petals of the proximity of the petals, pay attention to the size of the petals, sparse and dense, and light and dark. You can also use light ink to outline the white lotus flowers. The flowers should be

placed in the eye-catching works, the petals of the outline of the left and right should not be symmetrical, can be more on one side and less on the other, loose and tight. The width of the petals should be different due to perspective, and there should be a variety of gestures.

3, the lotus stalk of the painting: ink painting flower stalks and leaf stalks, to achieve heavy flowers, heavy leaves, stalks and heavy with it; flower light, light leaves, stalks and light with it. The stalks should avoid perpendicular and parallel lines, and the angle of intersection should not be too large, and there should be changes in length, thickness, thickness, thickness, wetness and dryness.

4, embellished items of painting: in order to reflect the richness of the work, can be supplemented by reeds, calamus, water plants and moss points and so on, in order to create a point, line, surface changes, but pay attention to the sparse and dense, thick and thin, wet and dry, length changes and unity.

The overall requirements of the intention of the painting should be bold, stable, accurate, ruthless, clean, not dragging, and finally to carefully clean up the feeling of what is not enough with the pen, and then repair it. If you feel can, inscription, seal, finish.