What are China's ancient literary theories about artistic conception? (Write at least 5 articles)

1 Jiao Ran: "Boundaries are endless, feelings are endless". The artistic conception of poetry creates artistic conception, revealing the aesthetic ideal of poetry combining poetic and Zen. Jiao Ran clearly realized that poetry, emotion and context are inseparable. Context contains emotion, and emotion comes from context.

2 Si Kongtu: On "the image outside the image, the boundary outside the scene". It is not easy to talk about "the image outside the image, the realm outside the scene"!

Lantian is moist and fertile, which is a kind of hazy beauty, like reality and emptiness, like emptiness and emptiness, like emptiness and emptiness, like emptiness and emptiness, so it is desirable and cannot be placed in front of the eyebrows. The artistic conception of this poem can be described not only by specific scenes, but also by symbols, implying the creation of an invisible and illusory virtual mirror.

3 Yan Yu: "The antelope hangs its horn without trace" shows that the artistic conception is wonderful and natural, without any artificial traces, and it has hazy beauty, such as the voice in the air, the color in the phase, the moon in the water and the image in the mirror.

Ye Bian (unable to write): "The meaning is boundless, and the thought is subtle" seems to be eloquent and unspeakable, but it seems to be solvable and unsolvable, so its artistic conception has the characteristics of "saying this and meaning that, ignoring clues and leaving the image, never discussing and thinking poorly".

Wang Changling: The poem "Three Mirrors and Three Grids" has three realms: one is the material realm, the other is the situation, and the third is the artistic conception. Poetry has three forms: one is thinking, the other is thinking, and the third is thinking.