What are the characteristics of interior design postmodern style?

Postmodernist design style: Postmodernism emphasizes the complexity and contradictions of architecture; opposes simplification and modeling;

Pursuing the cultural vein, the pursuit of human feelings; advocating metaphor and symbolism; bold use of decorative and colorful, and advocating diversity and plurality. Post-modernist style, also known as "post-modernism", began to appear in 1980. This style of architecture reintroduces decorative patterns and colors in architectural design, and draws on historically significant parts of different periods in an eclectic manner, but not retro.

Unlike modernist design, which advocates the view that "less is more," postmodernist design tends to be more varied and complex. The design language pursues change, reconstructing interior elements and new elements by means of superposition and mixing.

In postmodernist design, the use of pattern decoration and color is unconventional, bold and rich. Compositions often use fractures, slices, reflections, refractions, fissures, and other exaggerated techniques to recombine familiar elements to achieve a multifaceted effect.

Postmodernism advocates metaphorical meaning and symbolic expression, this technique is prominent in the interior design of furniture furnishings and decorations, the use of a number of metaphorical decorative emphasis on the space of the historical and cultural characteristics, emphasizing the conversion of time and space, so that the importance of decorative design in interior design has been re-recognized by the people, decorative awareness and techniques have been innovative and expanding on the basis of the original. Decorative awareness and techniques in the original basis of continuous innovation and expansion, is no longer simply for the decoration and decoration, gives the space a certain symbolic significance.

One against the modernist "less is more" point of view.

Two, the design uses traditional interior components to be combined through new techniques, and the other is to mix and superimpose traditional architectural components or interior components with new ones, ultimately seeking a double translation of the design language and ambiguous characteristics.

Three, in the interior bold use of pattern decoration and color.

Four, in the design of the composition is often used in exaggeration, deformation, fracture, refraction, dislocation, distortion, superposition, contradiction *** place, etc., due to the composition of the degree of freedom, it is more difficult to grasp its artistic effect.

Fifth, the indoor setting of furniture, furnishings artwork is often highlighted by its symbolic metaphorical meaning.

Modernist interior design features

One, open interior space, inside and outside, known as the flow of space. Free floor plan that is not limited by bearing walls.

Two, indoor walls, floors, ceilings, as well as furniture, furnishings, paintings, sculptures and even lamps, utensils, etc. are characterized by simple shapes, pure texture, surprise craftsmanship.

Three, as far as possible, do not have to decorate and cancel the redundant things, that any complex design, no practical value of the special parts and any decoration are back to increase the construction cost. Emphasize that the form should be more in the service of function.

Four, building and interior components as far as possible to use standard components, doors and windows size according to the modulus system design.

Fifth, the interior selection of different industrial products furniture and daily necessities. Modernist style is accompanied by modern architecture in the functionalism and its machine aesthetic theory came into being, it is the authentic twentieth century. Representatives for the Mies. Van. De. Rowe, Gropius, Le Corbusier, Wright and others. Corbusier, Wright and others. These first-generation modernist masters all put forward the theory of modern architectural system: Mies emphasized the exquisite architectural design and technology and paid attention to the spatial flow and transformation and other arguments. Gropius emphasized the impact of industrialization on architecture, the need for functionality, the use of a large number of assembled structures, the simplicity of the building fa?ade, flat roofs, and the use of large expanses of glass. Le. Le Corbusier put forward the famous "architecture is a machine for living" point of view. Wright, while focusing on functionality, also paid attention to the combination with nature and the human touch, focusing on the fine details of the performance. The Bauhaus school of thought has made indelible achievements in promoting the modernist style, and many of today's designs are developed on the basis of their aesthetic theories and design techniques, according to different cultural backgrounds and their conditions. The shortcomings of modernism are uniformity, indifference and lack of human feelings, which has been criticized.