Write a composition about folk customs, but it must be a national dance.

National dance represents the styles and characteristics of all ethnic groups. China is a big family with 56 ethnic groups, including Han folk dance, Tibetan dance, Mongolian dance, Er dance, Dai dance, yi dance dance and Korean dance.

First, the style characteristics of Han folk dance

There are many kinds of Han folk dances, among which dragon dance, lion dance, lantern dance, silk dance and yangko are widely circulated among the people.

Now the Northeast Yangko, Yunnan Lantern, Anhui Ancient Painting Lantern, Shandong Jiaozhou Yangko and Millet Yangko have all entered the classroom after finishing and processing by experts.

Second, the style characteristics of Tibetan dance

On the Qinghai-Tibet Plateau in western China, which is known as the "roof of the world", there are * * people who are good at singing and dancing and have a long tradition of singing and dancing.

Millions of Tibetan compatriots are hardworking and simple, and are good at expressing their feelings with songs and dances.

The silvery snowy mountains and the endless wilderness are just singing, and you can dance on the flat dam in the valley.

Nature has created the beautiful singing voice and vigorous physique of Tibetan people, and the long history and culture and the real life of heroes are the source of their improvisational song and dance creation.

People celebrate festivals with songs and dances, worship and pray with songs and dances, accompany labor with songs and dances, and praise love and life with songs and dances. Song and dance activities have become an indispensable part of their lives.

Therefore, * * * dance is closely combined with the art of singing, and it is famous for its unique artistic style of singing and dancing.

Third, the style characteristics of Mongolian dance

Mongolian people have lived on the vast grassland in northern China for generations, and have worshipped the mountains, rivers and eagle totem since ancient times. Due to the influence of long-term nomadic hunting life, grassland geographical environment and climate conditions, Mongolians are very different from other eastern nationalities, forming a strong physique and indomitable and fearless character, and creating a nomadic dance with grassland culture and nomadic characteristics-Mongolian dance.

Their folk dances are passionate, steady and vigorous, with cheerful rhythm, with the distinctive characteristics of rough, wild, simple and solemn, full of vitality from nature, showing a bold and confident spirit of "favored by heaven".

Fourth, the style characteristics of * * * er dance.

Since ancient times, the Uighurs in China have lived in Xinjiang in the northwest of China. It is one of the largest provinces in China, with a long cultural tradition and rich artistic heritage, among which the art of singing and dancing is colorful, so it has been known as the "hometown of singing and dancing" since ancient times.

* * * Dance like other folk dances comes from life.

* * * The Er people lived on the prairie in the north of China, and then moved to the western regions (now Xinjiang). They developed from grazing and riding on the grassland to regional agricultural life, and believed in Shaman, Mani, Buddha, * * * and other religions in different historical periods.

This kind of economic life and religious culture left multiple cultural imprints in the Er dance, which made it not only have the charm of Hu Teng and Hu Xuan in history, but also have the posture of shaman jumping. There is not only the performance of ancient Persia and * * * dance, but also the aftertaste of the surrounding national dance style.

* * * On the basis of inheriting the traditional music and dance of Erhun River Valley and Tianshan Uygur, Er Dance absorbed the essence of ancient western music and dance. After the artistic creation, long-term development and evolution of people of all ethnic groups in Xinjiang, they constantly pursue perfection, forming a folk dance art with various forms and special styles, which is deeply loved by the people.

Fifth, the style characteristics of Dai dance.

Dai people mainly live in Xishuangbanna, Dehong Prefecture, Gengma, Menglian Autonomous County and other places in the southwest, where rivers crisscross, trees are shaded and there are many natural beauty.

Influenced by the unique natural environment, with the development of society and the influence of Central Plains culture and southern subculture, Dai folk dance has gradually formed an artistic style with oriental charm.

Yi dance's style characteristics.

Yi people live in Sichuan, Yunnan, Guizhou and Guangxi in China. They can sing and dance in various forms, such as "cigarette case", "singing", "Zorro dance", "Xi dance on the moon", "four-string dance", "flower drum dance" and "bronze drum dance" which are widely circulated among the people.

After liberation, with the efforts of dancers, yi dance has been further improved and developed, becoming a wonderful flower in the hundred gardens of Chinese culture.

Style characteristics of Korean dance.

Korean people living in Jilin, Heilongjiang, Liaoning and other places in the northeast of China are hardworking and simple, and can sing and dance well.

They have been engaged in farming since ancient times and love nature.

They especially like white cranes as a symbol of longevity and happiness.

This national character and aesthetics are directly reflected in their songs and dances, forming a unique charm of chic, elegance, implication and elegance.

There are many kinds of traditional dances in North Korea with different styles, including fan dance, gauze and silk dance, farmhouse dance, mask dance, long drum dance, hairpin dance, sword dance and beat dance.

After the founding of People's Republic of China (PRC), with the efforts of dance artists, many traditional folk dances were compiled into excellent programs and widely circulated among the masses.

We can see the beautiful image of Korean girls dancing lightly in dances such as top water dance, Taomi dance, joy and Changbai waterfall. And the endless Korean national spirit is implied in the dance like a group of cranes spreading their wings.

Dance is the most direct, substantial, intense, sharp, simple and full expression of life perception.

Dance not only entertains everyone's cultural life, but also becomes an indispensable cultural and spiritual demand in current human life, and also plays a social role in publicity and education. Let's talk about the appreciation of Han folk dance works.

Take "Red Silk Dance" as an example, it is a folk dance of Han nationality, which was created shortly after the birth of People's Republic of China (PRC). The work expresses the jubilant mood of hundreds of millions of people in the form of traditional folk dance, and embodies the spirit of the times of workers and peasants.

On the basis of folk yangko, the choreographer injects the rhythm of jumping and strengthens the warm and cheerful mood of action; The eight-character prop red silk, with transverse waves, standing waves, shoulder rings and large wheels unfolding, forms a rich, vivid and colorful flowing shape; The addition of China traditional opera vocabulary such as jumping, shooting geese, turning over and kicking purple and gold crowns backwards further enhanced the artistic expression of the whole dance.

Intentional features: (1) clear priority, leading dance occupies a prominent position in the difficulty and space of filament movement; (2) lively and orderly, the front, the middle and the back are integrated, seemingly chaotic, but in fact orderly; (3) The screen design is unique.

The costume props of the red silk dance are also ingenious.

HongLing, as the main prop, is sometimes tied into a torch shape and sometimes opened, giving full play to the director's intention.

In terms of clothing, green clothes and red silk complement each other in color, and white clothes and black shoes are set off by red silk. The whole dance is bright and cheerful, and full of layers.

Therefore, we say that any work of art is inseparable from acceptance and appreciation.

The same is true of dance art. As a spiritual aesthetic activity, dance art appreciation is a bridge between dance artists and audiences, dance activities and society, an important way to test the social function of works, and the main support for dance works to realize their value.

Only through the appreciation of millions of people can it finally become a realistic art and realize its own value: transforming society and educating people, thus gaining artistic life.

It can be said that artistic creators need appreciators just as a swift horse is to Bole.