How to write a short essay looking for traditional skills

The History of Acrobatics in China Acrobatics in China germinated in the Neolithic Age. After the Qin Dynasty unified China, it absorbed the advantages of horn flutes from other countries, and formed an entertaining acrobatic program-Jiaoxidi. By the Han Dynasty, the content of Jiaodi Opera was more substantial, the types were richer and the skills were more superb. By the Eastern Han Dynasty, a new variety of acrobatic art had been formed, which brought together various performing arts-"Hundred Dramas" system. During the Southern and Northern Dynasties, there were frequent artistic exchanges among various ethnic groups, which made acrobatics in this period show eclectic and colorful characteristics. Not only the folk foundation is rich, but also the court performances of various dynasties are colorful. In the Tang Dynasty, some programs got amazing development and showed unprecedented superb skills. Among them, the art of "shoulder pole" is extremely high, equestrian events have also developed greatly, and animal training has reached a quite high level. Since the Song Dynasty, acrobatics began to move from the palace to the folk, creating a variety of new programs. The rise of washe and Goulan gave artists a place to perform. In addition, there were professional acrobatic classes and "science classes" to train new people in the Song Dynasty. After the Song Dynasty, the social status of acrobatics went from bad to worse. After the establishment of the Yuan Dynasty, acrobatics degenerated into the Jianghu art of wandering around and playing tricks. In Qing Dynasty, most artists performed as family members or made a living by performing on the move. In modern times, acrobatics has been relegated to the unpretentious hall "inferior". After liberation, acrobatic art gained a new life. Acrobatics has developed from a simple skill performance to a comprehensive artistic performance with band, dance and lighting. Under the leadership of the Party and the government, China's contemporary acrobatics has become a wonderful work of art deeply loved by people all over the world. The artistic features of acrobatics in China The artistic features of acrobatics in China are shown in the following aspects: First, special attention is paid to the training of waist and leg jacking. Acrobats in China should have a solid foundation in martial arts, even if they perform colorful stunts in ancient times. The second is to seek stability in danger and seek quietness in action, showing calm, ingenious and accurate skills and efforts. For example, all kinds of thrilling performances in tightrope require "stability". The third is to seek innovation in the ordinary, and to show human creativity from scratch with superb and ingenious methods. The fourth artistic feature is the combination of light and heavy, spiritual blending, and soft and hard kung fu complement each other. The best performance of this artistic feature is the program Pedal Skills. The fifth is the combination of superhuman strength and dexterous somersault skills. For example, in the contemporary "1000 Tons of Bears" program, an old actor lifted four stone bears and seven or eight actors at the same time, weighing more than 1000 tons, showing superhuman strength. Sixth, a large number of household appliances and labor tools are used as props, which are full of life breath, showing the close relationship between acrobatics and China's working life. The seventh is the combination of simple arts and crafts and physical skills. For example, performances such as "Juggling Jar" and "Spinning Disc" combine China's porcelain painting art with acrobatics. Eighth, acrobatics has great adaptability in China, with diversified performance forms and venues. Ninth, acrobatics in China has a strict tradition of learning from others and is closely related to sister arts. Every acrobatic skill of China has been passed down from generation to generation, but at the same time, he has absorbed a lot of nutrition from opera, dance and martial arts. These artistic features constitute the unique charm of China's acrobatics. Acrobatics in a broad sense is a general term for all kinds of extraordinary skills. In ancient times, it was also called "acrobatic music" and "acrobatic music". In the all-round development stage of primitive art, it was inseparable from music and dance and became the dominant culture at that time. Like music and dance, it was dazzling in the courts of the Han Dynasty (206 BC-220 AD) and the Tang Dynasty (6 18-907 AD). After the Song and Yuan Dynasties (10 ~14th century), with the contempt for classical dance, acrobatics was reduced to Jianghu and regarded as inferior. However, some of the unique skills of the previous dynasty were passed down from generation to generation and kept improving. China acrobatics spread overseas in the late Qing Dynasty and the early Republic of China, enjoying a high reputation in Europe and America. The Qin Dynasty (2265438 BC+0 ~ 207 BC) introduced the folk Jiaodi opera into the court. In the Han Dynasty, Jiaodui Opera developed into various acrobatic festivals, including Jiaodui Opera. Among them, sword casting, pill jumping, handstand, rope walking, beast dancing, sparrows playing, horse riding skills, pole vault, fighting between man and beast, five cases, seven sets, dragon dance, lion dance and other programs are very popular. According to records, Emperor Wu of the Han Dynasty (reigned from 65438 BC to 86 BC) held a grand banquet and reward ceremony in the spring of the third year of Yuanfeng (65438 BC+008 BC) to show the country's wealth. During the banquet, unprecedented acrobatic music and dance programs were performed. There are all kinds of acrobatic skills in the program, as well as foreign acrobats. The angel of the King of Rest (ancient Persia) brought an illusionist from Li Xuan (now Alexandria) to perform magic programs of swallowing knives, breathing fire, killing people and chopping horses. These superb and grand performances made tourists from all over the world deeply admire the vastness and prosperity of the Han Empire, and achieved Liang Wudi's diplomatic purpose of boasting about the prosperity of the empire, attracting countries from the western regions to form a hero room, and * * * dealing with the powerful enemy Xiongnu. Foreign skills enriched and developed acrobatic art in Han Dynasty. Since then, the royal family has held this event every year. This acrobatic performance, which added content every year, lasted for 64 years until the fifth year of the Han and Yuan emperors (43 BC). Acrobatics was popular in the court and folk in the Tang Dynasty. Members of the royal family not only enjoy acrobatics at banquets, but also often perform acrobatics in the marching guard of honor of dignitaries, such as "Mrs. Guo Song's Travel Map" in Dunhuang murals. Acrobatics in the Tang Dynasty was not as grand as that in the Han Dynasty, so some programs of Jiao Jibai Opera were eliminated. However, the preserved programs have made amazing progress, with new features and many unprecedented superb skills compared with the Han Dynasty. Ming Taizu's Miscellanies in the Tang Dynasty recorded a hundred-foot pole performed by Aunt Wang, a court kabuki. A wooden mountain was actually installed on the pole, imitating the image of "Yingzhou" and "abbot" of Xianshan, and children were singing and dancing with red. In the Song Dynasty (960 ~ 1278), acrobatics moved from the palace to the folk, and the performance form and program content had undergone profound changes. With the rise of Neo-Confucianism and the proliferation of feudal ethics, acrobatic art from the folk and full of life flavor was excluded. In addition to various training programs such as legionary teleplay, except royal celebrations and performances, most of the programs have become the livelihood of urban tile houses and wandering artists in towns and villages. This change makes some luxurious large-scale programs disappear, while various small programs, programs performed by a family or a person, develop. Hand-painted techniques such as "Sword, Dan, Pill, Bean" series in color tricks have achieved unprecedented development. There are also many stunts characterized by waist and leg jacking. During the Ming and Qing Dynasties (A.D.1368 ~1911), acrobatics declined into rivers and lakes, and personal performances and acrobatics handed down from generation to generation became more developed, forming a small and diverse series of performances and retaining many ancient skills. Some special effects were absorbed into some operas in the Yuan and Ming Dynasties, such as "chair skill" in Pu Opera "Hanging Pictures" and "face changing" and "fire breathing" in Sichuan Opera. Characteristics, supernormality, magic and danger are the same aesthetic characteristics of acrobatics. In recent years, China acrobats have won many awards in international competitions, and China has become the world-recognized "acrobatic first country".

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