Traditional Culture Encyclopedia - Traditional customs - Wang Lingying was born where
Wang Lingying was born where
Wang Lingying, Jingde Liying, born on June 20, 1964 in Jingdezhen, Jiangxi Province, is a master of Chinese Arts and Crafts, a master of ceramic arts and crafts, and a member of the Chinese Arts and Crafts Artists Association.
Wang Lingying studied under Lu Cujun, the king of blue and white landscape, ceramic arts and crafts master and member of China Arts and Crafts Association, specializing in birds and flowers and landscapes. Childhood by his grandfather and father, grandfather Wan Cuizhong Department of Art Porcelain Factory, masters of the Department of Fine Arts Research Office, in the 70s in Beijing Airport personally made Dai Water Festival mural (one of the producers), by Premier Zhou Enlai cordial reception and highly praised; his father, Wang Wenfan Department of Art Porcelain Factory, old artists, "ceramic artists." "Zhushan eight friends" Liu Yuchen students, when Chairman Mao 7501 (referred to as: Mao porcelain) one of the porcelain makers in Zhongnanhai;
Chinese name: Wang Ling Ying
Alias: Jingde Lixing
Ethnicity: Han Chinese
Birthplace: jingdezhen, jiangxi province
Birthdate: June 20, 1964
Occupation: China Arts and Crafts Master, Ceramic Arts and Crafts Master
Graduate School: Jiangxi Normal University
Representative Works: Birds of the phoenix, blossoming flowers, the monkey year Chinese zodiac ceramic plate
Personal Experience
Wang Lingying was affected by the family's traditional atmosphere of painting since early childhood, and hobby of painting and systematic study of ancient Chinese, modern and contemporary literature. She has systematically studied ancient and contemporary Chinese literature, laying a solid foundation of literary training for the creation of traditional landscape paintings. Under the tutelage of Lu Cujun, the king of blue and white landscape, Wang Lingying specializes in birds and flowers as well as landscapes. At the age of 6, Wang Lingying was trained and taught by Liu Xinyuan, the National Master of Archaeological Appraisal (grandfather's aunt), and began to learn painting in 1976 under the tutelage of her grandfather and father.
Wang Lingying was admitted to Jiangxi Normal University in 1981, and then to the Fine Arts Department of Beijing Arts and Crafts School in 1985, where she familiarized herself with ceramic production processes, and has been engaged in ceramic art creation ever since.
In 1989, "Hundred Deer Zun", "King of Porcelain" and "Qingquan" were awarded the gold medal of the National Light Industry Products and the Second International Exposition in Beijing respectively. By the China Arts and Crafts Museum, Japan, Enba - China's modern art museum collection, Hong Kong's "literary essence", "world art collection" magazine albums have been published in its works.
In 1990, he was invited to Japan for ceramic technology exchange. 1994, his work "Lotus Mandarin Fish" won the second prize in the International Ceramic Festival.
1997, by the Jingdezhen municipal government delegation to participate in South Korea "Icheon International Ceramics Festival" for academic exchanges. 1998 September, the establishment of the "Jingde Li Ying Ceramics Hall" engaged in ceramic creation.
In 2001, the work "Hundred Deer Zun" the third China Arts and Crafts Excellence Fair won the silver medal. 2009, with the national registered art appraiser qualification;
2011, participated in the Chinese celadon academic seminar, and won the ceramic appraisal consultant of Wuxi Collectors' Association and other honorary titles.
In 2012, he presided over the "Shanghai Yuan Qinghua 100 Award Symposium", a special activity focusing on the research of folk Yuan Qinghua collection; in 2013, he was awarded the title of "Chinese Master of Arts and Crafts".
October 2015, to promote the development of China's peaceful unification and cultural and artistic ambassadors, modern national treasure "Chinese dragon pot" founder Ji Hansheng let it create a large porcelain prints "hundred birds towards the phoenix map" is now fired, the whole picture around the phoenix unfolding to the background of peonies, pines and cypresses, with cranes, magpies, Peony, pine and cypress as the background, with cranes, magpies, mandarin ducks, swallows and other birds as the accompaniment, embellishing a scene of a hundred birds facing the phoenix in a thousand shapes and colors, a hundred flowers blooming and vivid, and a metaphor for the people's living and working in contentment and peace in a prosperous era with the natural peace and harmony of the hundred birds around the phoenix.
Character Evaluation
Wang Lingying adheres to her father's business, her works pay attention to the intention, focusing on decoration, rich colors, smooth lines, her brushwork is simple and complex, the composition is ingenious and natural, and her works are diversified in styles, not only good at pastel, but also blue and white glaze, ink into a painting of blue and white background. Therefore, she has a high reputation in the ceramic art world.
Wang Xiliang, a master of ceramic art, described Wang Lingying as "the successor of the ceramic industry who has earned his talent and virtue". Promote the development of China's peaceful unification of the great cause of "and culture and art" Ambassador Ji Hansheng Wang Lingying based on the roots of Chinese culture, the traditional culture of inheritance and bear in mind very much appreciated. He said, "The key point for socialist core values to really take root in the whole society and promote social development lies in the fact that traditional outstanding cultural values can be rooted in tradition. Wang Lingying master's work is valuable, is "rooted in tradition" is not only on the surface of the faithful guardian, the key is through the art means to open the traditional culture and modern society between the meridian, guarding the spiritual value of traditional Chinese culture. It is hoped that Master Wang Lingying and more artists will contribute the cultural wisdom accumulated over 5,000 years of Chinese culture to the realization of the Chinese dream.
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