2014 Liaoning Provincial Civil Service Exam Essay Questions

>> 2014 Liaoning Civil Service Exam Questions

>> 2014 Liaoning Civil Service Exam Answers

1. With the development of the Internet and TV manufacturing industry, the global TV drama market has entered the "great age of navigation". At the click of a mouse at will, you can see episodes of dramas that are also being watched on the other side of the world. Viewers can sit at home and enjoy the ultimate experience of the drama, "chasing the drama" has become a way of life for urban white-collar workers.

As a representative of the hottest U.S. drama in 2014, "House of Cards" was extremely popular once launched, causing the whole country to discuss, even the U.S. President Barack Obama is a "House of Cards" loyal fans, some viewers said that after watching "House of Cards" for the U.S. politics has generated a strong interest. They have a new understanding of power and love, and they have even turned out books and movies about the history of American politics. Participate in the discussion of this drama.

The total value of U.S. movies and TV programs exported is $14.3 billion (2011), sold in more than 100 countries. 2012 in France broadcast dozens of U.S. dramas, more than 30 of them more than one million viewers of a single episode, "The Mentalist" also became the year's TV ratings champion. In Germany, U.S. dramas are basically in a monopoly position, occupying about 90% of the broadcast share, and South Korea also introduced 122 TV dramas from the U.S. in 2011.

"The trend of global dramas like US drama 'House of Cards' has been witnessed for ****, and they have truly created the miracle of '24-hour global syndication' for TV dramas." Mr. Liang, the Chinese CEO of a British media, commented so. Experts believe that the value of television cultural products is increasingly prominent, China should learn from the experience to improve the production level of television drama, while strengthening the ability to export cultural products to foreign countries.

The popularity of "House of Cards" did not affect "You Who Came From the Stars", which earned over 100 million eyeballs. As the two TV series have a clear division of the audience, there is a simultaneous release but "equal division" situation. You from the stars" in South Korea, the network ratings reached 68.9%.

The global popularity of American and Korean dramas is not by chance, "the audience-oriented, innovative TV series production, broadcast mode, directly to the market, accept the judgment. The new production mode gives a whole new life to TV dramas." According to Prof. Tang, a journalism and communication professor at the University of S., unlike the traditional broadcast mode of Chinese TV dramas, most TV dramas in the US are broadcasted on a "seasonal" basis, usually broadcasting only one episode a week, while filming and broadcasting. As there are not many platforms for broadcasting American TV dramas, less than 2,000 episodes can be aired in prime time during the season each year, so the competition is extremely fierce. In recent years, Korean dramas have also adopted the model of broadcasting while filming, and "You Who Came From the Stars" airs two episodes per week, which triggers downloads every time the episodes are updated online.

This open model allows the producer to fully feel the audience's attention to the drama, according to the weekly update of the ratings and audience feedback, timely adjustment of the creative direction of the U.S. drama "Prison Break" when the first season was broadcast, the ratings were as high as 18 million people; and "The Big Bang Theory" protagonist Sheldon's character is based on the audience's feedback a few changes before the finalization of the model.

More noteworthy is that most of these hit dramas are high-caliber, large investment, to ensure that the quality of fine, seasonal and weekly mode itself has pulled up the cost of television production. The pursuit of excellence in production teams, scripts, directors, actors, props, and so on, has raised the cost of shooting hit dramas.

Compared to the production costs of Emmy Award-winning American dramas such as Mad Men and Spartacus, which are around $2 million per episode, the average cost of a single episode of House of Cards, which is nearly $4 million, greatly exceeds the general standard of production.

For the 2011 American drama series Prehistory, the cost of filming the heavily-funded debut episode was close to $20 million, which is even more than the investment costs of many movies.

Another feature of these popular dramas is that they are different from China's "martial arts dramas," "Qing dynasty dramas," and "masterpiece dramas," which are based on reality, and use realistic techniques to describe Instead, they are based on realistic themes and use realistic techniques to describe the sweet and sour of life, so that they are not alienated from the audience. In addition to science fiction drama, most of the U.S. drama to ensure that the content of the real, sometimes involving technical aspects of the consultant or relevant experts to personally manipulate. The Big Bang Theory crew even has a real "science adviser", specifically responsible for the content of the script on the scientific part of the creation.

The production of reality TV series can best reflect the market-oriented nature of the TV production process. Despite the sci-fi component of "You Who Came From The Stars," the progression of characters' relationships and the fine tradition of honoring the old and loving the young are woven throughout, transmitting universal Korean values.

Prof. Tang said that both American and Korean dramas convey value tendencies through simple daily life and conversation exchanges, and the revelation of emotional problems and details of life in the dramas makes people feel that they are real and believable, and that cultural outputs that are close to life are easy to be recognized by foreign viewers.

Against the backdrop of soaring production of domestic TV dramas, experts recommend that China strengthen its commitment to product quality, and actively explore and produce TV products that not only carry the values of Chinese culture, but also conform to the international mainstream "cultural experience" and "feeling structure".

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2. At present, there is a deficit in China's cultural exchanges between China and other countries, and the quantity and quality of Chinese culture going to the world and foreign culture coming into China are hardly proportional. In order to reverse this deficit, some scholars have raised the issue of Chinese cultural output.

This problem is not accidental, but is the inevitable product of China's opening to the outside world to a certain extent.

With China's opening up to the outside world to further improve the level, people realize that China's contemporary cultural construction not only to "introduce", but also "output", some scholars believe that: "After the initial appropriation of the application, must have its own creative Some scholars believe that: "After the initial appropriation, there must be its own creative output, otherwise the nation will lose the real spiritual vitality," "China's contemporary culture needs to further determine its own cultural and spiritual growth point, through which to come out from the deficit of cultural exchanges between Chinese and Western cultures, and really start its own cultural creativity, towards the equal dialogue between Chinese and Western cultures, and cultural output. "

From 1934, when Lu Xun proposed nativism to the current cultural output, it has been 80 years, and the scientific concept of development requires that we open up to the outside world and adhere to the combination of "introduction" and "output". Expanding the space for development and enhancing the strength of development are not only requirements for economic construction, but also suitable for cultural construction. That is to say, our cultural construction should adhere to the "fetishism" and "cultural output" combination.

Scholars have pointed out that, although it is a great change for China's contemporary cultural construction to move from fetishism to cultural output, our cultural output should not be output for the sake of output, but should occupy a place in the development of human culture. Just as we bring in all the excellent cultural achievements created by mankind, our cultural output must also be the output of what is valuable to the healthy and upward development of mankind in China's contemporary culture, and our cultural output should be based on our original works, i.e., the works that can represent the image of China's country, the image of the Chinese people, and the image of China's national culture, and in the past, we have also exported a number of cultural products. In the past, we have exported some cultural products, we have also exported a lot of excellent cultural products, but, undeniably, some of the cultural products we exported are catering to the narrow needs of some people in the West, and selling some backward and ugly things of Chinese culture, and this kind of cultural output damages the image of China's country, the image of the Chinese people, and the image of China's national culture. This is what we must resolutely oppose.

So, the contemporary Chinese culture to solve the "deficit" phenomenon in the cultural exchanges between China and foreign countries, we must strive to solve the existing conflicts in the process of vigorously creating valuable cultural products. In this way, the Chinese nation can make its own unique contribution to the healthy and upward development of mankind. This kind of "valuable cultural products", first of all, contains the Chinese people's own values, therefore, some scholars use the words of the former French president, Mr. Derstein, to say: "China will not become a real country until it can export its values. China will not become a real power until it is able to export its values."

In view of the idea of moving from cultural fetishism to cultural exportation, some scholars have expressed their own views: First, less mention of "ism", a mention of ism will often go to the extreme; second, in the cultural or "bring" and "export" and "export" at the same time. "Output" and give equal weight to the cultural exchange seat should be interconnected, a hand into a hand out, should not move forward not appear only out not into. Nowadays, no country is willing to do only import business without losing export business, and this is also true culturally, otherwise it is not in line with the WTO agreement at all. "Bringing in" what we don't have. And is necessary: "bring" is not a wholesale westernization, swallowed in one go, but the figure and high, for my use. "Export" is not to be divided into good and bad "residual sales", cultural shoddy products should be eliminated from the export, the second best is bound to tarnish the reputation, the consequences are endless. Even China's excellent unified culture, although very rich, but also need to go through modern interpretation, in order to meet the needs of the current era of the world, can best reflect China's cultural soft power, should be through the Chinese and Western and from the practical needs of the original cultural concepts, cultural ideas and cultural products reflecting the characteristics of the times. Therefore, in the output of what, what cultural products and how to export and so on, but also need to make a comprehensive planning and action.

3. "It's really beautiful! Can you give it to me?"

"Oh my God, did you cut this out with scissors? It's amazing!"

Such praise, almost no need to hit the grass phosphorus, every person who sees the HD red paper cutting, can not help but let out such an exclamation!

The crowd of high-definition red and ordinary middle-aged women well different. But just give her a piece of paper. A pair of scissors, she seems to have the magic power to turn decay into magic in an instant.

"I was born for paper cutting." Because of paper cutting, HD Red's life path has never been the same. As one of the three major processes of Chinese folk paper-cutting, Guangling paper-cutting is characterized by colorful paper-cutting, and each piece of work is shaped by more than 20 processes, which is a handmade artwork that combines painting, color, and is regarded as "one of the best of Chinese folk art". 2009 Guangling paper-cutting, as a part of China's paper-cutting project, was listed on the Representative List of the Intangible Cultural Heritage of Humanity by the UNESCO. In 2009, Guangling paper-cutting, as part of China's paper-cutting project, was inscribed on UNESCO's Representative List of Intangible Cultural Heritage of Humanity.

Guangling paper-cutting has been passed on to the channel here. It has been the sixth generation. Perhaps it was the green mountains and green water of Guangling that gave her a clever mind. Perhaps it is the craftsmanship that has created her outstanding, since the age of 4, HD Hong forbade her grandmother and learned to cut window flowers, and at a young age, she was already able to independently complete the design of the ingenious.

Like many of her peers around her, after graduating from high school, HD Red went to work, and in 1996, she was in the county cement plant enterprise efficiency slump. She had to be forced to lay off. Returning home to a Confucian opportunity, she heard in the 1980s Guangling paper-cutting the main creative production base of Guangling Arts and Crafts Factory closed, buried in her heart for many years of the child attached to the "paper-cutting dream" suddenly sprouted, so follow the call of the dream, Qinghong paper-cutting Art Co. As Guangling folk paper-cutting art leader, high-definition red began to lead the Guangling paper-cutting folk culture industrialization of the road.

Starting from the "one year a withering, year after year on the window pane" of the window, Qinghong company scale bigger and bigger, the higher the level of doing more and more, monochrome into a colorful, folk into the national. By the high-definition red innovation "paper cutting plus or minus" so that the composition of the paper, out of the map force through the back of the paper, the traditional Guangling paper-cutting art pushed to the creation of a new stage in the many forms of paper-cutting into a single family, it is understood that the Guangling paper-cutting in the difficulty of the multilayered paper-cutting, high-definition red has been able to cut up to eight layers. This is also unique in the world. The market value of her works has reached tens of thousands of dollars. Secretary General Ban Ki-moon received a gift of paper-cut portraits created by HD Red, he was full of praise, saying, "It's amazing, it's even more beautiful than myself."

Qinghong paper-cutting more and more beautiful, the works are more and more far-reaching, today's Guangling Qinghong paper-cutting company is Shanxi Province, the big set as "folk handicraft art professional company" and was streaming products designated production company, opened more than 10 halls and offices around the country, and Qinghong paper-cutting not only into the Beijing Olympic Games, Shanghai World Expo, but also with the opening of China's cultural development to the world. , also with China's cultural openness to the international stage, the youth to achieve production capacity of 15 million yuan, export foreign exchange earnings of 1 million U.S. dollars.

Products out of the country, HD Red's mind in Guangling. "Chinese paper-cutting is part of Chinese folk culture, to the development of the road but difficult, over the years difficult to reach the hall of elegance. In order to protect the traditional Fanghua, so that the traditional culture to send out new vitality, we use 'company + base + farmers' form, leading the county tens of thousands of farmers engaged in the paper-cutting industry, but also specifically established Guangling County paper-cutting industry and culture park, with the power of the market to awaken the traditional culture. HD red told reporters, not long ago, they and the international ecological security cooperation organization to train more than 10,000 people in paper-cutting talent: at the same time also set up a paper-cutting folk art association, with a number of international organizations, trying to push Chinese folk art to the international market. 2013 July, HD red led the paper-cutting works of the "Qingming Shanghe Tu" scroll into the United Nations by the Secretary-General of the United Nations Ban Ki-moon and the Director-General of UNESCO Irina Bokova. Director-General Irina Bokova's high appreciation.

"It has been proved that traditional Chinese culture can occupy a place in the market, but this road is not easy to walk, the scale is relatively small, the market recognition is still to be improved." HD Red calls on society to pay more attention to folk culture, to create more docking platforms for traditional culture and the modern market, only in this way, traditional culture can really go to the market and flourish.

4. A large number of U.S.-based volunteer Chinese language teachers have taken on the role of cultural ambassadors on U.S. campuses and communities, and Xiao Qiong, a high school teacher from Sichuan, is one of them. Her one-year teaching experience in the United States left precious memories for her, her American students, and even her American "neighbors".

Xiao Qiong taught in a small town in Oklahoma, where she lived in the home of an elderly couple, and there was only one Walmart supermarket in the town. In the words of Gary, the man of the house, "the whole town pretty much knows each other." The Sichuan girl is recognized by the locals every time she goes out, and many of them greet her in a friendly way.

Cultural exchange boils down to the exchange of people, the exchange of feelings, Xiao Qiong said, he lost both parents in the 2008 Wenchuan earthquake, it is difficult to come out of the sadness for a long time, but the care of this elderly American couple, the warmth of the town's residents so that she really feel the true love of mankind.

Like other Chinese language teachers, Joan is equipped with a "resource kit" that introduces Chinese culture, ranging from myths and stories, to historical figures and classics. However, in her contact with the children, she herself is a "resource kit" for the locals to learn about China. "Do you have cell phones?" "Do you have a TV at home?" Behind each question is the American children's lack of understanding of China. Of course, it is impossible to avoid a clash of values when opening the "resource kit". "American teachers don't work overtime, Chinese teachers love to work overtime," "Chinese people love to save," and even the tears that filled Xiao Qiong's eyes when she thought of her family miles away, all of which made the children and even the adults truly perceive the concepts of the "Chinese" family, colliding with the concepts of the "Chinese" family. "

The Chinese people love to save, and even Joan's tears when she remembers her family from over a million miles away.

"We think she is the 'Made in China'." Gary humored the reporter, "If your country is going to send Chinese cultural ambassadors, it would be right to pick our Joan."

When reporters around the world ask, "What comes to mind when you think of Chinese culture?" In the equatorial side of the spring city of Nairobi, China-Africa relations majoring in the study of poor students Sekula told reporters: "Confucius, I will think of him. I have taken a lot of classes about China's foreign relations, Africa-China relations, and every time we encountered ideas that we could not understand, we joked that 'this is the idea of Confucius', and every time we looked for arguments in the debate class, we would always end up finding 'Confucius said...'. ...'. There are also many sages in the West, but Chinese sages seem to be the only ones I know about Confucius."

At a large stall restaurant in the Nairobi CBD area, Bailey, a 28-year-old customer, told a reporter: "I learn about Chinese culture through the Chinese people who work in Nairobi. I think in order for Kenyans to understand Chinese culture, the most important thing is the attitude of the Chinese people living in the local area, I hope that the Chinese people can communicate more with the locals, and the Chinese government should also organize more exhibitions in Africa, such as food exhibitions, traditional dress exhibitions, so that we can learn more about Chinese culture."

Reporters in the interview process is the most profound realization: in the integration of the flow of the global village, everyone is a country's most vivid "cultural card", what you convey, the other side will feel what. Improving China's cultural soft power and expanding the international influence of Chinese culture may seem like a huge project, but it starts with a foot in the door. The government needs to do a lot more to build a strong socialist culture, and the private exchange, industry cooperation is also urgent to evolve and upgrade.

Requirements

First, "given information 1" introduced the success of American and Korean dramas, according to "given information 1", please summarize what we can learn from the experience. (15 points)

Requirements: comprehensive, accurate, concise, no more than 100 words.

Second, according to the "given information 2", talk about your understanding of "cultural output". (20 points)

Requirements: comprehensive, accurate, general.

Requirements: comprehensive, accurate, and summarized.

Third, if you are a unit of observers stationed in Guangling, according to the "given information 3", to "HD Red's success to our inspiration" as the title of a material for the leadership reference. (25 points)

Requirements:

(1) specific content, in line with the actual;

(2) a clear purpose, in line with the theme;

(3) clear, general;

(4) no more than 500 words.

Fourth, the underlined part of "Giving Information 4" reads, "We think she is 'Made in China'." Please combine your thoughts on the given information and your realization of this sentence to write an essay on the topic of "Made in China as I Understand It". (40 points)

Requirements:

(1) Choose your own angle, and have a clear intention;

(2) Connect with the reality, and don't stick to the "given information";

(3) Think clearly, and use fluent language;

(4) 1000-1200 words in total. -1200 words.