The tradition of cross talk is to answer it only three times. Why did Degang Guo return to China 25 times?

The tradition of cross talk is to return to the stage no more than three times. Degang Guo returned to the stage 25 times because: 0 1. Degang Guo's idea. 02. Returning to the stadium is a traditional requirement, not a requirement, and it didn't affect others that day. 03. Degang Guo's own practice is relatively new.

0 1. Degang Guo thinks that customers are God, and crosstalk performers should agree to this request. In addition, that day happened to be the tenth anniversary of Deyun Society, and the audience was very excited. So after the performance, they repeatedly asked to return, and Degang Guo also returned 25 times to meet the customer's requirements. The appearance of returning to the stage is generally after the performance of a program, and at the request of the audience, it is necessary to return to the stage and perform another one. Of course, the drama should be performed well and the atmosphere should be very lively. Only when the audience is high will there be a great chance to ask the actors to return. Actors who can return to the scene must have high skills and must control the scene.

02. The cross talk tradition has been passed down in some cases. After listening to a work, the audience felt dissatisfied and wanted to listen to a few short ones. After the curtain call, the crosstalk performer can return to the scene and tell the customer a few more paragraphs. Let the customer's psychology be greatly satisfied. However, frequent return requires a lot of personal energy, which will mainly affect the performances of other actors and consume extra time.

Therefore, according to the convention of three things, it is required to return to the venue no more than three times, so as to effectively keep the audience's appetite and let people watch it next time. But this is not an express provision. When performing that day, Degang Guo was already the finale, and there was no one else behind. And his creativity and talent are enough to support many returns.

03. The mainstream crosstalk has been silent for nearly 10 years. Many crosstalk performers have turned to sketches or TV series, and Degang Guo led his Deyun Society to rise. This is an innovation in itself, and returning to the stadium 25 times is also an innovation.