How to write the composition "I see China's traditional culture and art"

I study China culture. Compared with academic monographs, I prefer another style-peaceful tone and profound details, although it is inevitable to be superficial and superficial.

In my opinion, Taiwan Province poet Yu Guangzhong is the best contemporary inheritor of China traditional culture. Every time I read his poems, I can feel his lingering about the traditional way of life and his sincerity and respect for the traditional culture of China.

When I die:

When I die, bury me. Between the Yangtze River and the Yellow River, my head is covered with white hair and black soil. In China, the most beautiful and motherly country, I will sleep peacefully, sleep on the whole continent and listen to the two sides. Requiem starts from the eternal music of the Yangtze River and the Yellow River, surging and facing the East. This is the most indulgent and spacious bed, so that a heart can sleep and think contentedly.

Then there is Yu's Fifteen Years of Wanli, which is the first monograph on the history of prose style, and Yu has taken this road more thoroughly. He thinks that we should find a simple and convenient way to treat the traditional culture of China, attract everyone into the temple of China culture, and give full play to what they need to know. He is trying to build such a bridge and let the culture go deep into the ordinary level. I think he did a good job.

Yu delivered a speech in Shenzhen, arguing that there are three reasons for the continuation of Chinese civilization:

First, the Chinese nation as a whole has never been an expedition nation. The theme of Chinese civilization is agricultural civilization based on Confucian culture, and there has never been an expedition nation in agricultural civilization. In this way, the tragedy of extinction due to war was avoided.

Second, there was no long-term chaos in the history of China. There were periods of war and chaos in China's history, but order was quickly restored. You can't help sighing about the imperial examination system in China's history. The imperial examination system provides a large number of young management talents for this country every three years. So many places in China are managed by these people. What is even more remarkable is that the imperial examination system does not test poetry and songs, but the ability to govern the country and level the world. This is a very clever method.

Third, China has never fallen into extreme religious fanaticism. After arriving in China, the religions outside were not so extreme, but became moderate and rarely aggressive. In China, with the flexible structure, many religious thoughts did not go to extremes, but survived. The elastic structure of Chinese civilization deserves our serious consideration.

three

To learn the traditional culture of China, we have to mention Confucius and Confucianism. However, after studying, I often have such questions. Why is it that an Analects of Confucius has been circulated for thousands of years, and generations of scholars can always find what they want from it, or help Wang? Reading the Analects of Confucius is really good, just like a wise old man telling you everything.

Commenting on China culture, Bai Yang pointed out: "Since Mr. Kong Qiu, there has not been a thinker for 4,000 years, and anyone who knows Chinese characters has annotated Kong Qiu's theory or Kong Qiu's disciples' theory there. They have no independent opinions, because our culture doesn't allow this, so they can only survive in this stagnant water. "

Some scholars have discussed whether Confucianism has lost its value of existence, and the answer is of course no. However, we must face the reality. For four thousand years, there has not been a thinker. Is Confucius so great? I think the person who said this is trying to point out that Confucius' thought seriously restricted the emergence of thinkers in a certain historical period.

This idea regulates people's daily behavior with the help of rulers. It requires people to follow the rules and not think about innovation, but Confucius can't be blamed for this disaster. Blame the rulers who use this idea. They are the biggest beneficiaries of this idea. Philosophers' thoughts will promote the initial stage of society to a certain extent. However, with the development of society, the limitations of thought will be revealed. Rulers often ignore the existence of this limitation and distort this idea for their own benefit. At any time, the philosopher's thought should not be a tool for rulers to seek personal gain. The result of this will be that our grasp of philosophers' thoughts and theories will be biased, and philosophers will become scapegoats for rulers.

four

Reading in class, there is one thing I have never understood. Why should we make some unnecessary comparisons in books? We always emphasize the "advanced nature" of China's ancient culture with China many years earlier than the West, as if to prove that China people have been smarter than the West since ancient times, as if only in this way can we show our national pride and cultivate the patriotic sentiments of the next generation. If so, we know the Pythagorean theorem more than 500 years earlier than the west, and the seismograph is 65438 years earlier than the west.

Culture is based on nationalities, and the nationalities in the world are colorful, so the world culture is rich and varied. We have no reason to say that the culture of one nation is more advanced than that of another. The Chinese nation has its own unique culture, and so does the West. Cross-cultural comparison can only distinguish cultural differences or similarities, but cannot compare which culture is "advanced" and which culture is "backward". Because China culture and western culture are two different systems, they may show some similarities because of their mutual influence, but we can never compare the division of "advanced" and "backward" on a two-dimensional one-way line.

I have always thought that calling the Great Wall "the eighth wonder", Guan Hanqing "Shakespeare of the East" and Suzhou "Venice of the East" is not something to be proud of, but just represents a blind arrogance. We must have a correct understanding of our own culture. The value of our culture is not based on the comparison with western culture, let alone the establishment of our own cultural value based on western culture. In the face of China culture with a heavy accumulation of intrinsic value, I think.

five

Don't think that as long as China is still here, China people are still here, Mandarin is still there, and the knowledge and cultural details about China are still there, China's traditional culture is still stable and even developing, whether it is pleasing or annoying.

Zhang Xianglong believes that culture, especially tangible culture or "elegant culture" which has had a great influence on a nation's characteristics and historical trend, is an organic life with her or their historical life and soul. Whether this kind of culture still exists depends mainly on whether she still lives in the real life of a nation or community. The specific sign is to see:

(1) Is there a strict successor to this culture, that is, some people consciously inherit her "orthodoxy" in a group way and with their own life practice; (2) Whether the most basic social structure on which she lives still exists; (3) Whether her basic value orientation can still affect people's major choices in life; (4) Whether her unique language still lives in the writing and art forms where people express their key thoughts and deep feelings.

In short, whether a culture has vitality depends on whether its basic spirit can still impress the real people and whether it echoes the real life and historical process.

This formulation may not be correct, but it has a warning effect on examining reality. We can see that there is basically no collective way in contemporary society to consciously inherit the descendants of Confucian orthodoxy or cultural essence with all their life activities. Secondly, the social soil on which Confucian culture depends, that is, the family-based, agriculture-based, semi-natural and semi-educated group structure, has been declining and almost dying since China devoted himself to industrialization in the western sense. Moreover, the basic value orientation of Confucian culture, including Taoist and Buddhist cultures, basically did not affect the important choices faced by modern China people in their lives. Finally, does the unique language of Confucianism and even traditional culture still live in the words and art forms that people express their key ideas and deep feelings? The situation seems to be that although there are still remnants, they are in jeopardy. The use of simplified characters and horizontal arrangement has changed people's way of thinking to some extent. The classics of ancient history are getting farther and farther away from us.

From this, we can draw a general conclusion that the traditional culture of China, which is dominated by Confucianism, has fallen into a crisis of survival, which can be said to be "the people are living in poverty. Judging from the current development trend, the overall situation is still deteriorating. The current situation is that our own culture, even the overall cultural soil, is rapidly becoming barren, inorganic, simple, hardened and desertified. The blood of our Chinese nation is flowing away from the Yellow River. This once completely politicized issue has gained and is gaining more and more sad cultural significance.

six

This year, the murder of Ma Jiajue attracted the most attention of the society and made college students think. After the dust settled, people mostly blamed the utilitarian education system and ideas, but they saw a novel article "Ma Jiajue and China Traditional Culture" on the unnamed website of Peking University. The author thinks that the Ma Jiajue incident exposed the dark side of China traditional culture-"bloodthirsty".

Then the author cited many examples to prove his point of view-although Confucius, the founder of Confucianism, held high the banner of "benevolence", he was unambiguous in killing people. Historical Records of Confucius recorded the fact that Confucius killed ministers and actresses when he was the governor of Lu. Qin Shihuang burned books to bury Confucianism. Did he spare one of his own? There are countless examples of peasant uprising leaders: Huang Chao himself is a demon who kills people without blinking an eye, and Zhang Tuchuan and Wei Changhui killed their old comrades and silenced them. ...

Traditional literary works are even more murderous, which makes people shudder to read. In Water Margin, Li Kui jy's chopping with an axe is more agile than chopping watermelons. He is really an outstanding representative of "If you want to do something good, you must sharpen your tools first", but no matter whether he kills bad people or good people, those people's right to exist has been taken away. Journey to the West is not inferior to the Water Margin. When people watch the Monkey King kill all kinds of demons with a stick in the Western Heaven, in modern times, we can also see how many stories in the Xiangxi world written by Shen Congwen are so used to killing that even children are not afraid of death and play in dripping blood. Scholars may also be fascinated by the pleasure of killing people in their own hearts. Many of China's ancient poems are full of longing for the pleasure of killing people with swords.

Therefore, in the end, the author thinks that if the spirit of murder in China culture is not eliminated, it will be passed down from generation to generation as a cultural gene, and the evil of murder will also be passed down from generation to generation.

Draw a conclusion that it is our nature to be indifferent to other people's lives.

Regardless of whether his remarks are reasonable or not, it is very valuable for the author to dissect China's traditional culture from another angle. As a college student, Ma Jiajue studied hard for ten years and should have read many books about China culture, but his behavior can only reflect the dross and the dark side of China traditional culture.

seven

On September 9, 2004, the front page of China Culture Newspaper had an article entitled "Preventing traditional art from being born among the people and dying in temples". At the end of the article, Chang Xianglin, a famous critic of Quyi, said that it is just and justified for people to ask traditional art to keep pace with the times. In the face of the reality of traditional art, "it is better to be a variety than to be extinct". Although this statement is somewhat vigorous, it is really thought-provoking.

The Athens Olympic Games has just ended. This sports event left us with more questions about China 2008 and more explorations about the People's Olympics. Greece has taken a good step. How to get to China? It has become the biggest problem we are facing now.

Professor Jin, executive director of the Olympic Research Center of China Renmin University, said in a dialogue program that the core of the Olympic spirit is a positive philosophy of life and a deep humanistic concern for mankind. In the final analysis, the Olympic spirit is a kind of culture, and culture is the soul of the Olympic movement. Since ancient times, China believed that "the nature of heaven and earth is precious" and "the virtue of a benevolent person's livelihood". The purpose of the Olympic Games is to arouse the value of human beings to themselves, which can not be ignored.

Brilliant China, a century-old opportunity, and the 2008 Beijing Olympic Games are of great historical and practical significance to China in the new strategic opportunity period. The cultural power of the People's Olympics calls for the reconstruction of China's civilized value, which pushes China's culture out and gives us an excellent opportunity to rebuild the international image of cultural China.

The world gave me 17 days, and I gave the world 5000 years.

It's time to seize the opportunity, dust off and let the essence of traditional culture shine in front of people all over the world.

eight

I have always thought that honesty in learning is a very lonely thing, especially trying to find something shiny from a vast pile of old papers. Therefore, I am in awe of the teachers who have taught us China culture. When I think of a poem, I think it is very appropriate to give it to the teachers, who are crowded with people and have no intention of repaying it.

Who is still wading in solitude, who is not a fallen torch, ignited passion, wounds cut by rocks, can also make pleasant waves, and the transparent fragrance flowing out, accompanied by the surging sound of water, becomes a long ballad that is gently sung in the mouth. With this kind of listening, the dreamland hollowed out by the prosperity and the ups and downs of the waterway are all rumors of your ebb and flow.

Maybe you don't know that in the middle of the distant water, people retreat behind, and the real shore is not in front, but in an illusory description. Loneliness is a faithful companion in this life. When you reappear in the subsequent commemoration, you are already addicted to your own imagination. At that time, who will judge that you are the only fish that can fly in the vast sea?