Why does founding ceremony's oil painting need to change a person and get rid of a person? What happened?

Once, after 1954, Jeremy goldkorn was completely annihilated among state leaders; The second time was 1972, and Liu Shaoqi was removed. During the Cultural Revolution, Liu Shaoqi was not classified as a right-wing counter-revolutionary, but it was certainly removed.

The author introduces:

About the author: Dong (19 14- 1973), a famous oil painting artist in China. Professor, Central Academy of Fine Arts, Shaoxing, Zhejiang. 1933 was admitted to Suzhou Academy of Fine Arts, and 1934 was admitted to the preparatory course of Hangzhou Institute of National Arts, and was admitted as an undergraduate by this school. 1938 studied in Shanghai Academy of Fine Arts for half a year, and then went to Yuanling Institute of National Arts in Hunan. After the school moved to Guiyang, it often went to Miao village to sketch. 1939 moved to Kunming with the school. After graduation, he was recommended by the school to study at Hanoi Academy of Fine Arts in Vietnam and returned to China soon. 65438-0940 worked in the editorial department of Guizhou Cooperation Committee. From 1943 to 1945, he copied murals in the National Dunhuang Mural Research Institute. 1946 teaches at Beijing Institute of Art, 1949- 1973 teaches at Central Academy of Fine Arts. Before his death, he was a member of the Second China People's Political Consultative Conference, a member of China Artists Association, a member of the Creation Committee of China Artists Association, and the deputy head of the painting group. Director of teaching and research section of oil painting department of Central Academy of Fine Arts. He used to be the person in charge of the sculpture creation of the Monument to the People's Heroes, and made the relief sketch of Wuchang Uprising. His works have participated in many national art exhibitions and have been exhibited in salons in Hong Kong and France. And has been chosen as the national gift of China's military and political delegation to go abroad for many times. Founding ceremony is a masterpiece in the process of nationalization of China's oil paintings, which has been affirmed by central leaders such as Mao Zedong and Zhou Enlai. His artistic foundation is profound, and he emphasizes observing the object as a whole and summarizing the description. Attach importance to painting with emotion, painting with emotion. The works have a strong flavor of life and are deeply loved by the masses.

Art appreciation:

Theme: The work is a revolutionary historical painting popular with the masses. It shows the magnificent scene of founding ceremony, New China, and reproduces the epoch-making moment that "the people of China have stood up since then".

Appreciation of works:

1) founding ceremony concluded that the painting is an oil painting with a width of 4.05 meters and a height of 2.3 meters. 1952 As for the works of 953, they are now in the Museum of Chinese Revolutionary History.

The main body of the picture is President Mao Zedong and other central leaders standing at the gate of Tiananmen Square. On behalf of hundreds of millions of China people, they solemnly declared to the world that People's Republic of China (PRC) was founded and the people of China stood up. This solemn voice resounded through Tiananmen Square, echoed in the motherland and shocked the whole world.

On the picture, although the national leaders only occupy one third of the picture on the left, they are particularly eye-catching against the warm red lanterns, red pillars and red carpets. In the center of the picture is President Mao Zedong's vigorous posture, which also embodies the core of leading the whole of China, echoing thousands of people in Qian Qian in the distance, and * * * is proud of turning a new page in the history of China. Painters show the boldness and elegance of a big country in composition, color setting, character handling and other scenes. If you have been to Tiananmen Gate, you will appreciate the boldness and originality of the author's composition. The painter widened the actual distance between the red pillars on the left and right sides of the picture and moved a group of red pillars on the right out of the picture. Spread the railings, carpets and parades in parallel, so that the grand mass scene can be fully expressed.

Tiananmen Square faces south, and the central leaders stand behind President Mao Zedong, facing south and facing away from the audience. The painter boldly moved the position of the central leadership to the left corner, thus eliminating the phenomenon of backlighting and facing away from the audience, making the picture brighter and more cheerful. Careful observation shows that Chairman Mao and his party are not facing due south. In addition, the day of the ceremony was rainy, but the painter changed it into sunny and crisp autumn weather, which made people feel happy and relaxed. All these bold changes, the average person will not notice when looking at the painting, nor will they analyze these situations, giving people the impression that this painting truly and aptly represents the grand occasion of founding ceremony. It has to be like this. This is the artist's bold and superb composition skills, which embodies a profound truth: art is not a "copy" of life without distortion, and the truth of art is not the truth of life. The expression of art is determined by the needs of the theme.

In this painting, the painter strives to adapt the western oil painting techniques to the aesthetic standards of our nation, especially in color processing, emphasizing the simplicity and strong contrast of colors. The red carpet, red lanterns, red pillars and the sea with red flags in the distance are in contrast with the blue sky and green trees, making the picture warm and lively; The contrast between golden chrysanthemums and blue sky and white clouds. It not only points out the crisp autumn season, but also echoes the Huang Sui with lights, enhancing the luxurious and gorgeous celebration atmosphere. In a word, painting emphasizes the inherent color of objects, weakening the color method of western painting that changes with light and environment. Soft into China's meticulous painting skills and the characteristics of Dunhuang murals. When the painter painted the red carpet, he also ingeniously added sand grains to the pigment, which received unexpected artistic effects. The painter's profound artistic foundation makes this painting an excellent work with strong artistic appeal.

2) founding ceremony's historical experience.

As a historical painting, different from other paintings, we should use the viewpoint of historical materialism to express the essence of things and respect the authenticity of history. This painter has just the right proper limit in dealing with historical truth and artistic expression. Then the painting was distorted and revised twice. Once, after 1954, Jeremy goldkorn was completely annihilated among state leaders; The second time was 1972, and Liu Shaoqi was removed. This goes against the truth of history. So 1979 After the Third Plenary Session of the Eleventh Central Committee of the Party, this painting was restored to its original appearance.

achievements of art

It embodies a turning point in the history of China-a historical picture of the birth of the people of China.

It is a new starting point in China's painting history-a model of combining western oil painting techniques with China's traditional painting techniques.

It shows that literature and art are both above life and loyal to life. Historical painting should not only respect the truth of history, but also refine art.

conclusion

Founding ceremony. It is an epoch-making historical picture scroll, a masterpiece of combining western painting (oil painting) with traditional painting techniques in China.