The representative works of suona

Hundreds of birds fly to the phoenix, suona solo, there are different versions all over the north. 1In the spring of 953, the team from Heze, Shandong Province participated in the first national music and dance performance as a suona solo, which was warmly welcomed. Later, with the help of professional musicians, Ren Tongxiang, a famous suona musician, compressed the singing of birds and deleted the crowing of chickens, designed a colorful phrase, and expanded the allegro's tail by using the long sound playing skills of special circulation ventilation method, so that the whole song ended in a warm and jubilant atmosphere. With the warm and cheerful melody and the sound of birds singing, music shows a vibrant natural scene. Family photos, suona solo, qupai and folk opera singing in Anyang area, northern Henan Province. The melody direction, mode color and performance characteristics of this song all give people a simple, free and aggressive meaning, which makes you unforgettable. The song is composed of scattered board, medium board, allegro and flying board, which can be said to be a typical traditional board structure and conforms to the traditional aesthetic trend of China people. From scattered board to positive board, from adagio to allegro, from narrative to agitation, it gives people a feeling of thinking, liberation and perfection. The unique regional style and accommodating performance skills give many performers a platform and opportunity to show their talents. Such as spitting, shivering, sliding on the board; Deep connotation, softness, strength, the change of strength and the echo, swallowing, spitting and breaking of Allegro all give the players room to display their talents. In particular, the flying board part is "sparse" and the climax is repeated. Sedan chair music is Chinese folk opera music. Music arranged according to the movement, walking and movement state of sedan chair is widely popular among Chinese people. It is one of the traditional classical folk music in China, and its performance form is mainly suona. Because of the long history, the author of music can't be verified. Open the door in six characters, suona solo, which turned out to be a folk instrumental card. The tune is smooth and the mood is light. In China's traditional opera, people often change clothes, clean up and pay homage on the road, which is a variant of Little Door. In the first half, the "air arch sound" and "air top sound" techniques that simulate human laughter are used to make the melody beautiful as a song; In the second half, the single and Shuang Tu techniques are used to play the "three-stringed sound" technique similar to the three-stringed sound, which combines short and elastic music with brisk rhythm. The artistic conception of music is lively and cheerful, which makes the music contrast more vivid and obtains better artistic effect. The suona solo "Social Situation", written by Gleiter, was selected by the Music Publishing House in the activity of 1965 "Music Works Serving Rural Essays", and was included in "Selected Instrumental Music Works in the Thirty Years after the Founding of the People's Republic of China", which was recorded and performed by Japanese, Korean, American, Nepalese and other countries. A favorite suona song. A flower, suona solo, was also written by 1959 spring according to folk tones such as Shandong local opera. The music begins with a scattered board, based on the "Kuqiang" of Shandong Bangzi, solemn and stirring, followed by a narrative adagio, gentle and moving. Finally, I got up slowly and turned to the middle board, taking Little Pink as the material, with lively rhythm and light music. After that, the unfolding paragraphs with the characteristics of "ears" appear, the short sound patterns are repeated, and the long sound "wheels" appear alternately, rendering a blazing and jubilant atmosphere. Fengyang Gejiban, a famous advocacy song in southwest Shandong, is also a well-known suona song, but the flute with the same name arranged and transplanted by Mr. Hao Yijun is little known. Based on the understanding of Qin Shu music and the teaching practice of flute and suona for many years, the author makes an in-depth analysis of the structural layout, material source and style expression of the flute music "Fengyang Song", and emphatically expounds nine problems that should be paid attention to in playing this song. The melody of the introduction is open and melodious, ups and downs, which shows the personality characteristics of Shandong people, such as enthusiasm, simplicity, boldness and fierceness. A salesman came to the mountain village, and the adagio part of the music was mainly "Fengyang Song". Its melody is fresh and lively, its charm is vivid and unique, and it looks interesting through variations and the use of various playing techniques. Solo Solo, Zhang Xiaofeng. Based on northeast folk's tone, the music depicts the scene of buying and selling goods in the mountain village, which is combined with lyricism. The music is light and humorous. Music is divided into: Rushing, Shouting, Valley Echo, Village Liveliness, Shopping, Farewell and Moving on, and each title indicates the content of this passage. Describing the happy and lively scene of selling goods in mountain villages is a work that reflects the theme of real life. Homesickness was written by Mr. Wang Guotong according to the "Kuqiang" and "Qiyanqiang" of Taiwan Province local opera "Gezai Opera". The author wrote in "Requirements of Music Performing Arts": "Gezi Opera in Taiwan Province Province and Mi Opera in Fujian belong to the same genre, both of which are closely related to folk songs and dances, vigorous songs and sweeping the floor in Fujian, so the original name of the song is Huai Mi Qu, which means Mi." Now when the original title is restored, the word' Xiang' is changed to' Xiang' to make its meaning more accurate. The original song of Song of Nostalgia is divided into three parts. The first paragraph: Show Taiwan Province compatriots' deep nostalgia for the motherland and their loved ones. This slow and long melody, with deep and sincere feelings, is like Taiwan Province compatriots earnestly telling their wishes: "Home is thousands of miles away, flesh and blood are in the west, affection is in the east, leaning against the fence and homesick." The second paragraph shows the excitement of Taiwan Province compatriots when they see the prosperity of the motherland, and their praise and yearning for the motherland. The third paragraph: I feel even more excited, which shows the eagerness and firm belief of Taiwan Province compatriots for the reunification of the motherland. Jia Pengfang adapted and performed Nostalgia, omitting the second and third paragraphs and changing the first paragraph. Less excitement and excitement, more sadness and yearning. The beautiful melody makes people think a lot, which is the most touching aspect of China's erhu. In the early 1980s, due to the need of performance, Erbaban, a suona song in western Henan, was added, with the duration changing from binary to four and a half minutes, from soprano suona to alto suona, and the words "Erbaban in western Henan" were added before the Erbaban. The Eight Banners, the second part of western Henan written and revised by Mr. Liu, was handled by Hao Yu 1983. Through the nuanced simulation of the alto suona, the blowing cavity is full of strength in the ecstasy, and it is feminine in the profound simplicity, like chanting and humming; Here, the soft singing of the breathing voice like a little water makes it blow into the air more touching. Allegro in the third paragraph, in the development and change of Allegro in Henan Opera, the coloratura is ups and downs, giving people a sense of joy. "Huangtu Qing" and "Huangtu Qing" were created by Mr. Zhou, a famous contemporary suona performer in China, on 1992. This work won the first prize for solo works in the third national orchestral exhibition, and was later poured into the suona album played by the author. This work is deeply loved by suona lovers at home and abroad, and is often played by professional group suona players. The song expresses infinite attachment to the Loess Plateau with melodious melody, and the unique artistic expression of suona is fully exerted in the music. Tianle is a suona concerto written by Zhu Jianer, a famous Chinese composer, for Liu Ying, a famous suona player, in 1988. Premiered at Shanghai Culture and Art Festival on 1989 and won the "Outstanding Achievement Award". In the same year, in June 5438+10, it was selected as the second "China Art Festival" in Beijing. 199 1 performed again by the Hong Kong Chinese Orchestra, which received strong response. Tianle's style is passionate and humorous. The composer organically combined the national charm, modern techniques and the style of the times, and opened up a new exquisite and elegant artistic style for the suona, which has always been known for its rough and unconstrained style.