Qian Meihua's design concept and award-winning situation

He knows a lot about Chinese traditional patterns. Adhere to the people's aesthetic concept, advocate not copying the ancients, not sticking to conventions, inheriting traditions, and constantly exploring and innovating. The patterns she designed are quiet and dynamic, and the multi-level decorative techniques are rich and uncomplicated, forming her own unique artistic style. She was the first to break through the frame that cloisonne crafts can only express meticulous patterns, and moved Qi Baishi's ink and wash freehand brushwork to cloisonne works. He was in charge of the development of the second generation product "Silver Crystal Blue" of Cloisonne, and won the third prize of scientific research achievements of the Ministry of Light Industry (1987) and the third prize of national technical progress (1988). It constantly explores and innovates in expression techniques, and together with the master of point blue, it creates four new glazing methods, such as removing point blue and dyeing point blue. In the 1980s, the simple and elegant tone, namely harmonious color, was put forward and popularized, and the artistic effect of cloisonne color was enhanced by using the principles of chromatics and the method of glaze color optimization. Many of her works have won national, ministerial and municipal gold medals, and Hundred Flowers Award Gold Cup Award of China Arts and Crafts this week (198 1). In 2005, Ode to Peace won the second Beijing Gongmei Cup gold medal. Ruyi was awarded the Excellent Creation Award of the Ministry of Light Industry (1979) and the Gold Award of the "golden phoenix" Innovative Product Design Grand Prix of the 4/KLOC-0 International Tourism Products and Crafts Fair (2006); Bottle with Bowl Cover won the gold medal of China Arts and Crafts in the second China International Cultural and Creative Industry Expo in 2006.