Traditional Culture Encyclopedia - Traditional customs - A Brief Introduction of Liu Jicheng's Twelve Golden Hairpins in A Dream of Red Mansions
A Brief Introduction of Liu Jicheng's Twelve Golden Hairpins in A Dream of Red Mansions
Liu Jicheng; Director of Dalian Folk Writers Association. National technician, national technical expert. 1989, Department of Chinese Painting, Lumei College, Shenyang. 1992 joined the work and has been engaged in food carving industry since then. In 2004, a training course on dough modeling was held.
"Noodle Sculpture" is a unique skill in China and a part of traditional folk art and culture in China. With the improvement of people's living standards, many excellent dough sculpture lovers have emerged in the society, which can be described as masters like a cloud. Among many traditional dough sculptures, ladies also account for a large proportion. This enduring theme can attract so many dough sculpture lovers to express it, mainly because the "beauty" contained in "The Picture of a Lady" deeply infected dough sculpture lovers and audiences.
Today, people are entangled in more and more complicated and trivial things, and all kinds of anxious and impetuous emotions cannot be dismissed. It is reasonable to look for peace and poetry. Looking around, it is like the breeze fading the bright moon and the microwave clearing the blue sky, which has become a specific humanistic feeling expressed by the author. It is a rural area far away from industrial civilization and modern city, full of quiet and distant poetry with small bridges and flowing water and fishing boats singing late. Isn't this the image we're looking for? Perhaps the author devoted himself to creating exquisite dough sculptures out of his yearning for beauty and poetry, which aroused the soul shock and * * * sound of dough sculpture lovers and all the audience.
After reading a lot of artistic materials and studying traditional dough figurines for a long time, the author combines his works with many artistic elements in painting and has a modern understanding of traditional dough figurines. No matter those "small screen fans" or "stone flowers", they just cater to the specific atmosphere of the works. It makes the effect of the work reach a very ideal state and brings the viewer into an artistic space to discuss and change beauty.
Obviously, the organization of these objects has been integrated with personal interests and modern colors, while the handling of characters is obviously inclined to realism. The dignified and beautiful temperament of these characters brings a touch of charm and elegance. They are different from the traditional facial sculpture ladies in the past, with only form and no expression. They are living "people", as if they can communicate with them. The lady in the author's hand is full of national culture, and he expresses the subtle beauty of the red chamber with exquisite techniques, feeling that even the folds and lines of the characters' clothes are so exquisite and gorgeous. Describe it in one word: Wu Chengfeng.
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