Seeking 100 Han folk songs

The genre of Han folk songs (what types? Division basis? Their respective characteristics) Genre division basis: social life, singing occasions, social functions, musical expressions and musical characteristics. Classification: There are three kinds of national folk songs: labor songs, folk songs and minor. Labor chant: carrying chant, engineering chant, farming chant, workshop chant, boat chant. Folk songs: pastoral songs, Tian Yang folk songs, general folk songs [Xintianyou, Huaer, Qu Shan, Mountain Climbing Tune, Divine Comedy]) minor: 1. Minor evolved from Ming and Qing folk songs (Meng Jiangnv tune, coloratura tune, embroidered purse tune and cut indigo coloratura tune) 2. Local minor. 3. Song and Dance Tunes (Hua Gutiao, Lantern Tune, Lantern Tune, Tea Picking Tune, Yangko Tune, Dry Boat Running) (1) Types of labor songs: Shoudan Song, Chuan Ram Song, Chuan Ram Song and Xiang Ram Song. 2. Lyrics: content words, lead singer. Function words, ask for help. 3. Rhythm: fixed repetition. 4. Singing form: mainly composed of one leader and many people, as well as solo, duet and chorus. 5. Music structure: short, simple and repetitive. (1) Types of folk songs; 1. pastoral, 2. Brief introduction of Tian Yang folk songs. 3. General folk songs:. Xintianyou [noun explanation: Xintianyou is mainly popular in northern Shaanxi, eastern Ningxia and Gansu. It is high-pitched, unrestrained, deep and simple, reflecting the spiritual outlook of the people on the Loess Plateau; Most people sing about love, the hardships of life and parting. Features: the upper and lower sentence structures (more than seven sentences), the upper sentence likes to use metaphors, the theme of the next issue, and the rhyme at the end of the sentence is "The Porter's Tune", "The Sophora Tree Blossoms", "The Blue Flower" and "My Brother Became the Red Army". Huaer [Ningxia, Gansu and Qinghai]. "Flower Show", I ordered a love song. Looking at Pingchuan on the mountain, a pigeon is flying in the void. Qu Shan (Sour Qu) [Northwest Shanxi, Shaanxi. Take the west exit. Features: inner pain, emotional sadness. "Everyone is here, but you are not" (Hequ, Shanxi). Divine Comedy [Yibin area in southern Sichuan, suburban county of Chongqing, Chongqing county in western Sichuan. The lyrics of Divine Comedy are subtle, literary, delicate and profound, with more than four sentences. "When will the Sophora japonica bloom?" And "the whistle should go through the ditch." . B. Folk songs are divided into high-pitched folk songs, flat-pitched folk songs and low-pitched folk songs according to different singing methods. (2) Characteristics of folk songs: The lyrics of folk songs reflect all aspects of rural life and are improvised. The lyrics are mainly seven words, with more words. Modal words are the most commonly used in folk songs, and the combination of modal words with free extension or drawling forms the unique characteristics of folk songs. Folk music: bold and clear. Widely used free-expanding tones and drawstrings. Free extension is combined with the calling at the beginning and end of the song to form a front cavity or a back cavity, which is a unique feature of folk songs. Singing forms: solo, duet, chorus, chorus, etc. Music structure: most of them are short, simple and diverse. The combination of density and lyricism. Southern folk songs have four phrases and a single paragraph. Third, the concept of minor: also known as ditty, slang, folk songs, etc. Generally speaking, it refers to songs sung during leisure and entertainment. Function: Reciting artistic conception and entertaining (1) Minor classification: (Minor evolved from popular songs in Ming and Qing Dynasties. Local minor. Song and Dance Minor) 1. A minor evolved from the folk songs of the Ming and Qing Dynasties: [Meng Jiangnv tune (good at expressing bitterness and sadness, tactfully touching feelings. Multi-voice style and sentence pattern) Flower cavity (part of jasmine original words) Embroidered purse-string tune, cut indigo flower cavity] 2. Local minor. 2. Song and dance minor (Hua Gutiao, Lantern Festival, Lantern Festival, Tea Picking, Yangko, Dry Boat Running) (2) Minor features: 1, with more rigorous structure and less improvisation. When it comes to stereotypes, art is more mature. 2, the melody is strong, and the melody is smooth and beautiful. There are twists and turns, there are all kinds of rotations. 3. Rhythm and beat are regular and balanced. The rhythm of the southern minor is relatively stable, and the northern minor is often weak. The lyrics are relatively fixed. 4. Singing forms include solo, duet and chorus. Often accompanied by musical instruments. 5. Common music structures are corresponding and connected. Edit this Han folk song. The folk songs in the Northeast Plain include the lower reaches of the Yellow River, such as Shandong, Hebei, the capital of Northeast Henan and northern Jiangsu, as well as Liaoning, Jilin and Heilongjiang provinces, which are basically coastal plains. Use eastern and northern dialects. The folk songs here are mainly in minor, followed by yangko and chant, and there are few folk songs. Representative folk songs include Chinese Cabbage, Fan Painting, Yimeng Mountain Minor, Watching in a Small Theater, etc. Northwest plateau folk songs include Shanxi, Shaanxi Dadu, northwest Henan, Hetao area of Inner Mongolia and Han nationality areas in Gansu, Qinghai and Ningxia. Northeast folk is separated from Taihang Mountain in the east, south of Yinshan Mountain in the north and north of Qinling Mountain in the south. Use the northern dialect of the northwest capital. The most prominent folk songs are Pilgrim's Progress, Folk Songs, Mountain Climbing Tune and Flowers. Followed by yangko and minor. Famous national tracks include Walking to the West, Sacrifice Spirit, Lanhuahua, Pushing Fried Noodles, Five Brothers Pasturing Sheep, Planing Potatoes, Embroidering Gold Monument and so on. Jianghuai folk songs include the central Jiangsu, northern Jiangsu and most of Anhui in the Huaihe River basin, with Dabie Mountain and Jianghan folk song area as the boundary in the west. Use jianghuai dialect. Tian Ge is the most popular folk song, minor is prominent, followed by folk songs. Famous tracks include Jasmine, Yangliuqing, Fengyang Flower Drum, Pigen Chai Luhua and so on. Folk songs in Jiangsu and Zhejiang Plain, including southern Jiangsu, Shanghai and most of Zhejiang, were the land of wuyue in ancient times. The dialect used is Wu dialect. Folk songs are mainly in minor, and the famous tracks are Purple Bamboo Tune, No Tin Scenery, Jasmine Flower, Crying July 7th, Anti-Bird, etc. Fujian and Taiwan folk songs include most of Fujian, most of Taiwan Province Province and Chaoshan area in Guangdong. Fujian and Taiwan Province Province have had cultural relations since ancient times. The local Han people in Taiwan Province Province have been using Minnan. In addition, there are some local operas and rap music in the two places. Folk songs are prominently displayed in folk songs, pastoral poems and minor tunes, and the famous tracks include Tea Picking and Butterfly Picking, Tea Children's Songs, Nothing in the Sky and so on. Guangdong folk songs include Guangdong Dadu, southeast of Guangyou and parts of Hainan in the Pearl River valley, with Nanling as the boundary in the north and adjacent to Jiangxi folk song area. In Cantonese. In the past, fishermen were an important social stratum in this area. The fishing song "Saltwater Song" is the most prominent folk song. Famous tracks include Falling into the Water, Spring Cattle Tune, Li Limei and so on. Folk songs in Jianghan Plain, including Hubei, southwest Henan and parts of northern Hunan, are the center of ancient Chu culture. Use southwest dialect. Tian Ge folk songs are the most prominent, followed by lantern songs, minor, folk songs and folk songs. Well-known tracks include Sister Huang and Honghu Fishing Song. Xiangchu folk songs include several counties in the northeast corner of Hunan and Guangxi. People are advocating and attacking Chu style, which is inextricably linked with Jianghan folk song area, but the dialects used are different, and Hunan dialect is widely used in this area. The most representative folk songs are folk songs and Tian Ge. Well-known tracks include Country Girls Entering the City, Lotus Pond by the Lotus Pond and Going to Sichuan. Jiangxi folk songs take the central, northern and eastern parts of Jiangxi as the basic scope and use Gan dialect. It has the nature of the transition zone of eastern and western cultural exchanges in the Yangtze River basin, and folk songs are highly blended. Tea songs are the most distinctive, followed by minor and lantern songs. Tian Ge's "Drum Song" is also excellent. Well-known tracks include "Azalea Blossoms", "Picking Tea Seeds" and "Sending Lang to the Red Army". Southwest plateau folk songs include Sichuan, Yunnan, Guizhou, southern Shaanxi and parts of northwest Guangxi. The northern part is bounded by Qinling Mountains, and southwest dialect is commonly used. The representative folk songs are folk songs, followed by lantern songs. In addition, Chuanjiang boatman's chant is also very distinctive. Famous tracks include Catch the Horse Tune, When will the Sophora flowers bloom, and I live in Guiyang, Guizhou. Hakka folk songs are widely distributed, with a population of more than 80 million, mainly including the border areas of northeast Guangdong, southwest Fujian and southeast Jiangxi. Hakka people are concentrated here. Hakka people immigrated from the northern Central Plains in ancient times because of the war. They keep the ancient legacy and use Hakka dialect. Folk songs are mainly folk songs, and the famous tracks are Red Light Song and Wind Blowing Bamboo Leaves.