A good piece of lacquer painting paper needs more points.

On the material characteristics and expression of lacquer painting art Abstract lacquer painting art can be regarded as a scientific aesthetic style, and also as an understanding and expression of an artistic technique in the artist's subjective feelings. From the material technology of lacquer painting as the breakthrough point, from the overall material technology height of lacquer painting art to find and grasp its aesthetic characteristics.

Keywords lacquer painting art aesthetic characteristics material craft visual art

From primitive society to today's highly developed civilization, materials play an important role in shaping and expressing the three-dimensional space of any works of art, and are also one of the indispensable conditions. If the performance of the material to the work is extracted separately, it is the property of the material itself. Will not involve other factors in the work. In the process of artist's creation, the material-visual perception has changed greatly. It is the feeling of the material itself to the creator and the alienation of the concept of the material itself by art. Different materials have abstract, concrete and malleable meanings, which reminds people of the idealization of the material itself and makes the material malleable in the process of expressing the picture.

Lacquer painting, as its name implies, is based on "lacquer" as the main carrier to express the picture, and lacquer as the main media material to create. Lacquer painting is the combination of China traditional lacquer painting technology with modern science, art, technology and materials. Material is the basis of lacquer painting art, and lacquer painting is composed of various materials mainly based on lacquer. Natural creation provides rich material resources for visual arts. Different materials show different textures and different aesthetic feelings, such as Japanese and Vietnamese lacquer paintings. As we all know. The materials of lacquer painting have been carefully selected by artists and displayed on the screen through certain forms of expression, which has become a new form of visual works. When we are in the process of creating lacquer painting, aiming at the processing and integration of various materials, the aesthetic feeling of various materials is different after processing and polishing. The choice of materials has a great influence on the concept of lacquer painting that the author wants to express. The formation of a material aesthetic language can not be separated from the author's research and utilization of various materials, and the aesthetic characteristics constantly choose materials. On the contrary, it also affects the aesthetic consciousness of lacquer painting. The so-called "qualified person, artistic integrity." In other words, the material is beautiful.

Mr. Qiao, a famous lacquer artist, mentioned in his book "China Fine Arts Education Department Fine Arts Volume Lacquer Art": "Lacquer art has a very narrow meaning and is limited to lacquer", which has a wide meaning. Lacquerware, lacquer painting and lacquer sculpture. Whether it is plane or three-dimensional modeling, whether it is practical or rare, as long as it involves lacquer, it belongs to lacquer art. Obviously, lacquer is the main source of materials in lacquer painting, and the use of lacquer materials is an important material basis for lacquer painting creation. Under normal circumstances. The materials in lacquer painting can make viewers have different aesthetic feelings. This strange aesthetic feeling is caused by the different texture and appearance of the material itself, which can produce different visual effects. A good lacquer painting depends largely on the artist's understanding and proper use of materials. What kind of material is used to create, which not only forms its own material beauty, but also combines with form and content. Similarly, the use of materials should be beautiful, and economic value is by no means the embodiment of artistic value in materials. For example, in daily life, we will find that egg skin decoration is often used in the mosaic process of lacquer painting. Egg skin is a kind of discarded daily life material, which has been processed into a first-class artistic material by artists. The visual effect formed by egg skin has reached a simple and rough unique charm. For example, in recent years, cashew nut paint and polyurethane paint have been used as the main paint materials for lacquer painting. Synthetic lacquer is also a good material medium for lacquer painting. Not only the transparent chemical coatings such as polyester urethane are reasonably used, but also the application scope of lacquer painting media is broadened. The transparency of lacquer painting can be adjusted freely according to the needs of the author and works. Use gold foil, silver foil, eggshell, etc. The aesthetic language of their lacquer paintings is different. It can be seen that materials play an important role in the visual effect of lacquer painting. Their personality connotation, such as sparkling, simple and elegant, implicit and meaningful, is also the perfect embodiment of the artist's pursuit of material and artistic conception.

Lacquer is an indispensable and important painting material in lacquer paintings. Its performance is extremely unique, its texture is deep and shiny, and its fluidity and adhesion are excellent. Among the materials of lacquer painting, as a unique quiet and gentle attribute-black lacquer, the personality characteristics of its picture are beyond doubt. In a sense, lacquer art is black art, which is what modern lacquer painting pursues. It is also rare in modern lacquer art, and it is a typical representative of lacquer painting technology. The gentle and steady visual beauty of black paint is produced through the action of moisture in the original paint. The grinding process is an important means to form the unique properties of black paint. Through the process of polishing, the deep meaning contained in black paint is slowly polished out, and then it is matched with other paint colors to present colorful visual effects. Gold foil and silver foil are the main surface inlay materials in lacquer painting, which are endowed with gorgeous aesthetic feeling and sparkling important material characteristics. Due to the influence of the nature of the material itself, its compatibility is more broadened. Among them, gold and silver materials are in various forms, such as coarse, fine, foil, powder, a little, surface, etc., and the use methods are wet, floating, sprinkling, kneading and blowing. These techniques enrich the visual effect of the picture. Because gold foil and silver foil are made of materials as thin as paper, they should be made by pasting or flattening. The difficulty of process production is greatly improved. The state of gold powder and silver powder is powder. This greatly broadens the play of technology and enriches the connotation of color as a blending agent.

Eggshell is one of the most widely used materials in lacquer painting and one of our common materials. Because its "open" beauty is as natural as ceramics, it has peculiar artistic effect and expressive force on this basis.

Mother-of-pearl is also one of the materials often used in lacquer painting creation, which attracts a large number of artists to create because of its crystal clear material properties. Mother-of-pearl is not as simple as eggshell, and the processing procedure of shellfish is very complicated. In the process of painting, the inner layer is usually attached to the picture, so its light can be highlighted. Often used in more important parts, before and after care, increase the atmosphere of the picture.

In a word, lacquer painting has its unique artistic charm and aesthetic characteristics with its unique artistic image, fascinating special materials, unpredictable technical means and some special forms of expression. And material is one of the essential basic conditions in lacquer painting creation. Therefore, in the creation of lacquer painting, we should not only consider the relationship between materials and technology, but also consider the artist's artistic conception. The artistic beauty of lacquer painting lies in paying attention to the extensive integration of traditional materials and techniques with modern painting art, and combining the artist's psychological feelings with the materials and techniques used to form a lacquer painting art with high value (inside and outside) and modern consciousness. This is the key to the beauty of lacquer painting. Artists must constantly explore and use materials, broaden their thinking, enrich their associations, and combine artistic conception, required materials and technological production in order to create lacquer paintings with the characteristics of the times. On the Prospect of Lacquer Painting —— Breaking through the Traditional Thinking and Inheriting Rebellion Paper Keywords: the development of Lacquer Painting, innovating the thoughts and feelings of artistic works

Abstract: Lacquer painting is a new painting form, which is bred from ancient lacquer craft in China and combined with modern painting form. China has a lacquer culture foundation of several thousand years. Lacquer painting has absorbed the traditional techniques of lacquer culture. Up to now, it faces all kinds of challenges, and nothing can be broken. Lacquer painting is painting first, then painting, first art, then technology, first ideological connotation, then production skills. The innovation of lacquer painting should start with the change of concept. Lacquer painting art is creation, not reproduction, not imitation. The innovation of lacquer painting should also be integrated with thoughts and feelings, and works with thoughts and feelings have artistic value. Lacquer painting is a new kind of painting which is bred from the ancient lacquer craft in China and combined with modern painting forms. With its unique picture effect, rich texture and novel material expression, it has aroused the public's curiosity and love and aroused people's great enthusiasm for exploring new areas of aesthetic art. Lacquer painting contains the brilliance of ancient lacquer technology and reflects the ups and downs of Chinese lacquer culture. A new generation of painters should break through the traditional thinking, inherit the achievements of predecessors' exploration in a rebellious way, and let the world-famous lacquer paintings exude unique artistic charm.

The foundation of Chinese lacquer culture is deeply rooted in ancient times, and the appearance of lacquer ware is based on human material civilization and cultural development. In ancient times, human beings gave birth to the embryo of lacquerware for the need of decorative items. With the use of bronze production tools, the decorative art of raw lacquer has embarked on a diversified development path with jade inlaid and gold-plated lacquerware. With the arrival of the Iron Age and the invention of "lacquer" manufacturing technology, the decorative art system of raw lacquer in the Spring and Autumn Period and the Warring States Period became more and more perfect. The rapid development of lacquer art finally ushered in the brilliance of lacquer art in Qin and Han Dynasties, and set a lofty monument for the history of Chinese lacquer culture. From the Three Kingdoms to the Sui and Tang Dynasties, lacquer culture had its ups and downs. It is the link between the past and the future that makes lacquerware embark on the track of development to arts and crafts. The emergence of Tibetan Buddhism, blue lacquerware and other technologies is the outstanding achievement of lacquerware technology development in this era, and the rise of gold and silver leveling technology in the later period caters to the reversal of the times: Song, Yuan, Ming and Qing. At the end of the Qing Dynasty, its craft was influenced by Japanese and western paintings, various decorative patterns were combined with each other, and painting techniques were used for reference, which gave birth to many expressive and innovative textures and embodied certain modern painting elements.

Lacquer painting is a combination of art and science, painting and craft making. Lacquer painting is painting first, then lacquer is art, then technology, first ideological connotation, then production skills. The essence of lacquer painting lies in art. Lacquer painters should not only pay attention to the effect of technology and materials, but also pay attention to the visual appeal of lacquer painting art, and must emphasize the aesthetic value and artistry of lacquer painting. We can't simply use materials, abuse materials and apply mosaic technology too much, which gives people a feeling of being close to technology and far from art, so the ultimate goal of improving technology is to serve the painting artistry of this kind of painting. Only the combination of the two can promote the innovative development of modern lacquer painting.

Innovation begins with ideas, and the change of ideas is a fundamental change, and the renewal of ideas can bring greater breakthroughs. The progress of technology will have a great influence on art and ideas. People are used to introducing the latest concepts in cultural science into the field of art, and the application of this new concept has promoted the transformation of art to some extent. Lacquer painters should constantly explore and accumulate creative experience. Every once in a while, they will reread the works of masters they admire, ancient and modern, Chinese and foreign, and there will always be new experiences. But the more important gain is to discover their mistakes gradually, so that they can really keep up with their own pace and know more about their exploration direction. From blind worship to "rebellion" is an unusual road. Teachers play the role of connecting the past with the future. The predecessors watched too much, imitated too much, entered the routine, and lost their feelings about the new realm in front of them, let alone think independently. How dare they doubt grandpa? Painters should look at the world and absorb all useful forms of expression and tools, materials, traditions and foreign ones to inspire each other. Lacquer painting is a new kind of painting, and the younger generation should be proud of innovation.

Mr. Wu Guanzhong said that "traitor" is a derogatory term, but in art, it is a hard innovation to inherit first and then rebel. It's good to enjoy the cool under the big tree, because the big tree can't grow under the big tree and becomes a clearing. Under the reputation of a generation of masters, thousands of painters in Qian Qian are often sacrificed. What we benefit from tradition is imitation that inspires us to stumble in tradition. Imitation and inheritance is not our ultimate goal, but our ultimate goal is to innovate in imitation.

Integrate feelings into innovation. Lacquer painting has its own unique forms, means, methods, materials and tools of expression, which forms the characteristics of lacquer painting and creates its own modern artistic language of lacquer painting. Lacquer painting should develop techniques and innovate constantly, but the innovation of many techniques does not mean the innovation of art. In the final analysis, art can only be born in life, and painting is urged by emotion because of the feeling of life. I almost forgot the technique. Works are the product of emotional communication between the author and the people, and singing among the people should be the essence of art. Art without emotion is unremarkable and hard to hide. The road to lacquer painting is hard. Artists who walk on the road of lacquer painting exploration require them to take the right path and transform it well, and their creations should constantly go back and forth between tradition and modernity. Art originates from the pursuit of lacquer painting. Pursuing the singing skills of the public needs to constantly tap into life and integrate feelings, which is also the original intention of painting art.