Adapt the story of Li Bai's visit to the Taoist priest on Daitian Mountain into a story of about ten words.

(1) Li Bai's visit to the Daitian Mountain Taoist priests did not meet a short story

a green early spring morning, Li Bai is walking in the Daitian Mountain forest path, he went to the Daitian Mountain in order to find a Taoist priest. But looked for half a day and did not find the capacity. Because no one knows where the person he is looking for, so he also had to lean on a pine tree in despair, hoping to wait for the appearance of the Taoist priest.

Li Bai suddenly noticed the beauty of those morning fog: the distant view of the lake and mountains, a piece of verdant and luxuriant, graceful trees, like a headstrong warrior, like a dancing girl. The fog lifted, the birds chirped incessantly; the grass stretched its back and woke up from the dream; the flowers all competed with each other, a breeze blew, the flowers gave off an intoxicating fragrance. At this time the fragrance of flowers attracted a group of flower butterflies and a small bee ...... and in the back of Li Bai, is straight down the waterfall. The waterfall fell into the mountain stream, with the "clatter ......" a sound, turned into a clear Dingdong spring water. In front of the mountain stream on the bank from time to time to see a deer infestation. Seeing this wonderful scenery, Li Bai could not help but sing:

The dog barked at the sound of water, peach blossom with dew thick. The trees are deep and the deer are seen, and the stream has no bells in the middle of the afternoon. The wild bamboo is divided into green mist, the flying spring hangs blue peaks. I'm not sure where I'm going, but I'm leaning on two or three pines.

(2) The poem "Visiting the Taoist priests of Daitian Mountain" describes a "quiet" mountain environment for us, can you say how people describe the "quiet"

Dogs barking at the sound of water, peach blossoms with dew.

The trees are deep and the deer are seen, and the bells are not heard in the afternoon.

The wild bamboos and the flying springs hang on the blue peaks.

No one knows where to go, but I lean on two or three pines.

The third and fourth lines are about the poet traveling in the forest path, often see the infestation of the elk; the forest is deep and the road is long, and when he came to the creek, it was already noon, and it was the time for the Taoist temple to play the bell, but he couldn't hear the bell. These two lines write the quiet of the mountains, suggesting that the Taoist priest has gone out. Deer like quietness, often in the deep woods. Since "I see the deer", it can be seen that it is quiet. At noon, the sound of the bell is not heard, only the sound of the stream can be heard clearly, which shows the tranquility of the surrounding. The environment is quiet and secluded, which is the original color of the square, and the scene of the Peach Orchard written in the first line is exactly connected. These two lines of scenery and implicit narrative: to "see the deer" against the lack of people; to "do not hear the bell" implies that no one in the courtyard.

(3) I visited the Taoist priest at Daitian Mountain but did not meet him

The barking of the dogs and the sound of the water running together,

The peach blossoms were covered with large drops of dew.

The trees were so thickly overgrown that deer could sometimes be seen in them,

and it was already midday, but no bells could be heard in the valley of the stream.

The wild bamboos grew so tall that they parted the green clouds,

and the spring water hung in the turquoise peaks.

No one knows where (he) has gone,

(I) leaned against two or three pine trees and worried.

(4) The meaning of the visit to the Taoist priest of Daitian Mountain

The sound of the mountain spring running water through the gusts of dogs barking, peach blossoms bloomed around the running water. From time to time wild deer ran through the deep bushes, and no bells came from the quiet stream at noon. Flying springs hung over the distant turquoise peaks, and wild bamboos floated in the green mist of the mountains. No one knew where the Taoist priest had gone, so I had to wander disillusionedly between two or three pines.

(5) The third line of the visit to the Taoist priest of Daitian Mountain is not met, which two words are used well Why

"wild bamboo" sentence with a "split", depicting the wild bamboo and the green mist of the two similar shades into a green;

(6) A short literary review of two poems, "A Visit to a Taoist in Daitian Mountain" and "A Search for a Hermit"

"A Visit to a Taoist in Daitian Mountain"

This is a poem in five lines, which, according to the experts who have studied Li Bai, was written in the first year of the Tang Dynasty, when the poet was less than twenty years old. This poem, which is often placed first in the chronologically edited collection of Li Bai's poems, seems to be the earliest of the poet's poems that have been handed down. In this poem, the poet expresses his love for the landscape of his country and his sincere feelings for his friends by describing what he saw and heard during the day when he visited his friends without meeting them.

In the title "Visiting Daitian Mountain, the Taoist priest did not meet", "Daitian Mountain", named because the mountain is high and steep and straight into the sky, is located in today's Jiangyou County, Sichuan Province, where Li Bai lived as a teenager; "did not meet", that is, did not meet the meaning of the word.

"The dog barks at the sound of water, and the peach blossoms are thick with dew." Opening the poem chapter, we were immediately attracted by the beautiful sound and gorgeous colors, and were immediately brought into the mood of the poem. This is a picture of a morning walk in the mountain countryside. Originally, the young poet Li Bai set off early to catch the road, at this time, the earth is still in the dawn of the morning sleep, no one in the four, a silence, only the babbling brook in the non-stop singing and occasionally from the distance came a few woofing barking; in the vaguely discernible mountain road, the poet with a light and swift step, walk, walk, do not realize that the day has gradually brightened up, only to see the peach blossom that the red face of the roadside, hung with A clean and clear dewdrops, in the brilliant sunrise illumination, looks extraordinarily bright and colorful, delightful. What a wonderful mountain township morning ah - fresh and quiet, full of life!

Here, "dogs barking in the sound of water" is written before dawn in the ear. At this time, in addition to the shadow of the road, nothing can be seen, so the feeling of the environment can only rely on the sense of hearing.

"Peach blossom with dew" is written after the dawn of the eye to see. At this time, people's feelings about the surrounding environment is, of course, the visual first. The poet looked around, it turned out, all the way, there are peach blossoms to send. Here, the poet in the explicitly written pleasing to the eye at the same time, I should say, but also secretly written into the lungs of the smell of the smell; because since the peach blossoms along the roadside in full bloom, I think along the way must be fragrant, flowers, the gas attacked people.

This line not only explains the time of the poet's departure is very low visibility of the dawn, the season of the visit is the peach blossom open March; and initially revealed the poet and the Taoist priests between the depth of friendship, naturally indicates that at this moment hasten to catch the road in a happy mood. So early, of course, may be related to the distance, but I am afraid that the more important reason is to visit friends.

The poet was in a happy and eager mood, sometimes climbing hard, over the mountains, sometimes with the wind in his feet, striding. However, when he went into the mountains, almost to the Taoist residence, but before the unexpected scene: "deep trees when you see deer, the stream does not hear the bell at noon." Looking far away, deep in the forest, the elk appeared at times, jumping, chasing and playing; came to the Taoist priest house in front of the stream, although the shadow of the sun reflected in the water, the time has been at noon, but neither the Taoist priest came out to meet, but also can not hear the Taoist priest's usual bell sound.

These two sentences are cause and effect sentences in terms of their interrelationship. The "deer" is the result, and "not hearing the bell" is the cause; it is precisely because of "not hearing the bell" that the "deer" is seen. The poet first used vision to explain the result, and then traced the cause with hearing, and inverted these two sentences, not only to take care of the rhyme, but also to comply with the law that people generally know the environment during the daytime is the eye in front of the ear.

Although these two lines of the scene is different - one is said to be deep in the woods when the elk appeared, one is said to be at noon do not hear the bell - but both express the same meaning, implying that the Taoist priest is not at home, although the "deep in the trees to see the deer" is still a guess, "the stream at noon do not hear the bell," is already a reality. We know that deer are timid and fearful of people, so "when you see deer" in the distance, it means that there is no one around. This makes it impossible not to have the suspicion that the Taoist priest may not be at home, but this is, after all, an estimate. The poet muttered in his heart and continued on his way, and as the Taoist priest's residence got closer and closer, his suspicions were finally confirmed. He came to the door outside the courtyard, listen carefully, no movement, silent - the Taoist priest is indeed out.

It should be pointed out that, "deep trees when the deer" line, in addition to suggesting that the Taoist priest may not be at home, but also from the side of the Taoist priest as a person of elegance - because, according to legend, the deer is the immortal's mount, the Han Lefu "Changge Xing" in the "immortal riding a white deer" line, the poet's later poems of the Immortals also have such a statement; so, the deer often frequented by the place, naturally, it is not the ordinary laymen living place - thus reflecting the poet's respect for Taoist friends.

It seems that the trip was in vain! However, it is possible that the Taoist priest is only temporarily out and will return soon. So why not wait a while and take a break? Single person alone outside the house, cool nature poet, this time seems to forget the mood of the anxious to see friends, interested in the strong look at the environment of the Taoist residence came: "wild bamboo divided into the green haze, the spring hangs blue peaks." Just see the front of the house after the yard, wild bamboo all over the lush, dense, vigorous on the long, even broke through the mountainside around the green clouds; in the distance, the mountains pale blue, a ray of spring like a white practice from the top of the peak hanging down - this is a how desirable place ah!

Here, the poet wrote "wild bamboo" can be "divided into the green mist", not that the bamboo grows high, but that it grows in a very high place; this shows that the Taoist priests live in the terrain of the elevation, and thus the vision is wide, even in the distance, and cascading down the mountain springs are also visible. Dense long wild bamboo and clouds, originally a static scene; however, "wild bamboo divided green mist", because the poet used the word "divided", there is a moving meaning, it reminds people of the mountain wind, moving clouds constantly from the top of the wild bamboo drifting through the scene. Above the verdant mountain peaks, a line of spring water, flying into the air, was originally a moving scene; however, "Flying Spring Hanging on the Blue Peak", because the poet used the word "hanging", and from the dynamic to the quiet, it makes people want to imagine the steepness of the mountain peaks and the vertical fall of the mountain spring situation. The Taoist priest chose to live in such a place, naturally shows that he likes the scenery here; the poet so composed into the poem, also shows that he appreciates the scenery here: the two people so much in love with each other, can be seen that their aesthetics of the same.

Here is a question: the poet visited the Taoist priest, the poem, is not the first time to visit the door; since the previous visit, why the Taoist priest's residence around the scenery is still as fresh and interesting as the first time to write a special book? This is because, before the visit, the host warmly greeted, accompanied at any time around, sitting and discussing the Tao, talk about their feelings, may not have a detailed view of the environment and scenery, only a rough impression; this time, coincidentally bumped into the locks, hesitant outside the door, a closer look, only as if there is a new discovery, as if the friend has a new understanding. How, therefore, can the account of this visit not be included in the Psalm?

Although the beautiful scenery here makes the poet forgetful and intoxicated, however, to appreciate the scenery is not the purpose of this trip, so, when he thought of the absence of his friend, waiting for a long time did not return, the mood is again gloomy: "No one knows where to go, sadly leaning on two or three pines." Mountainous and wild places, few people, to whom to inquire about the Taoist priest's whereabouts? The poet has no choice but to lean on the pines and sigh long and hard, and it is not difficult to imagine the sorrow in his heart.

The first time I saw this, I was in the middle of a journey to see a friend, and I didn't see him. However, there is a problem here: this "not met" sorrow, why the poet did not write at the beginning of the arrival, but to write in the environment after the beautiful scenery? This is because: first, the first to the beginning, found that the visit to the friend of the empty certainly not inevitably upset, but this is not the main spiritual activities, then the main spiritual activities are surprised and surprised; and, in the poet's mind, at that time, there is also a ray of hope that the Taoist priests may come back immediately. Secondly, if the poet visited his friend in order to tell his heart to the other and exchange ideas with him, then, after making new discoveries by observing the environment and knowing his friend better, he must have more words to say, but at that time the Taoist friend was late in returning, how could he not be more anxious and troubled? Third, the poet just came, already at noon, and then viewed some scenery, naturally, is the afternoon; from dawn to now, has been a few hours, plus another half a day of walking the mountain road, body fatigue, hunger, of course, the sadness at this time is not comparable to the time of the first arrival. Fourth, because "no one knows where to go", neither know where the Taoist monk to go, more do not know when he returned, then, the poet should continue to lean on the pine waiting, or that early return, another day to visit, it is even more difficult to decide; and this, how can not let a person worry about it? It can be seen, the last "sad" point out, not only is the epilogue to break the title, the structure of the Chapter of the requirements; more importantly, this is the inevitable result of the development of the poet's feelings, and therefore full of ink and ink, hearty, extremely natural.

"Sorrow leaning on two or three pines", this sentence, in addition to the "two or three pines" of the environment of the Taoist residence and incidentally write a complementary, once again, the symbol of the technique of writing the Taoist character of perseverance, and more importantly, so that the poet's sadness of the visit to friends is not encountered figurative, so that we can see his inner activities from the moment he looked up from a tree, and a moment later leaned against another tree complaining about the agitation and eagerness of the shape, the poet's heart, his mind, his heart, his mind, his soul. Let us imagine the intensity of his inner activities and the intensity of the sorrow in his heart from the shape of his anxious and impatient voice against another tree at one time. If the poet uses "sadness" to describe his mood is too general and abstract, then "leaning against two or three pines with sadness" to describe it seems vivid and specific. Because the former can only let people in the heart experience, the latter can also let people in the eye to see.

Here, the theme has been revealed, and the poem will end naturally.

It is often said that "the text is like looking at the mountain is not like flat." The poem is the same. This poem, although only eight short lines of forty words, but written with ups and downs, interesting." Dogs barking in the water, peach blossom with dew thick", the joy, overflowing; "tree deep when you see the deer, the stream does not hear the bell at noon", the joy of the feelings, and the wind and dissipation; "wild bamboo, the flying spring hangs blue peaks", do not realize that unexpected solace; "no one knows where to go, leaning on the two or three pines of sadness", and finally fell into infinite despair. The development of the poem, both unexpected readers, but also in the poetic reasoning. Full of hope to visit friends in the mountains, who knows that the Taoist priest is out of town; then think, the title of the poem is clearly written "do not meet", the contradiction is expected. Since we did not meet, the next should write how disappointed and upset, but the poet and enjoy the beauty of the environment; however, as analyzed above, it is not unreasonable. Just when the reader is very comfortable to linger in the scenery, I did not expect the word "sad" and suddenly light up ...... the poet used the technique of wanting to inhibit the first Yang, in order to set off the visit of friends do not meet the mood of melancholy, first of all, rendering the departure of the visit of friends of the high degree of interest; because there is an early trip to the mood of joyful contrast, so it is particularly obvious that waiting for a friend does not return to the feelings of frustration. However, from Yang to depression, feelings are not straight down, there are not only twists and turns and transitions, but also a temporary rebound. So, the poem has twists and turns, very fascinating.

Seeking the Hidden One

Seeking the Hidden One is a small poem written by Jia Dao, a poet of the Tang Dynasty. It is a question-and-answer poem, but the poet uses the technique of question-and-answer to describe the anxiety of not being able to find the hermit to the fullest. The white clouds are compared to the purity of the hermit, and the pale pine is a metaphor for the hermit's bones. The fact that the hermit is not found is a reflection of his admiration. It is a rare and concise poem with simple and clear words, complicated words and simple strokes, deep feelings, and no flashy descriptions.

In traditional Chinese culture, the pine, bamboo and plum are the three friends of the year, and the scholars often use this to show that they are happy in their poverty, not with the world, clean and lonely will. The first sentence "ask the boy under the pine", from the surface said that the author of the search for the hermit did not get, so to the hermit's apprentice to ask this series of process; and deep on the implied that the hermit alongside the pine knot thatched, to the pine as a friend, rendering the hermit's life of the high and easy feelings. The following three sentences are the child's answer, contains the poet's layers of questions, meaning layer by layer, words about support, evocative. The first answer: "the words of the division pick medicine to go", from the structure of the poem, from the rendering of the environmental atmosphere, into the action of the white description, from the abstract into the concrete. In ancient China, there is the pursuit of immortality ideas, Qin Huang Han Wu, is a typical, and even the prevalence of Qin and Han Fangshi, fraud into the wind. Unlike this, the hermits who live high above the world focus on their own cultivation. In the hidden life, enlightenment, health and medicine (health care medicine) constitute the main content. This is especially true since the Wei and Jin dynasties. Therefore, to the hermit, picking medicine is an important activity, its utility or not only in the medicine can be health, but also in order to pick medicine and climbing peaks and mountains, is excellent physical exercise. Thus, for the real hermit, good understanding of Taoism, good at health, can pick medicine is a trinity of things. The high level of Taoism is manifested in the crane hair and childlike face, and the movement is like a heavenly horse traveling in the air. The child said the teacher to pick medicine to go, it is the hermit of this typical features revealed, while adding the poet hurt its not met the melancholy. The second answer is in response to the poet's question of where to collect medicine. This answer is very clear and sure, seems to give the poet a number of expectations of the pursuit, but immediately after the third answer, as if guessing the poet's expectations, and finally gave a fruitless answer: "deep clouds do not know where." At this point, the mountains are high and steep, the clouds are deep and dark, and the hermit's divine ease suddenly leaps into the reader's imagination. Around these few lines of reply, there are actually two expressive structures intertwining and evolving. First, the behavior of the hermit's performance structure, it is from the virtual and real (not here but in this mountain), from the real and virtual (cloud depths do not know where), virtual and real, like a dragon in the clouds, if hidden, giving a kind of confusing, trance feeling, fully presenting the hermit's style and spirit. First, the poet's own emotional performance structure, it is from melancholy and hope (not encountered know in this mountain), from hope to a deeper level of melancholy, revealing the final and unattainable sighs. The poet was originally a monk, and then returned to secularism, but his career was not satisfactory, so he always envied the worldly life of purity and vulgarity. "But in this mountain, deep in the clouds I do not know where" is not only the poet's depiction of the hermit, but also the poet's own pursuit of the realm of life. The world said that Jia Island's poem is too caught up in the words of the "knock", just in the use of words to work, often have a good sentence without a good piece; this poem is just the opposite, in the plotting and conceptualization of painstakingly, without a good sentence with a good piece.

I saw a deer when I was deep in the trees, and I did not hear the bell ringing in the afternoon.

The wild bamboo is divided into green mist, and the flying spring hangs on the blue peak.

No one knows where to go, but I lean on two or three pines.

(1) Which two words in the third line you think are well used, please analyze briefly.

(2) What are the characteristics of the scenery described in this poem? What are the poet's thoughts and feelings?

Answers

(1) The word "divided" expresses the dynamic beauty of the wild bamboos appearing in the green mist; the word "hanging" expresses the form of the spring water flowing straight down, which is full of vitality against the background of the blue peaks.

(2) The description of the scenery is characterized by fresh and quiet, extraordinary. It implies the poet's despair of visiting the Taoist priests and his yearning for a life of seclusion.

Works Appreciation

Daitian Mountain, also known as Dakang Mountain or Dakuang Mountain, is in Jiangyou County, Sichuan Province. Li Bai "visit Daitian Mountain Taoist not met" appreciation reading test answers and appreciation. Li Bai used to study at Da Ming Temple in the mountain in his early years, and this poem was written around this period.