Traditional Culture Encyclopedia - Traditional customs - What are the musical characteristics of folk dances in China?

What are the musical characteristics of folk dances in China?

Song and dance music in folk dance is generally developed by combining the characteristics of local folk songs and dances. The combination of singing and dancing may make the folk songs in singing and dancing more rhythmic and rhythmic, such as Yunnan Lantern Festival and Uygur Sainai.

Mu et al; Or make some folk songs with alternating forms of singing and dancing increase musical means and expand musical expressions, such as the juxtaposition of slow songs and fast songs in Tibetan songs and dances.

In addition, the introduction of instrumental prelude and interlude not only sets off

The cheerful rhythm and lively atmosphere of song and dance music also give dance performances a hint and time to simply show the dance posture. It can be said that this comprehensive art of combining song and dance in folk song and dance has promoted and expanded the performance category and expressive force of song or dance, so it is

People like it.

Folk songs and minor music are often used in the instrumental accompaniment of music and dance music in folk dances, such as the accompaniment music in the Korean Long Drum Dance.

When percussion instruments appear as props in dance, such as the long drum of the Korean nationality and the elephant foot drum of the Dai nationality.

Encourage and so on. On the one hand, drumming enriches the vocabulary of dance, on the other hand, complicated drums and inspiring drums are more likely to cause the audience to sing.

Instrumental accompaniment plays an important role in song and dance music and music and dance music. Percussion music in dance has fixed gongs and drums, which not only play an accompaniment role in dance, but also indicate different dance postures and formations of performers.

Folk dance accompaniment bands have different combinations. Lyric and beautiful dance accompaniment is often dominated by silk and bamboo music.

Main, vigorous and rough dance accompaniment is often dominated by percussion. Suona and drums play a very prominent role in the accompaniment of folk dance music, which can create a warm and prosperous atmosphere, in line with the atmosphere of festivals and festive gatherings in folk dance performances.

Matches

Folk dance music often adopts regular I or syllable beats, and often starts and ends with strong beats. Harmony and syllable beats are common in Korean and nasal dances, while harmony and syllable beats are common in Uygur and Tajik dances.

Folk song and dance music, which combines songs and dances, has the following structure:

Single segment-sing multiple lyrics with a folk tune and sing and dance repeatedly.

This form retains the prototype of folk songs more, and adds quotations because of the need of dance.

The son and the country (that is, the episode). ? Songs and dance music appear alternately-this form appears in dances that do not dance when singing, such as Tibetan harmony.

The song and dance suite of couplets-connecting several songs together to form a contrast in mode, tonality, beat and speed, making the music richer and more vivid.

Such as lanterns and tea picking of Han nationality, Muqam song and dance of Uygur and Sainaim nationality, Diane dance of Mongolian nationality, etc.

Fixed gongs and drums and gongs and drums-this is a form of percussion accompaniment in dance music, and it is also a sign that instrumental music forms an independent paragraph. Some musical instruments in folk dance

Music paragraphs have developed to a quite mature stage, and their skills are complex and superb.