His painting style is clear and unique. He is a leading figure in the Golden Gate painting circle.

Chen Shaomei (1909- 1954), whose real name is Zhang Yun, is also known as Zhang Zhang, whose word "plum blossoms" means "rose to the lake". Hengshan, Hunan, now lives in Beijing. Outstanding painters in modern times have a far-reaching influence on Tianjin painting circle. Inheriting Jincheng's idea of breaking the sectarian portal, all landscape figures are good at it. A delicate and elegant woman, her landscape is extremely simple, absorbing the flexible and thin brushwork characteristics of Mi Fei in Song Dynasty, and forming her own face. Qi Gong thinks that "his calligraphy is not under his brushwork".

Autumn Mountain Tourism Map 78.5cm× 34cm

Caption: Traveling in Akiyama, Shen Jia and Zhang Yun, Chen Shaomei in February.

Label: Mr. Chen Shaomei's Autumn Mountain Tour, titled Jingyang.

The waterfall landscape is 93cm×26cm.

The whole picture of "Watching Waterfalls" is straightforward, with simple brushwork, transcendent charm and far-reaching artistic conception. The picture is light, bright and clear; The brushwork is slender and clear, the ink color is moist, and the brushwork is Xu Yusheng.

The thick ink and wet pen is swept away, from thick to light, from there to nothing, showing rich brushwork and rich pen and ink changes, vigorous and powerful, delicate and free and easy, misty and light. After a glance, the viewer feels as if he has experienced what the old man saw and felt in the painting.

Recruitment chart 58.5cm×27cm

The picture shows mountains, steep forests, rolling mountains and steep hills. The structure of rocks is dense and complex, but the background is distinct. Trees are intertwined with moss spots and branches and leaves.

Two light messengers nearby rode and talked; On the rugged mountain road in the middle scene, an emissary galloped on horseback and was about to hide in the deep mountains; The hermit on the top of the mountain in the distance looked at the sky leisurely.

The distance between the characters, the dynamic and static relationship and the scenery of the whole picture are combined with each other, which makes the picture rich and full without failure and makes the viewer fascinated.

Visiting friends in the water pavilion 133cm×67cm

Summary: Zhiyun is a good friend and an elegant teacher. It's noon and summer, without plums and Zhang Chen.

In the 1940s, due to the influence of selling paintings, Chen Shaomei's selection of materials was still limited to landscapes and historical figures, but his painting style changed and his artistic skills became more mature. Landscape painting gradually got rid of Guo's traces and tended to the painting style of Ma, Xia and Zhejiang schools.

People like Chou Ying, close to Wei Wu, are fine. Because his landscape must be decorated with figures, figure painting must be surrounded by mountains and rivers. Therefore, in the combination of landscapes and figures, he can combine all kinds of expression techniques into one furnace, and according to the requirements of theme and emotion, he has shaped different artistic characteristics such as delicacy, beauty and broadness, showing his artistic talent.

Cloud tower 34cm×79cm

Inscription: Yuelu Shanyang, Bixiang, Brahma orphan, homesick and alone. Watch, the crane will speak; Looking forward to the evening, I can make up for it. White clouds are eternal, and this building is eternal. The second drawing of Wang Yun Building was ordered by Uncle Yi, which recorded the origin of the building in detail. The virtue of pure filial piety comes from the past and is written very simply. This is extremely sad and endless. That is, teaching politics. Chen, a stupid nephew, painted and inscribed respectfully on the Mid-Autumn Festival.

This painting of Chen Shaomei's Looking at the Cloud Tower was written in 1942, which clearly shows the "Northern School" style of learning from Ma Yuan and Xia Xuan.

The brushwork is concise and vigorous, depicting the brushwork of trees, stones and houses with extremely steep lines. The brushwork has a cool and handsome style, but the overall style of the picture is particularly prominent in the control of charm. The ink is moist and pays attention to charm, so that the picture does not fall into the "Northern School".

The seclusion map of Songshan Mountain is 35×22cm.

This painting was created by Mr Chen Shaomei for his wife Feng Zhonglian. The whole picture is vigorous and powerful with a pen, full of charm.

In the whole painting, mist filled the whole room, as if a green screen stood in front of us. The patchwork huts are looming in the mountain jungle, revealing a touch of Tsinghua. The rocks are green and described in detail. Dye the texture into a big green color first, and then carve the texture slightly with the axe of the North School and the axe of the South School. The towering rocks are hooked by the painter's tough and elastic center, and look tall and simple after being dyed with bright and vulgar green.

The painter's delicate and meticulous painting techniques vividly depict the rugged rocks, and at the same time portray the overall lines of the rocks in a unified and beautiful way. The mountain hut is half hidden in the lush forest. Although it is only used for scenery, it has also been carefully outlined by boundary paintings and dyed in light ochre, soothing and harmonious among pines and cypresses.

Waterfalls and streams gurgle through the forest, and nobles with wide robes and sleeves meditate under the trees. The whole picture looks rhythmic and real and amiable. This also fully embodies Chen Shaomei's clean and elegant painting style of combining rigidity with softness. Although the size is not complete, it can be said that there are thousands of weather between square inches.

Return from yuanpu 135cm×56cm.

1950' s "Returning to the Sail from Far Pu" is composed in the style of one river and two banks, highlighting the rocks in the foreground and trees in various states, with fresh, healthy and beautiful brushwork. In this painting, you can see three sailboats swimming in the quiet lake. The distant mountains are rigorous and detached, slightly ochre, and the artistic conception is hazy and distant. The whole picture presents a kind of artistic effect of stability and tranquility, and the characteristics of China's traditional landscapes are undoubtedly revealed, showing Chen Shaomei's profound artistic accomplishment and superb painting skills.

The painting title in Yuan Pu Gui Fan is one of the famous "Eight Scenes of Xiaoxiang". According to Meng Qian Bi Tan written by Shen Kuo in Song Dynasty, "Eight Scenes of Xiaoxiang" were originally the titles of eight landscape paintings created by Li Jue in Song Dynasty, namely "Wild Goose Falling in Pingsha", "Returning to the Sail from the Far Pu", "Clouds in the Mountains", "Autumn Moon in Dongting", "Rainy Night in Xiaoxiang", "Night Bell in Rock Temple" and "Sunset in Fishing Village".

According to the examination, The Return of Pu Yuan shows the riverside scenery 70km north of Orange Island. At dusk, the distant mountains contain Dai, the shore is dotted with white sails, and fishing songs are bursting.

Songxi map is 65cm×39cm.

This silk book "Song Xi Tu" is copied from Guo Yeyang's "Song Xi Tu". Zhang Chen ".

The trees and stones in the painting are all from Guo's brushwork. "Mustard Seed Garden" records that "Guo Xianxi's works are connected in size, turning up and down, looking at it constantly. For this work, every painting has a book to follow, which shows the exquisiteness of Mr. Shao Mei.