Tibetan dance history introduction

Introduction to the history of Tibetan dance

The Tibetans are a people who can sing and dance, I will introduce you to the history of Tibetan dance, interested friends hurry to see it!

1, "fruit harmony" (circle song and dance) dance history

"fruit harmony" is circulating in the Tibetan countryside, a kind of pulling hands into a circle, divided into classes to sing and harmonize. It is commonly seen in the village, open fields and wheat fields in the agricultural areas. During festivals, people sing from day to night and dance from late at night to dawn. The rise of "fruit harmony" and Tibet's agricultural development, it and the autumn harvest playing field men and women in separate classes singing and the form of labor and building houses "playing the Aga" of the labor rhythm is directly related. The rhythm of labor is directly related to the development of agriculture in Tibet. Dance movements are mostly 2/4 rhythm changes, heavy beat to start, knees to feet straight to the ground, the section of the ground for the festival, solid and stable footwork, labor breath is very strong, men and women in the dance also alternated with each other to constitute a competitive dance scene, long for the expression of the group's passionate and joyful mood is its basic style characteristics.

2, heap harmonic (town tap dance) dance history

"heap harmonic" (town tap dance), refers to the rural song and dance from Lhazi to Tingri around the middle of the 17th century, the fifth da x in its provisions of the "Xuedong Festival", the latter is the first time that the "Xuedong Festival". "on, after Tibet jongba Tibetan opera troupe in the performance of Tibetan opera, interspersed with performances of the six-stringed zither accompaniment, step for the festival, heavy feet on the rhythmic acoustic changes, joyful and enthusiastic "heap" area folk dance, after the artist and dance family processing standardization, urbanization of the Tibetan tap dance. Lhasa, Rikaze is the most prevalent.

3, "fruit table" - pot Zhuang dance dance dance history

"Guo Zhuo" - pot Zhuang dance, early with the Tibetan slave society and oath-taking activities related to, and later gradually evolved into a combination of song and dance, singing and dancing. In the ancient times, potshuang was mostly performed in the form of singing and dancing. In ancient times, the potshuang was performed on the altar rituals, religious color is very strong, jumping is more formal, dignified, "more hanging head, bent sleeves, hands and dance".

4. The dance history of Qiangm

To talk about the origin of Tibetan Buddhist monastic dance Qiangm, it is necessary to trace back to the rise of Tibetan Buddhism in Tibet. In the 7th century AD, the Tibetan Buddhist monastic dance "Qiangm" was practiced in Tibet. In the 7th century A.D., the Indian monk Lianhuasheng came to Tibet to propagate Buddhism, which was popular in India at that time. However, the primitive polytheistic worship of Benjaminism was y rooted in the hearts of the people of Tibet, who rejected and refused to accept foreign religions. In order to promote Buddhism in Tibet, the Indian monk Lianhua Sheng took the Indian Buddhism and Tibetan primitive Benzai religion combined with each other, both retained the Buddhist doctrine, the only supreme god of the Lord God Ru Lai's reverence, but also will be stupid in a variety of deities into the Dharma God, and in line with the original Tibetan worship of many gods of the psychology, so that the Tibetan region in the Tang Dynasty was born in the Tibetan Buddhism.