Did the Japanese take the cultural relics from China and return them?

Tiger Man-eater: Wine vessel, unearthed in Anhua, Hunan Province in the late Shang Dynasty, with a height of 35.7 cm and a weight of 0.9 kg, is now in Bo Gu Pavilion of Izumi Palace.

The device is tiger-shaped, supported by two hind feet and tail, sitting in a sitting position, and the front paws are hugging a person and opening their mouths to get food. The human body is opposite to the tiger, holding the tiger's shoulders, stepping on the tiger's hind paws, tilting his head, looking firm and fearless. The top of the tiger is covered with a deer. There are beams on both sides of the tiger's head, animal heads at both ends, and Kuiwen outside. Tiger-headed snake body This complex shape shows superb casting technology. The hairline, the ear edge and the tiger's mouth in the tiger's mouth need to be cast with various tips. The craftsman took pains to show the tiger's cannibalism, which is a rare and meticulous vessel. (Homographs are hidden in the Sanou Museum)

Yang Zun:

Wine vessel, late Shang Dynasty, high 15.4 cm, Fujita Art Collection, Japan.

This device is in the shape of a realistic sheep. The head of the sheep has a huge horn, a sharp mouth and thin eyes. The back of the sheep is the sacred cover. The cover is slender, and the surface of the cover is decorated with embossed gluttonous patterns. There is a bird standing in front and a bird standing behind, all with round eyes and hunched back. Their shapes are very vivid. The sheep's body and legs are decorated with shallow dragon bodies and crests. There are semicircular hooves under the legs, and a thin tail hangs down behind the round buttocks. This sheep has a vivid shape, accurate proportions of all parts of the body, and exquisite shallow and vertical patterns.

Gluttonous three-legged pot:

Container, late Shang Dynasty, 60 cm high, Fujii, Japan has an adjacent collection.

The pot body is enlarged, and the pot cover and the pot body are connected into a whole, so that the pot becomes a pyramid shape without edges and corners. There is a mushroom-shaped button on the lid. Due to corrosion, the pattern is not clear, and there is a small leaf edge in the middle of the cover. The spout is folded, and the edge of the spout is decorated with shallow triangular banana leaf patterns. The abdomen is trapezoidal, uplifted downwards and rounded at the bottom. The neck and abdomen are decorated in three sections, with a gluttonous pattern on it, a gluttonous ribbon in the middle, and a gluttonous ribbon with twice the width of the gluttonous ribbon below, with a deeper pattern. There is a prominent edge in the middle of the abdomen. The edge of the door is divided into two sections: the upper section is small, round and slightly protruding, and the lower section is large, round and protruding. The image of gluttony has changed from ferocious majesty to embellishment. There are three feet under the abdomen, short and thick, without ornamentation. There are two annular ears on both sides of the pot body, and the upper parts of the ears are shaped like animal heads. This kind of pot is very stable in shape, round in shape, with small buttons, small ears and short feet, which makes the pot body more and more huge and verve. Its special shape is an isolated case in bronze ware.

Two birds catfish drum:

Musical instrument, late Shang Dynasty, 79.4 cm high, collected in Bo Gu, Izumi Palace.

This drum is all made of bronze, and its shape may be modeled after a wooden drum. The drum body is placed horizontally, the upper part is slightly longer than the lower part, and there are four short feet under the drum, like claws. The drum body is decorated with shallow gluttonous patterns and angular moire patterns, with a herringbone pattern on each side. The face is floating, the five senses are ready, the eyes are big and round, like staring, and the eyebrows are thick; With nose and wings; Big mouth and thick lips; Ears, neck, trunk and limbs are all shallow lines. The neck is slender, the trunk is inverted triangle, and the limbs are stretched. There are two lying birds carved on the top of the drum, with a pillow-shaped back and a hole in the middle. The bird is decorated with greedy patterns, surrounded by four-petal flowers. The two ends of the drum are covered like scales, and the edge of the drum is decorated with three rows of nails. Exquisite decorative patterns, especially drum skin, are very similar to imitation leather. It can be proved that it is very common for salamanders (now Chinese alligators) to be covered with skin as early as the Shang Dynasty.

Taibao bird 30:

Wine vessel, early Western Zhou Dynasty, 23.5 cm high, Japanese crane art collection.

This 30-year-old bird is a sitting bird with its head held high. The bird's head has a downward curved and closed beak with a small crescent-shaped nostril. There are big round eyes on the head and sunken round pupils in the eyes. There are two crowns on the top of the head, as high as the angle, and then bend to the back. There are two rectangular flaky beards under the chin. There are rings on both sides of the neck, with arched flat beams on it, and the beam surface is bamboo herringbone. The bird's abdomen is enlarged, its back is decorated with straight semi-chord scales, and its abdomen is a wide spiral line, which is the deformation of feathers and wings. The bird's foot bends forward and has a simple single line on it. The tail sticks out from the back of the waist and forms a tripod with the feet, which firmly supports the whole body. This device is triangular from beam to foot, with small top and large bottom, and its shape is stable; The bird looks up and looks forward, the shape is simple, and the overall harmony is rough. The words "Tai Bao Zhu" are written on the document.

Shading tray for baby's play

Food container, in the late Southern Song Dynasty, with a height of 4.5cm and a diameter of 3 1.2cm, was preserved by the Japanese Culture Department.

This dish is round, and its painting process is to remove rhinoceros. Decorative patterns are divided into two groups. The bottom of the dish is a baby play picture, and the side wall of the dish is a tangled mosaic picture. The two groups of patterns are separated by two concentric circles. The baby play shows the night view of the Mid-Autumn Festival of a wealthy family: the triple cornice gatehouse is hidden in front and behind, and under the shade, there is a kind of interest in "how deep the courtyard is"; In front of the cornice gate, there is a courtyard surrounded by a sill. 10 The children are lying or standing, stopping or running, playing games, and the atmosphere is warm. The water outside the curved sill is undulating, with lush flowers and trees. A full moon hangs in the sky above the treetops, and the osmanthus and jade rabbit in the wheel are clearly visible. The cold in the middle of the month is in sharp contrast with the excitement of the world. The children are playing in the yard, which reminds people that adults should raise their glasses to enjoy the moon in a cool pavilion. This situation makes people forget the idea of dust and ignite the desire to enjoy the reunion of children around their knees.

Character Hua Niaowen shakuhachi

Musical instrument, Tang dynasty, 43.6 cm long, 2.32 cm in diameter, bamboo, sun-exposed, collected in the hospital.

Shakuhachi is an ancient flute. This shakuhachi has three sections, five holes in the front and one hole in the back. It is a bamboo wind instrument that blows vertically. On the whole, bamboo joints and holes are used as the rhythm, six holes are used as the center to decorate large flowers, and grass patterns are carved on the edges of bamboo joints to form a picture of virtual and real connection. In the scenery where birds are singing and flowers are flying, there are two groups of ladies: one group is singing; A group of carved flowers. Their temples are towering and their long skirts fall to the ground. Now it is a leisurely palace scene.

The technique of "keeping green" by bamboo carving is used in shakuhachi, and the process is complicated. Cut off the epidermis, exposing the bamboo ribs as the ground, leaving the epidermis as a pattern and becoming a bas-relief. After bamboo is dried in the sun, the epidermis changes from green to white and then to light yellow, while the bamboo muscle gradually turns to dark yellow and then to red and purple. The longer the time, the greater the color difference between skin and muscle, so the pattern becomes clearer and clearer. The flowers in the heart of the cave and the grass rolled on the edge of the knot are mainly line carvings, and the main figures are mainly face carvings. The vivid and harmonious artistic effects of lining warp, flowers, flowers and ornaments make this ancient flute an immortal bamboo carving treasure.

A painting by Wang Wei in the Tang Dynasty, Floating Pure Land, is 28 cm long and 49 cm wide. Now it's in the Japan Museum.

Wang Wei's Atlas of Dried Snowflakes in Tang Dynasty is 3 1.3 cm long and 207.3 cm wide. Now in Japan.

In the Eastern Jin Dynasty, Zhang Sengyou's Atlas of Five Stars and Twenty-eight Dwellings (House God, Mind God and Star God) is now in Osaka Municipal Art Museum. .

Zhang Sengyou's Atlas of Five Stars and Twenty-eight Dwellings in the Eastern Jin Dynasty is an ancient silk book. Now it is in Osaka City Art Museum, Japan.

Zhang Sangsun's "Five-Star and Twenty-eight-Night Gods" in the Eastern Jin Dynasty, an ancient silk book. Now it is in Osaka City Art Museum, Japan.

Zhang Sengyou's The Twenty-eight Dwellings of Stars (Virtual Star God) in the Eastern Jin Dynasty is an ancient silk book. It is now in the Osaka Municipal Art Museum.

Zhang Sengyou, a writer of the Eastern Jin Dynasty in China, wrote an ancient silk book called Five Stars and Twenty-eight Hostages. Now in Osaka Art Museum, Japan.

China Eastern Jin writer Zhang Sengyou's "Five Stars and Twenty-eight Nights" (Niu) is now in Osaka Art Museum.

Zhang Sengyou in the Eastern Jin Dynasty, Atlas of Five Stars and Twenty-eight Dwellings (Stars). Now in Osaka Art Collection, Japan.

Zhang Sengyou in the Eastern Jin Dynasty presided over the five-star eighteen gods atlas (Spark God). Now it is in Osaka City Art Museum, Japan.

In the history of our country, The Quail Map written by Li Anzhong in the Southern Song Dynasty is a silk book with color and vertical axis, with a length of 24.2 cm and a width of 27.6 cm. Collection of Japanese Jingen Art Museum. ~

In the Northern Song Dynasty, Shi Ke's "Two Ancestors' Heart Map" was a paper and ink banner, 35.3 cm long and 64.3 cm wide. It is now in the National Tokyo Museum of Japan.

China Song Ruzhi's "Caged Birds" in the Southern Song Dynasty is a vertical axis, a silk edition and a light ink painting. 22 cm long and 22 cm wide. It is now in the National Museum in Tokyo, Japan.

One more thing, the Peking man's skull discovered by Professor Pei Wenzhong in Zhoukoudian is still missing, but the Japanese can't escape this account.