Chinese what aesthetic theory that appreciation of music is conducive to the cultivation of temperament

Chinese harmony aesthetic theory that appreciation of music is conducive to the cultivation of temperament.

Chinese music is rich in Chinese aesthetic ideas. Chinese music, whether in rhythm, melody or timbre, has the typical shadow of Confucianism of mediocrity and peace, and most of the works have the characteristics of smooth and melodious tunes, structural openness and harmony, and harmony and beauty are the most important aesthetic ideas of Chinese music. Harmony and beauty are the most important aesthetic ideas in Chinese music. Context is not only the core of Chinese aesthetics, but also the aesthetic space that musicians of all generations have been striving for. Family and national sentiment runs through the past and present, and is the cultural spirit that Chinese people always pursue. It is the cultural spirit that the Chinese have always pursued. "Family and Country Sentiment" is also the mainstream idea of Chinese music.

I. Harmony and Beauty in Chinese Music Harmony is a kind of beauty, an important aesthetic idea pursued by traditional Chinese culture, which embodies the harmony between man and nature on the one hand, and the harmony between man and society on the other. If "the sun is still on the mountains, the Yellow River flows into the sea" is a kind of nature, then "morning care of the filth, wearing the moon and hoe back" is the sublime realm of the unity of man and nature. Classical Chinese poetry has the beauty of endless harmony, and classical Chinese music also shows the beauty of smooth melody, open and close, and the harmony of willingness and elegance. During the Western Zhou Dynasty, the Duke of Zhou made the rite of music, standardized the form of music, and advocated "elegant music", which was characterized by the main unison, simple tunes, slow beats, and harmonious and elegant music. Confucius, a great thinker and musician in the Spring and Autumn Period, pointed out that music should be played with a beginning and an end, and he emphasized the importance of the end of music. He emphasized the importance of the end of the music. The Analects of Confucius - Eight Dancers (八佾): Zi said to the master of Lu Taishi, Le, "Music, it can be known! Beginning, open and close as well. From it, pure as well. _As also, deduction as also. To become." This passage says: When music begins, various instruments play in unison. When it unfolds, the instruments cooperate with each other and advance in a coordinated manner, and the tone is pure and beautiful. After that, the theme of the music is prominent, and the tone reaches a climax. Finally, the sound returns to the rhyme, and the piece ends in a curl of sound. Here the aesthetics of the art of music from calm to climax and back to calm is well reflected.