Traditional Culture Encyclopedia - Traditional customs - Who painted the wallpaper of Moon Shadow Legend?
Who painted the wallpaper of Moon Shadow Legend?
Chen Uen
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A native of Taoyuan, Taiwan Province, likes comics since childhood and quietly imitates Japanese picture books to practice painting. In the early 1980s, he published his first novel, The Warrior Panther, which was serialized. During the period of 10, he published many successful works, such as Fighting God, Biographies of Assassins, and A Nose Sword, which not only established his position in the animation industry in Taiwan Province, but also raised the overall level of animation in Taiwan Province to a new height.
Chinese name: Chen Uen.
Chen Uen Mbth
Alias: Zheng Jinwen
Place of birth: taoyuan town, Taiwan Province Province
Date of birth:1958 65438+February 27th.
Occupation: literary cartoonist
Graduate school: Fuxing business graduate student.
Masterpiece: Panther the Warrior
Gender: male
Constellation: Capricorn
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Comic history
Painting style
Personal works, singles, comic works
Short comedy works
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Animation works
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Comic history
Painting style
Personal works, singles, comic works
Short comedy works
record
Animation works
Game works
Other personal information
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1958 was born in Taoyuan Township, Taiwan Province Province. I like comics since I was a child, quietly imitating Japanese picture books to practice painting. In the early 1980s, his first novel, Warriors and Panthers, was serialized, which initially showed his talent. During the period of 10, he published several successful works, such as Fighting God, Biographies of Assassins, and A Nose Sword, which not only established his position in the animation industry in Taiwan Province, but also raised the overall level of animation in Taiwan Province to a new height. 199 1 year, Chen Uen's Heroes of the Eastern Zhou Dynasty was serialized in the Japanese Toastmasters Morning Post and was warmly welcomed. The talk club called him a treasure and superstar in Asia. Asahi Shimbun called him a genius, genius and extraordinary talent that no one has surpassed in the past 20 years. Japanese cartoonists association asked him
Won the Excellence Award. This is the first time that a China comedy family (now Chen Uen has become a Japanese citizen) has won such honor in Japan. 1992, the morning paper recommended another of his new works, science fiction story's Deep and Beautiful Asia. Chen Uen's early paintings began with imitating Japanese cartoons. Later, it was influenced by western painting. By the mid-1980s, he gradually formed his own painting style. With his unique ink and wash skills, he combined the freehand brushwork of Chinese painting with sketch techniques, making his works gorgeous, moving and unique. His paintings are deeply loved by Japanese readers, which is obviously a very important factor. When talking about choosing Chen Uen's works, a person in charge of Toastmasters said that there are two criteria for them to choose foreign manuscripts, one is that the Japanese like them, and the other is that the Japanese can't draw them. Chen Uen's paintings have both these points.
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In his early years, he worked in 12 design companies, and later set up his own interior design company. 1984 published his first comic book "The Warrior Panther" in Time Weekly, and began his comic creation career. After being well received, he published "Fighting God" and "Biography of Assassin", which is an ink-and-wash hand-painted cartoon with the theme of "Biography of Assassin". Later, I collaborated with the writer Ma Li on a nose sword, and people from Toastmasters Japan invited me to write it.1In March, 990, the biography of heroes of the Eastern Zhou Dynasty was published in Japan. 199 1 was awarded the "Excellence Award" by the Japanese Comic Association. He is the first non-Japanese to win this honor in the past 20 years. In 2000, the cartoon "Big Bang", which was adapted from a series of stories of Thunderbolt puppet shows, was released in cooperation with Hong Kong Jade Dynasty Group and Taiwan Province Thunderbolt International Multimedia. However, due to the heavy workload, he quit the production of The Big Bang after completing the first chapter of The Big Bang. After charging for a period of time, in 2002, I cooperated with Ma Rongcheng, a Hong Kong cartoonist, to launch the second full-color hand-drawn cartoon "Legend of the Wind: A Chinese Odyssey". In recent years, his focus has shifted to China. At present, he is the artistic director and art producer of Moon Shadow Legend Online Edition, a subsidiary of Jinshan Software, an online game company.
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Xiang is famous for his rigorous work and unique painting style. He used to draw all the historical figures of the Three Kingdoms in the game "The Three Kingdoms of Chen Uen" and the online game "The Three Kingdoms of Iron and Blood" at home alone, which was amazing. His works have different styles. China's ink painting techniques and western painting techniques are integrated into his works, revealing a heroic and free-spirited chivalry in his works. Chen Uen's watercolor attainments, through color, modeling and wild brushwork, set off a sense of life. The creation of plane shows the vividness of three-dimensional space. The creation of plane shows the vividness of three-dimensional space. He is good at using all kinds of media and painting skills, and has independently developed unprecedented pioneering work. He is good at using all kinds of media and painting skills, and has independently developed unprecedented pioneering work. Such as soap painting, Kyoko painting, sandpaper painting, pigment painting, ink painting, computer painting, toothbrush painting, sketch painting, wool painting and so on. He created a colorful natural patrol or drainage model by splashing ink, letting it flow or pressing it. Chen Uen likes paintings that combine abstraction with realism. Chen Uen likes paintings that combine abstraction with realism. If the paper bag is pressed into the shape of a boulder, it can also become a scene. It is quite ingenious to draw characters to help lift this boulder. It is quite ingenious to draw characters to help lift this boulder. His creativity is often achieved through the use of various freehand painting techniques. Japanese, Taiwan Province, Hongkong and even the cartoon circles in Europe and America all admire his creation. Japanese, Taiwan Province, Hongkong and even the cartoon circles in Europe and America all admire his creation. Of course, he has many followers, imitating his painting methods and even copying his performance methods. Of course, he has many followers, imitating his painting methods and even copying his performance methods. Japanese comics have reached the level of perfection, and Chen Uen was able to break through the traditional model, which shocked the Japanese comic industry. Japanese comics have reached the level of perfection, and Chen Uen was able to break through the traditional model, which shocked the Japanese comic industry.
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Thematic comic works
Warrior Panther Part I Warrior Panther Part II Legend of the Assassin Chen Uen Wolong's Works
The legend of heroes in the Eastern Zhou Dynasty: Far-reaching and beautiful Asia-Long live-magical super Asia, cartoons of the first emperor, BIGBANG, Buddhist practitioners on earth-Legend of Master Xingyun: A Chinese Odyssey.
Short comedy works
Marshal Armor (Chen Uen Special Issue) Executioner (Chen Uen Special Issue) Final Duel (Biography of Assassin) Legend of Sword Immortal (Biography of Assassin) Legend of Heroes in the Western Zhou Dynasty (Comics published on Sunday) Heroes after 100 years since 1996 (published by Hearttalk Society)
record
Chen Uen Painting Collection-Chen Uen Three Kingdoms Cover Chen Uen Special Issue Chen Uen Painting Techniques Creation Album Chen Uen Painting Collection Chen Uen Painting Collection-Chen Uen Three Kingdoms
Animation works
Biography of Confucius
Game works
Warring States Policy II-Battle of Seven Heroes Chen Uen Three Kingdoms Online Moon Shadow Legend Online
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Chen Uen leaping onto the world stage —— (Interview with Chen Uen) I believe that it is the most glorious thing for every comic creator to gain the appreciation and affirmation of world-class comic power. From the early freehand brushwork style of ink and wash to rich and vibrant colors, Chen Uen's cartoon world is as elegant as other literary and painting arts! Chen Uen (real name Zheng Jinwen) began to engage in this profession at the age of 26. At the age of 28, he confirmed his unique ink painting style with his work Panther Warrior. The following year, he was poached by the Japanese animation industry and lived in the highly competitive Japanese animation market for 12 years. His long historical comic "Heroes of the Eastern Zhou Dynasty" won the Excellence Award of the Japanese Comic Association, which is the first time that the Japanese comic industry has been robbed of the grand prize by foreigners in 20 years, and has since been listed as a first-class master cartoonist. After so many years of hard work, I finally got the result and achieved fruitful results. Thanks to the best efforts of the largest Japanese publishing house, the "Chen Uen Painting Collection" containing so many wonderful original paintings was published. Although the price is not cheap and the Japanese publishing industry is generally depressed, it can also achieve rapid reprint sales. His brilliant colorful ink and wash paintings and superb painting skills shocked Japan, Hongkong and Taiwan Province, so Toastmasters Japan invited him to contribute. 1989 collaborated with Marley in "A Nose Sword" in Comic Weekly, creating a new field of comics. 1990, the legend of heroes in the Eastern Zhou Dynasty, an ink-and-wash cartoon published in Japan's Good Morning Weekly, won the award of Japan Cartoon Association, and successively published a long sci-fi masterpiece "Beautiful Asia" in Japan's Good Morning Weekly, which was well received! Later, he published masterpieces such as "Long Live" and "The First Emperor" in Toastmasters in Japan, and was praised as a master of Asian comics by Japan! When the Winter Comic Exhibition was held in Hongkong, Bee Wong, the director of Winter, had a private exchange with Chen Uen, and everyone talked about their views on chinese comic. When I first came into contact with Master Chen Uen, Bee Wong felt that Chen Uen's appearance was simple and simple. He seemed very serious, and he didn't like to talk much. However, in contact with Cheng, I found that he is actually amiable. Although his words are very bookish, there is no lack of humor, and he should be a very easygoing person. When we met for the first time, the first thing Huang Bier asked was of course his comments on Chinese mainland's cartoons and Winter. After carefully reading the works of Winter, Master Chen Uen replied: "I don't know much about domestic cartoons, and I haven't read them carefully, but I feel that the level of domestic cartoonists is not high, and there is a big gap compared with works in other places. However, it feels good to see the works of Winter for the first time. From the perspective of picture quality and composition, it has reached a certain level. " Chen Uen struggled in Japan for 12 years. Last year, he resolutely gave up everything he had succeeded and came to Hong Kong to draw the comic book "The Big Bang Theory" with Jade Dynasty Company. What happened? Chen Uen said that Taiwan Province province made him famous, and the Japanese gave him enough space to improve his creative quality. Although there are fewer readers, his influence has expanded, and he has also enjoyed a certain position in the field of comic art. This time, he moved to Hong Kong and completed the puppet comic "The Big Bang Theory" with "Taiwanese flavor". I mainly want to win a sigh of relief when Taiwan Province Province is about to create cartoons. I don't believe that the market of 23 million people can make cartoons in Taiwan Province Province have room to survive and thrive. Chen Uen explained, "In Japan, I have to draw 40 drafts a month, while in Hongkong, I have to draw 80 drafts a month, which is twice the workload in Japan. But in Japan, Japanese people like to watch Chinese people create cartoons about China culture and traditional materials. Even Japanese painters have stories about China, but they are always not authentic. Therefore, if the chinese comic family wants to occupy a place in the Japanese market, they must draw cartoons that truly reflect the theme of China. Now the chinese comic family just lost their rational understanding of China culture and could not express their true side. " Chen Uen added: "The Big Bang Theory is an out-and-out commercial work. Both painting style and marketing packaging are implemented under the strategy of strict professional division of labor. This mode of selling comics in Hong Kong hopes to bring some rethinking angles to Taiwan's comic industry. Because Taiwanese comics used to die in the hands of the censorship system of the National Compilation Museum, there is no reason to die in the air of free creation now. " When Bee Wong asked him how to create this story, Chen Uen also revealed his accumulated experience in creation for many years: "I am different from other cartoonists. Before creating a new story, I will first set the shape and personality of the characters in the story, and then arrange the structure and rhythm of the story. My creative inspiration mainly comes from some ancient books in China or books about culture and history. I think the stories created by cartoonists should be not only beautiful, but also meaningful. Only works with connotation will last forever and never tire of reading them. I suggest cartoonists read more text books. " For Chen Uen, who entered this industry at the age of 26, he thinks that young cartoonists are not as good as older cartoonists. It makes sense to think about what he said. Reason: Young, lack of life experience, incomplete understanding of the world and immature mind. In the final analysis, young creators are still naive and lack objectivity, rationality and prudence in understanding things. Therefore, in order to create meaningful cartoons, in addition to good story themes and elements, we must also have a mature creative mentality!
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