Is there anyone who still likes Shanghai Comic Opera? Recent performances of Shanghai burlesque (classic Shanghai burlesque)

In fact, Shanghainese still love Shanghai burlesque. However, there is a reason why Shanghainese don't watch much burlesque nowadays. The author analyzes the reasons:

First of all, there is a lack of good writers and good works in Shanghai's burlesque. The culture of Shanghai's burlesque community is not very positive. It fails to cultivate or support capable and talented authors to write good works. Even if there are good works, there is no good platform to show them. Once upon a time, Shanghai's comedy "Old Maiden's Uncle" used to have ratings close to those of the Spring Festival Gala. However, due to poor management, guidance and care, it was interrupted after more than ten years of popularity. The comprehensive reasons for this need to be pondered. I remember that the writers involved in the writing of _Lao Niang-u_ had a young man in his early twenties called Chen Sen, who wrote nearly thirty episodes, some of which hit the highest ratings. This new force of comic screenwriting has not been protected either.

Second, the distribution of benefits is uneven. Good works are hard to come by, but they are cheaply paid, mostly to the actors, and without good works there is nothing for the actors to do. The vicious circle that has brought Shanghai's burlesque theater to a standstill is normal.

Once again, professional burlesque practitioners are giving up their main jobs for money and relying on the influence of burlesque to go to other variety shows. For example, Shu Yue in said a _ gashanhu_" incestuous. Some appear in food and health programs. Not doing their main job, just to compete for money. In fact, by virtue of their ability to appear on these programs shows that Shanghai funny in the hearts of the Shanghai people is influential and status. Have the foundation to dig up from new.

Lastly, the relevant departments in Shanghai are outsiders are not unrelated. Foreign leaders dominate the work of the piece of Shanghai, but they do not understand the Shanghai burlesque in the hearts of the Shanghai people's status, complex and role also hindered the development of burlesque in Shanghai. Of course, Shanghai's burlesque should continue to improve, more in line with the development of the situation is also a must. We believe that Shanghainese people still love Shanghai burlesque. This is also part of the sea culture.

Now there are a few comical actors who love comic opera, led by Wang Rugang are working in the television station, either to shoot commercials to pick up the points, or on the silver screen to act crazy, full of thirteen points, see the people to make people's stomachs, and then go on in the hands of these people to ruin the show

In Shanghai, if you can no longer see the "Shanghai comical, that's really too funny! I'm not sure if I'm going to be able to do that, but I'm sure I'm going to be able to!

I'm not going to put any pictures in this reply, I just want to use the most simple language and thoughts to share with you my views and feelings.

While I am only in my early 30s, I am very much in love with Shanghai burlesque and Shanghai traditional Chinese opera.

From the earliest burlesque movie Wen Binbin, Fan Haha to burlesque titan Yao Mushuang Zhou Bochun, to the double generation of performing artists, to the later sitcom "Old Maiden's Uncle", "Red Tea House". Whenever I tune in on TV, I will definitely watch it again. Many segments have long been incorporated into their own blood, many of my friends around me say that my speaking accent is a bit like Zhou Bochun, I really do not dare to pretend.

I don't know when I started, but I realized that there were fewer and fewer people around me who could talk about burlesque, and I didn't even know that there was such a form of artistic expression in Shanghai. The Shanghai burlesque troupe is a sham, and the actors in it are at best standardized Shanghainese-speaking TV salesmen, wedding emcees and non-professionals.

On the other hand, although Shanghai is a cosmopolitan city that embraces the world, the post-90s and post-00s basically don't speak Shanghainese anymore. The roots of Shanghai's traditional culture, Shanghainese, are in danger, and we should be on high alert.

While there are a lot of big Vs trying to save Shanghai culture on various platforms, but the effect is very little, and more of them are pandering to foreign cultures, and the Shanghai dialect and Shanghai culture are slowly being lost.

While I'm just an ordinary native Shanghainese, and I don't have many followers in the headlines, I hope I can do my part in the microblogging, and try my best to show our Shanghai's most traditional culture in its purest form. I hope that the new Shanghainese, or already do not speak Shanghainese 310, put down the irritation, open a traditional Shanghai burlesque clip, feel the charm of Shanghainese, the charm of burlesque.

At the same time, I have been writing articles on this headline, hoping to do my part to save Shanghai's traditional arts.

Funny Golden Stage Shin Shengmi and Sun Ming

Zhou Libo and Haiqingkou

Rescuing Shanghai's Traditional Arts Pudong Rap

Shanghai's Intangible Cultural Heritage Shanghai Rap and the "Tower of Jinling"

Shanghai Rap Huang Yongsheng

Shanghai Language Movie Organizer

Classic Shanghainese Television Dramas Inventory

At the end of the day, it would be hilarious to never see "Shanghainese comedy" again!

Now which small funny don't know what to do, some time ago the screen Hu tone, recently are keen to do advertising, especially which short big guy, before also look at the GaShanHu, now a appeared to adjust the screen, it is really too disgusting, Cordyceps, broken shoes, mahogany furniture, jade, hongmao medicine wine, this goods is the traditional Chinese medicine in the licorice handful of handfuls have a share, but also get a good Shanghai funny?

Funny theater, Shanghai Opera is the iconic art form of the local culture of the Shanghai Tang, like Suzhou commentary, Suzhou commentary, Kunshan Kunqu is an indispensable spiritual imprint of the city, it is the same with the Shanghai dialect can not be and should not be extinguished, it can not go out of Shanghai to the country, does not depend on the people of the country can not be accepted, but the people of Shanghai can not keep it, the young people in Shanghai can Can the people of Shanghai keep it, and can the young people of Shanghai like it? At the same time with the burlesque and Shanghai opera can not reform and innovation, injected into the new meaning of the times, in the form of stage performances, script excellence, the content of the times, the actors and actresses wonderful acting skills can not win the audience is closely related to the need for a number of high cultural level of young actors and actresses to pick up the beams, from the tradition of the traditional not to tradition of the fixed about, to take the essence of the dregs, slippery but not oil, and not treacherous, to learn from the northern sketches of the essence of performance and forms of expression, to put the northern sketches and comedy Some of the essence of the performance and the form of expression, the cultural level of the southern comedy of the burlesque up, the interpretation of the Shanghai Opera connotation up, the formation of the burlesque focus on public opinion of the joys and sorrows of life, Shanghai Opera focus on the mainstream value of the development of the city of the two major brands of local opera!

Funny opera and Shanghai opera must also abandon the kind of master and apprentice inheritance of a single line of channels, the Shanghai Theatre Academy should take up this responsibility, the establishment of Shanghai opera and funny opera professional, or set up a special "Shanghai local opera school, to train a number of excellent Shanghai school of opera creation and performance talents, only so that the Shanghai beach of this flower of local opera in order to thrive.

Now some of the Shanghai comical actors outside the advertisement to pick up points very bad influence to make a group of old people fooled

Shanghai comical theater collapsed, the actors to shoot advertisements, on the TV station hilarious, all for the sake of money! No creation, no research, no enterprising, finished. Wang Rugang, Shu Yue sell Cordyceps and shoes! They're not doing their job! The culprit! Wang Rugang only laughs at Li Jusong, Shu Yue's Mandarin is not good enough! I don't want to talk about it! The burlesque performers have no humor in their hearts, and they have misused the genre, the audience, and themselves, and the authorities have allowed it to die out. The crime is serious!

Funny is the kind of theater that Shanghai people like. The old generation of comical artists gave us a happy joy. Today's comical world actors have changed their profession to TV stations to engage in seven Nian San. It's really not a righteous thing to do. At this rate, Shanghai's comedy will be destroyed in the hands of these people. I can't afford that group of teachers. I hope that Shanghai's comical to inheritance to go on not biased pursuit of profit, and then this way down the TV station in addition to the news broadcast program hosts, only to recruit comical world of actors.

Now Shanghai's other theater in the continuous launch of new plays, such as Shanghai Opera, Yueju Opera, etc., as Shanghai's cultural heritage is still being passed on. Only Shanghai burlesque, actors in the Shanghai TV station to go out of business, there are advertisements to promote Cordyceps otherwise jade and so on. Some in the TV station gashan paste sales elderly shoes. At this rate, Shanghai burlesque will be bad in this generation of actors.

Now the burlesque actors are working in the TV station, advertisements, do guests, acting burlesque is not funny, the performance of the monologue pulling the strings, you say funny? I miss the good old days of Yao Mushuang, Zhou Bochun, Yuan Yiling, Shin Mimi, Wu Meimei, Xia Ping, Yang Hwasheng, Zhang Qiaonong, Laughing, Green Yang, Nen Niang, Fan Haha, Wen Binbin, Wu Shuangyi, Weng Shuangjie, Wang Shuangqing, Tong Shuangchun, Wang Shuangbai, Li Qing, Wang Huitsuen, Tan Yicun, Gong Yifei!