What is the national model of China?

In China's national mode, deviation refers to the tone sandhi level different from affirmative mode.

1. In China's national music theory, Gong, Shang, Jiao, Zheng and Yu are called positive tones, which are equivalent to the basic tone level now;

2. The semitone above the right pitch is called "Qing", which is equivalent to # (rising semitone). The semitone below the positive note is called "change", which is equivalent to B (flat semitone). The whole note lower than the positive note is called "leap", which is equivalent to bb (heavy downgrade). These different sound levels are called eccentricity;

3. In ancient times, only four partials were used, namely, clearing the angle, changing the sign, changing the palace and jumping, which was equivalent to changing the sound level in the major and minor tones. If 1 is a house, then they are equivalent to 4, #4, 7 and b7 respectively.

Extended data

The Function of the Deviation of Ethnic Patterns in China

According to the different partials added, this pentatonic scale evolved from pentatonic scale has three different modes, namely:

1. instrumental music scale, also known as "orthochromatic scale", consists of two partials between horn and feather palace, namely inflectional sound and inflectional sound. Each sound in the scale is equivalent to the seven sounds of 1, 2, 3, #4, 5, 6 and 7 in modern music.

2. The Yanle scale, also known as the scale, is formed by adding two partials between the horn and the two sounds, namely the clear horn and the leap gong. Each note in the scale is equivalent to the seven notes 1, 2, 3, 4, 5, 6 and b7 in modern music.

3. Pure musical scale, also called "flat scale", consists of two partials, namely, clear horn and variable palace, which are added between horn and feather palace. Each note in the scale is equivalent to the seven notes 1, 2, 3, 4, 5, 6 and 7 in modern music.

References:

Baidu Encyclopedia-China Ethnic Model