What is spatial texture?

Texture refers to the organization of the surface of the texture structure of the object, that is, a variety of crisscrossing, uneven, rough and smooth texture changes, is to express the feelings of people on the surface of the surface texture characteristics of the design object. Generally speaking, texture and texture have similar meanings. For the formal factors of design, when texture and texture are linked, it is felt as the expression of material on the one hand, and on the other hand, it is embodied in the creation of new texture forms through advanced craftsmanship. Different materials and different craftsmanship can produce a variety of different texture effects, and can create a rich form of external modeling. Texture in Painting: In painting, texture is the product of combining material materials and expressive techniques, it is a kind of organizational structure and texture of the picture created by the author according to his own aesthetic orientation and feelings about the qualities of the object, using different material materials, different tools and expressive techniques. The surface of any object has its own specific texture changes, and the magical visual feeling presented by such specific texture changes is precisely the texture effect explored by the art of painting. The aesthetic value of texture in the art of painting cannot be underestimated, and it has aesthetic qualities that are difficult to realize by other means of expression.

Watercolor painting not only has brilliant colors, elegant and fresh tone, rich forms of expression, but also has the most enchanted the painter that is difficult to name, natural, also real and illusionary, magical and wonderful artistic effect. The effect produced by this blend of water and color is a natural object with the help of the author's subjective and objective, intentional and unintentional creative activities and presented, the object's appearance characteristics of the special visual language, watercolor paintings are different from other kinds of paintings and the unique charm of the language, that is, watercolor paintings, texture of the United States.

The following combines the practice of teaching and creating, respectively, from several aspects of the texture of the watercolor painting of the beauty.

First, the beauty of natural texture and artistic texture

Nature is full of colors, and the world has the appearance of everything, which is the most basic element of the visual image. Life is the source of artistic expression, artistic creation, as far as watercolor landscape is concerned, the same is true. The colorful sky, the vastness of the sea, the old wall of the cottage, the vague dream of the morning smoke, the twists and turns of the ancient road, the rocky ghosts, the sun's charm and splendor, the mist of the rain, the haze, the mottled vicissitudes of the withered tree, the seedling's vitality, all presenting the beauty of the natural texture of the marvelous infinite and ever-changing.

The surface of the object has a layer of "skin", in the natural creation, it has a variety of organizational structure, or smooth and clean, or rough mottled, or soft and loose, or thick and hard. This kind of object surface organization texture changes, so that the formation of an objective natural form, that is, texture, thus giving people a different visual experience. Texture is not always beautiful, only when it is in a particular space, a particular environment, under a particular light to present a certain sense of beauty. Painter is from here to draw the inspiration of art, this natural texture feeling properly applied to the visual language performance, to create artificial art texture of beauty. For example, the American painter Wyeth in the "winter mill", "cider barrels" and other works in the performance of the mottled paint, holes in the broken walls, rough fences, etc., in the life of these objects may not have a sense of beauty to speak of, but when they are processed through the painter's artistic processing, it will be presented with a new look of artistic beauty, thus expressing a particular aesthetic factors and aesthetic meaning. No matter what kind of expression and content of watercolor painting, it is not a simple reproduction of life, not to mention the pure objective imitation, it is a kind of sublimation and expression on the basis of the painter's life experience.

Rodin once said, "The nature seen by the artist is different from the nature in the eyes of ordinary people." The reasoning behind this is worth pondering. Those ordinary scenery, once the artist depicts the object, will be given a special meaning, the meaning is to borrow the scenery, emotion in the scenery, so that the self aesthetic concept, the spiritual pursuit of the object to find a lyrical dependence. In this particular scenario, people and objects, feelings and scenery into one. Once the natural texture dissolved into the painter's emotions, it will stimulate the painter to create ***, so that it becomes the object of the painter's "play on the theme", and they are used by the painter to create a variety of materials, tools, techniques, stunts, and other methods to create a variety of exquisite, infinitely varied art texture, thus becoming a new visual language. For watercolor painting, the unique tools make it has the unique ability to create texture, which is incomparable to other kinds of paintings. Of course, this kind of art texture produced by various means is subjective to the texture of the painter, even if it is a casual splash of water, but also will leave the subjective feelings of the painter on the object, which makes the art texture in a sense more aesthetic meaning ......

What is meant by the structural texture of a city?

Texture, is the texture of the skin. Skin texture is delicate, smooth, shiny and elastic, which is the pursuit of many women.

The expression of urban texture also lies in the hardware aspects that can be witnessed and touched, such as neighborhoods, roads, bridges, trees, flowers, plants, facilities, etc., and then the color, height, elevation, volume, and condition of the premises, as well as the intangible aspects embedded in the city that can be felt, such as the people's living habits, customs, behaviors, morals, etiquette and customs, culture and religion, etc.

Dianthus is the name for the texture of the skin.

The reason why the ancient city of Lijiang in northwest Yunnan Province has become the world's cultural heritage is due to its unique and rich urban texture. The city looks the same every year, the building color is simple and heavy, the street layout is put in order, everywhere overflowing with the ancient Chinese "unity of man and heaven" idea.

In the past few years, the rapid progress of urban construction, so that many excellent, rich city texture was destroyed. Two county-level cities in northern Jiangsu, just over a year, the old city was razed to the ground, rebuilt a new city. This kind of "masterstroke", once was also widely publicized. However, people are no longer able to find that sense of identification with the city, a sense of affinity, a sense of belonging ......

From the mechanism can be seen in the state of a city, from the city mechanism can reflect the spirit of the city, a city has the most profound thing is the mechanism of the city.

Graphic design has space, texture and what else, urgent! 10 points

This is still to buy a book to see it, I am now looking at a book called "design elements - graphic design style", recommended to you.

Introduction to texture composition

Texture refers to the texture of the surface of an image. Texture, also known as texture, due to the different materials of the object, the organization, arrangement and construction of the surface are different, thus creating a sense of roughness, smoothness, softness and hardness. Texture is the ideal surface feature. Texture composition refers to the texture of different material surfaces through certain means of composition design.

What is color texture?

Color texture is definitely colored texture! (Black and white are also colors, do not be rigidly held by books and some theories when learning)

Texture is a unique aesthetic feature of the plastic arts, depending on all the tools or materials to show a different feeling. It is the organization of the texture structure of the surface of the object, that is, a variety of criss-cross, uneven, rough and smooth texture changes. For example, the texture of oil painting and Chinese painting is different because of the different tools and materials used. In addition, in many contemporary art works, there have been a lot of use of various materials in the display, which has formed various texture effects. It has become one of the languages of art because the aesthetic stares expressed by different tools and materials have become one of the important parts of the artists' expression of various emotions and concepts.

In painting, texture is a combination of material and presentation methods, is based on the author's own aesthetic orientation and feelings about the qualities of the object, the use of different materials, the use of different tools and presentation techniques to create a picture of the organization.

How to analyze the environmental texture? What is environmental texture?

I can give you a little idea ~ ~

Texture is something of the texture of the warp and random direction

Like the wrinkles of the skin on the body of a person, the bark of a tree, as well as the randomness of your drops of water on the paper, the threads of your hands ... and so on, this natural formation. And so on, this natural, random, and painted texture can be called texture.

What you call flat texture, I think can be understood as paper texture, that is, the texture into the flat, into the paper. I don't know if this definition is correct, but I don't agree with the term "flat texture"!

But my advice to you is not to draw, but to feel, drawing is not necessarily painting.

For example:

1, you can take a napkin folded a few times, and then go to gently dip a little ink, remember to wait until the ink is almost absorbed, to your drawing paper to "print". Your strength of different, will appear different effects, you fold different ways, will also appear different effects! It's all up to you. Remember to try more and more to get a good result! Art is accumulated experience ~ ~!

2, you can use paint directly, do not add water (oil), directly on the paper, and then the surface of the formation of different levels, if you think the effect is not very good, you can also use the oil painting knife or something directly on the top of the painting line, and, the block award form. And then when it's done, it's a work of art. If you think it's not flat enough, OK, please take it to the photocopy, out of the effect will make you feel surprised ~ ~! Still in the same sentence, you have to practice more to get a good work ~ ~!

Well, time is limited, just say so much, I do not know if you want, the key is that you yourself will be able to learn by example!

The three-dimensional composition of the texture

In the three-dimensional composition, the texture refers to the texture of the surface of the material, the structure of the organization to give a person's tactile texture and visual touch. It can be divided into the material itself according to the source of the texture (day wood grain, marble grain, etc.) and artificial treatment of the texture (such as imitation wood grain of artificial plates, imitation marble grain of artificial stone and a variety of materials will be integrated into the formation of the texture, etc.). In addition, according to the human body to feel different ways, can be divided into tactile priority type texture and visual priority type texture two. The texture that can be felt through the touch of the human skin is called the visual-first texture. In the three-dimensional composition of the texture is often touch, visual integrated texture, can be felt through the visual sense, but also can be touched. Touch is a special sense of the human body. A variety of external *** (cold, hot, soft, hard, smooth, rough, etc.) through the distribution of nerve endings in the skin, reaching the brain, so that the human body to produce a comprehensive feeling, which is more complex than the auditory, visual are more complex. For example, experienced potters through the touch of clay can judge the clay is good or bad, as well as with this clay fired porcelain is good or bad and so on. Therefore, the sense of touch is the main means to bring us the feeling of texture. Through the sense of touch, we can feel the cold, hot, soft, hard, smooth, rough and other properties of an object. Another kind of texture feeling comes from vision. For example, we placebo from the high altitude of the sea, the blue sea will be visually conveyed to us the texture of the sea. Another example is standing in the mountainside to see the sea of clouds, although we can't feel the sea of clouds through the sense of touch, but through the vision, can still feel the special texture of the sea of clouds. Different texture, will give people different psychological feelings. Such as marble texture expression of noble, elegant mood, cloth texture conveys a friendly, soft and simple mood and so on. At the same time, different texture, caused by the spatial distribution of reflected light is different, will produce different gloss and object surface perception. For example, delicate shiny texture, the ability to reflect light is strong, will give people light, lively, cold feeling; smooth and light texture, due to the amount of light reflection is small, will give people a subtle, quiet, rustic feeling; rough and light texture, due to the reflection of light points, will give people a bulky, cluttered, heavy feeling; and rough and light texture, will make people feel vivid, steady and far away. In three-dimensional composition, texture is not an independent existence, but belongs to the modeling of the detailed treatment, that is, equivalent to the choice of materials and surface treatment of the product. Texture in three-dimensional composition has the following roles: ① Texture can enhance the three-dimensional sense. For example, if the surface and side of a form are treated with different texture, the three-dimensionality and hierarchy of the modeling can be enhanced. This role of the texture is determined by the shape of the texture and the split configuration of the relationship. ②The texture can enrich the expression of three-dimensional form. Different texture will present different forms of expression and features. In order to play this role of texture, in the three-dimensional composition, we often place the texture in the part of the eye often see. ③The texture also has intelligence significance. That is, different texture will prompt us its role and use. Such as bottle caps, knobs, switches and other special texture will guide us to the use of the form. In order to play this role of texture, in the three-dimensional composition, we can arrange the texture of the use of frequent contact parts. The use of the same kind of material composition of the texture can produce the effect of harmonic unity, but to avoid monotonous and dull; and with different material composition of the texture will produce rich changes in the effect, but we should pay attention to avoid the scattered and disorderly. In summary, in the three-dimensional creation of the need to choose the right texture to express the work, at the same time, texture and shape, color and harmony between the unity is also a good three-dimensional composition work to create a guarantee.

Please discuss the relationship between color and space, area, location, texture

First of all, color and space (1) color, it is not an abstract concept, color can dominate the human feelings, such as seeing the red, associated with the sun, the source of life of all things, and thus feel reverence, greatness, but also associated with the blood, feel uneasy, barbaric and so on. Seeing yellow-green, associated with plant germination and growth, feel the advent of spring, so it represents youth, vitality, hope, development, peace and so on. The contrast between area and position of color As a carrier of visual color, shape always has a certain area, therefore, in this sense, area is also an indispensable characteristic of color. In art design practice, although the color choice is more suitable, but due to the improper control of area and position, it leads to mistakes. . The relationship between color contrast and area (1) hue combinations, only the same area of color can be compared to the actual difference between each other to produce a counterbalance, the contrast effect is relatively strong. (2) The properties of the two sides of the contrast remains unchanged, one party to increase the area, to obtain the area advantage, while the other party to reduce the area, will weaken the color contrast. (3) color properties remain unchanged, with the increase in area, the visual *** power to strengthen, and vice versa is weakened. Therefore, the large area of color contrast can cause dazzling effect. Such as in environmental art design, general building facades, interior walls, etc. are selected high brightness, low purity colors to reduce the intensity of the contrast, resulting in a bright, comfortable effect. (4) Large area color stability is higher, in contrast, it is the color of the wrong vision of the impact of large; on the contrary, by the color of the wrong vision of the impact of small. (5) The same nature and area of the color, and the shape of the poly, scattered state has a lot to do with its stability, the shape of the high degree of aggregation by the color of the small, high degree of attention, and vice versa. Such as outdoor advertising and publicity posters, etc., the general color is more concentrated, in order to achieve the effect of attracting attention. . Color contrast and the location of the relationship (1) contrast between the two sides of the color distance, the closer the contrast effect, though, and vice versa, the weaker. (2) Both sides are in contact with each other, cut into the state, the contrast effect is stronger. (3) When one color surrounds another color, the effect of contrast is the strongest. (4) In the works, the key colors are usually set in the visual center, which is the most eye-catching. For example, the 4 intersections of a tic-tac-toe composition. Color texture contrast Color and the nature of the object's material, the image of the surface texture of the relationship is very close, affecting the color feeling is the surface tactile texture and visual perception. (1) Compare and contrast the colors of the two sides, such as the use of different texture of the material, the contrast effect is more interesting. (2) Similar colors or the same color match, you can use heterogeneous texture material changes to make up for the monotony. Such as the same red roses printed on thin nylon sand windows and thick sofa fabrics, they are composed of the decorative effect, both into a series of matching, but also with material changes in color charm. (3) Painting and color performance, the application of a variety of colors and painting tools can produce different texture effects, such as watercolor, gouache, oil, propylene and other colors of pigments and crayons, McDonald's, pens, brushes and other types of brushes. (4) The same pigment uses different techniques to create many wonderful texture effects to strengthen the interest of color, mood and beauty. Such as top, chapped, chemical, prevent, pull, spread, paint, spread, paint, dye, hook, spray, tie, flow, brush, bracket, point and other coloring techniques.

The painting of texture

In painting, texture is a product of the combination of material materials and performance methods, is based on the author's own aesthetic orientation and feelings about the qualities of the object, the use of different material materials, the use of different tools and performance techniques to create a picture of the organizational structure and texture. The surface of any object has its own specific texture changes, and the magical visual feeling presented by such specific texture changes is precisely the texture effect explored by the art of painting. The aesthetic value of texture in the art of painting cannot be underestimated, and it has aesthetic qualities that are difficult to be realized by other means of expression. Watercolor painting not only has gorgeous colors, elegant and fresh style, rich forms of expression, but also has the most enchanted the painter that is difficult to name, natural, also real and illusionary, magical and wonderful artistic effect. The effect produced by the intermingling of water and color is the natural object with the help of the author's subjective and objective, intentional and unintentional creative activities and presented, the special visual language presented by the characteristics of the object's appearance is watercolor painting is different from other kinds of paintings and the unique charm of the language, that is, the texture of the watercolor paintings of the beauty of the watercolor paintings. The following combines the practice of teaching and creation to discuss the beauty of texture of watercolor painting from several aspects. Nature is full of colors, and the world has the appearance of all things, which is the most basic element of visual image. Life is the source of artistic expression and artistic creation, and the same is true for watercolor landscapes. The colorful sky, the vastness of the sea, the old wall of the cottage, the vague dream of the morning smoke, the ancient road of the twists and turns, the rocky ghosts, the sunshine of the charming and brilliant, the mist of the rain, the haze, the mottled vicissitudes of the withered tree, the seedling's full of vitality, all presenting the beauty of the natural texture of the marvelous infinite and ever-changing. Objects have a layer of surface "skin", in the natural creation, it has a variety of organizational structure, or smooth and clean, or rough mottled, or soft and loose, or heavy and hard. This kind of object surface organization texture changes, so that the formation of an objective natural form, that is, texture, thus giving people a different visual experience. Texture is not always beautiful, only when it is in a particular space, a particular environment, under a particular light to present a certain sense of beauty. Painter is from here to draw the inspiration of art, this natural texture feeling properly applied to the visual language performance, to create artificial art texture of beauty. For example, the American painter Wyeth in the "winter mill", "cider barrels" and other works in the performance of the mottled paint, holes in the broken walls, rough fences, etc., in the life of these objects may not have a sense of beauty to speak of, but when they are processed through the painter's artistic processing, it will be presented with a new look of artistic beauty, thus expressing a particular aesthetic factors and aesthetic meaning. No matter what kind of expression and content of watercolor painting, it is not a simple reproduction of life, not to mention a purely objective imitation, it is a kind of sublimation and expression based on the painter's life experience. Rodin once said, "The nature seen by the artist is different from the nature in the eyes of ordinary people." The reason is worth pondering. Those ordinary scenery, once the artist depicts the object, it will be given a special meaning, the meaning is to borrow the scene to express their feelings, feelings in the scene, so that the aesthetic concept of the self, the spirit of the pursuit of the object to find a lyrical dependence. In this particular scenario, people and objects, feelings and scenery into one. Once the natural texture dissolved into the painter's emotions, it will stimulate the painter to create ***, so that it becomes the object of the painter's "play on the theme", and they are used by the painter to create a variety of materials, tools, techniques, stunts, and other methods to create a variety of exquisite, infinitely varied art texture, thus becoming a new visual language. For watercolor painting, the unique tools make it has the unique ability to create texture, which is incomparable to other kinds of paintings. Of course, this kind of art texture produced by various means is the texture subjectivized by the painter, even if it is a casual splash of water, it will also leave the subjective feeling of the painter on the object, which makes the art texture in a sense more aesthetic meaning. Art texture in art practice, not only can enrich the artistic expression, but also increase the vividness of the picture, interesting. When facing the majestic Taihang Mountains, the layers of rocks and axe-shaped stone marks make us feel the inner touching power of nature. When in the March fireworks in the Jiangnan water town, in the light of the morning mist, the water shower, meaning cut, the misty beauty, the rain is silent, giving people a light and meaningful, not yet finished the hazy beauty. This is not only the beauty of the appearance of nature and objects, but also the beauty of the deeper meaning behind the appearance and visible texture. All kinds of natural texture are associated with people's psychological imagination, all kinds of natural texture patterns as ......

What are the pictures of graphic design texture composition

Graphic composition design is a visual art, is one of the indispensable training means of modern art design, is to guide the establishment of the basis of rational thinking. As a basic training method of design, it is mainly in the two-dimensional plane, according to a certain order and law of decomposition, combination, so as to constitute the ideal combination of forms.

Composition art in the early 20th century from the Hungry Ross school of composition, the main representative of Tatlin, Malevich and others. Composition art art is a thematic style of painting, free from the tradition of the plastic arts reproduction of visual sensations, the exclusion of art ideological, figurative, national. It is the transformation of geometric elements such as points, lines, surfaces, shapes and figures into visual symbols with symbolic meaning, forming a new concept of modeling. It is widely used.

Examples; visual communication design, decoration, environmental art, clothing, industry, ceramics and furniture and many other aspects.

" Compositionalism " is the " plane ", " three-dimensional ", " color " three major composition of the main teaching system

Plane composition in the two-dimensional space will be points, lines, surfaces in an orderly and rational congratulations on the combination of arrangements. Regularity, irregularity bones and the basic shape of several texture and spatial expression of three aspects

There are monomorphic and compound, positive and negative shapes, independent and connected shapes, shapes and colors, arbitrary division.

The form should be beautiful, well-proportioned, rhythm and rhyme. There should be change and unity, symmetry and balance, contrast and harmony. To seek change in the opposition to seek unity in the change.

(a) the concept of elements;

(1) point; and geometry in the point is different, in the plane of the composition of the visual does not simply refer to the point can be expressed in the form of the surface of the point. Points have size, sparse, strong and weak points, master the relationship between points and points, points and lines, points and surfaces of the relationship between points have scattered points, virtual points, line points, surface points, gradient points, irregular points, wrong view points.

(2) line; in geometry, a line has a position, length, no width and thickness. Composition design, not only the location of the length of the group of fine, space, direction of change, the formation of a variety of decorative line. Thick lines are powerful and thin lines are sharp. The group of fine lines to produce the relationship between near and far, vertical lines have a solemn sense of ascension, the horizontal has a sense of tranquility, diagonal lines have a sense of speed of movement, curves have a sense of freedom and softness

Faceted line; the use of large areas of the line will form the feeling of the surface of the curved line will cause a sense of curved surfaces, tilted straight line will cause a sense of distorted surfaces. Changing the direction of a line and the effect of spacing it out can create a curved surface.

(3) Surface; Geometry says that a surface is a trace formed by the movement of a line. Different lengths, thickness, direction, distance of the line movement, can form different surfaces. The form of the surface reflects the whole, heavy, full, stable visual effect. There are geometric and organic surfaces, natural and artificial shapes, and freehand shapes. In addition, the face of the figure and the ground, the surface of the wrong view is often used in the plane composition.

(2) visual elements; shape, size, color, texture, direction, center, position

(1) shape; where there is a position, direction, light and dark, color and texture and other factors that constitute the shape, are the shape of the human visual perception. That is to say, anything visible must be tangible shape is the appearance of the visible

(2) size; it is comparative. Comparison is one of the elements of form and beauty in the composition, for example, peanuts are smaller than potatoes, potatoes are smaller than pumpkins, just do not need a ruler to measure the comparison

(3) color; it is possible to see the shape of the environment, all the visual image is caused by color and brightness.

(4) texture it is the organization of the surface of the material can be flat and even or rough and tactile

(5) direction; the direction of the image determines the visual orientation of the viewer, but also determines the image and the frame or the relationship with other images

(6) the plane of the composition of the center of gravity in general refers to the form of the psychological balance of the sense of nature to connect any form Always in a state of equilibrium

(7) position; composition, the position of any form is compared with other forms and the existence of

(c) the relationship between the elements; he includes the direction, position, center of gravity visual elements in the picture of the organization, the arrangement of the relationship between the elements to be determined

(d) the basic form of plane composition

1, Geometric; square, round, triangular

2, natural shape; is a specific and objective visual characteristics of the image. Examples; people, birds, flowers, plants, mountains, water, etc. Macro-microcosmic as large as the celestial bodies as small as cells. From them to the beauty of the overview is the basis of modeling and inspire the imagination of the typical

3 accidental shape; is not aware of the accidental formation of the shape. For example, the splash of a broken ink bottle, the traces of paint flowing, and so on.

(1) blowing color; drop some paint on the paper and blow on it will produce a variety of splashes of irregular pattern effects.

(2)......