Henan Luzi Opera What does it mean?

The opera originates from Henan Luzi, with single singing, counterpart singing, and multi-person singing; the singing voice is smooth and elegant, and the words and phrases are easy to understand, which is popular among the masses and widely spread, and there are its footprints in the north of the Yangtze River and inside and outside of the Great Wall. Based on the tunes of the Henan Opera, it absorbed some performance methods of Beijing Opera and Yu Opera, and was formed in 1950. In the spring of 1961, when the Xingtai City Pendant Troupe went to Beijing to report on its performance, at a symposium jointly organized by the China Drama Association and the Chinese Academy of Opera, Tian Han proposed to rename the make-up pendant as "Pendant Opera". Tian Han proposed to change the name of make-up pendant to "Pendant Opera".　Pendant has been introduced into China for more than a hundred years. After the founding of the People's Republic of China, some old artists, under the guidance of old artists in the theater industry, used the performance programs of Beijing Opera and Bangkok Opera, together with gongs and drums, and put it on the stage, named "make-up Pendant Opera". In China, there are troupes in Weixian, Xingtai, Nangong, Longyao and other counties. After the formation of these troupes, after the stage practice and absorbing the strengths of the various types of opera, the "Fallen Troupe", the original "water words" for the fixed lines; musical instruments increased the sheng, flute, yangqin, erhu, low beard, cello; at the same time, the use of the Beijing, evaluation, clappers and other plays of the oboe, rows of strings, the song, and in the singing voice created the Fallen Troupe cavity of the sharp plate, rocking board, and so on. By 1956, the "costume pendant" had developed into a complete opera in our region, with cultural music, martial music, lighting and scenery, and cultural and martial arts. In 1961, Xingtai City, fell to perform in Beijing, by the capital people warmly praised, "Beijing Daily" published a review article, CCTV broadcast the performance, the famous playwright Mei Lanfang, Chang Xiangyu, red threads of female and the troupe staff had a discussion, the Central Theatre Research Institute to study and discuss the play will be formally named "fell to the play".　Pendant Opera is a rare genre in Anhui, originating in Xiao County, Suzhou in the early 40s. It is based on the folk singing of the single-voiced pendant, and developed through the process of "Da Yangqin", "Daoxiang Ban" and "Quyi Opera". Pendant Opera is named after its main instrument, the "pendant". Pendant Opera is a kind of local opera with strong local flavor and strong artistic personality in Huaibei. Its basic singing is euphemistic and colorful, with strong lyricism and moving atmosphere; its flowery cadences are humorous and witty, and its liner notes are beautiful and gorgeous; and its sad and bitter "Big Cold Rhyme" can destroy people's tears. The singing voice of the opera has a unique artistic infectious force.　The performances of Pendant Opera have a strong flavor of life, and some of the performance programs are simulated and refined from the daily lives of local farmers, with strong local color. Most of the repertoire of Pendant Opera is adapted from the "Duanzi words" (small sections of raps) and "Manshi words" (large sections of books) of single-voiced pendant operas. Among them, there are more than 100 traditional plays, more than 40 small plays, and more than 50 large and small modern plays. The plots of the big plays are very attractive, and the small plays are full of life flavor, which are favored by the audiences in the Huanghuai area. Pendant Opera Pendant opera has a history of more than 60 years. Because its performance form is very much in line with the local audience's "taste", it has developed rapidly, and has produced such performing artists as Liu Yuanzhi, Chen Yuanxiao, and Chen Yuanping, who are known as the "Three Greats" of Chinese opera. The repertoire of Pendant Opera, such as "Soul v. Soul" and "A Big Fish", had been presented in Beijing, and after the 1960s, People's Daily, Jiefang Daily, Wen Wei Po, and Anhui Daily had published special commentaries on Pendant Opera. Edit this paragraph Detailed introduction Development Initial pendant opera, is based on the traditional pendant bibliography, slightly modified, the pendant opera using the original music singing, set of Beijing opera, Hebei Opera gongs and drums Jing, put on opera costumes, additional lighting set and become, and is therefore called make-up pendant. In the process of later development, Pendant further borrowed from Peking Opera, Hebei Opera and other operas, set up the rows of Sheng, Dan, Jing and Chou; learned some performance action programs, and absorbed the singing and plate structure of Yu Opera, Henan Opera, Hebei Opera and other operas, gradually completing the process of operaization, forming an independent opera. By July 1958, Hebei Province had twelve professional drop-zi troupes.　The Traditional Music of Pendant Opera The traditional music of Pendant Opera includes the following: over-board, introduction, flat cavity, big and small cold rhyme, five-word inlay, cross rhyme, and quick boards, etc. The main instrument is the pianqin (also known as the Chinese zither). The main musical instrument is the Pangqin (also known as the Panghu), a stringed instrument made from a small three-stringed instrument, with a wooden panel made of leather (or a copper plate). When playing, more than with the dun loss, slide play and other techniques, melodious tone, rich in expressive power. Other accompanying instruments are erhu, erxian, flute, sign, suona, cello and so on.　Early stage plays The early stage plays of Pendant Opera are mostly adapted from the middle and long traditional books in the Pendant Book, so they are mostly serialized plays. For example, "The Case of Hai Gong", "The Case of Liu Gong", "The Legend of the Returning Dragon", "The Golden Hatchet of the Song Dynasty", "The Velvet Scheme", "The Double Golden Threads", "The Double Harmony of Seals", "Wang Qingming Throws Himself to His Kinsmen", "The Two Plum Blossoms", etc. The scripts are mostly narrated by sung words. The scripts are mostly sung to narrate the plots, and there are not many recitations. The lyrics are usually seven-character lines or cross sentences. After the sixties, the opera has transplanted a number of excellent costume plays from other kinds of plays, and also rehearsed some new historical story plays, such as "The Trial of a Grant", "Yang Jinhua Takes the Seal", "Mulan", "Qin Xianglian", "Butterfly Cup", "Yang Men Women Generals", etc. The opera is also able to perform better than other plays, and has a good performance of "The Tramp". Pendant Opera can also better reflect modern life, the late fifties, pendant troupes are actively creating and rehearsing modern theater, in the audience left an impression of the plays are "White Hairy Maiden", "Tears of Vengeance", "Daughter of the Party", "Seize the Seal", "Accountant Girl", "Dust and Hatred", "Sunrise on the Great Road", "The Red Flag Spectrum" (based on the novel of the same name of the Liang Bin, the five-book serial), "Sprouts Tussock" and so on.　Popularity Pendant Opera "Pendant" is a form of opera in Henan Province, widely popular in Xingtai, Handan and Shijiazhuang areas of Hebei. In the winter of the 37th year of the Republic of China (1948), Du Xueqin, a veteran artist of Yan Xiaozhai Pendant Opera in Guangping County, put on make-up according to the image of the main characters in a book, hid behind a table, and then suddenly came out when the book was opened, which aroused a great deal of interest from the audience. The artists were also greatly inspired. From then on, they began to perform in make-up, and developed from single- and counterpart-rapping to multiple-voiced rapping, supplemented by simple performance movements. 1949 spring, Du Xueqin in the village of Guo Xiaotun, Linzhang County, Handan District, the "make-up pendant" sung by street stalls to the stage, the performance of the play "Sawing the Vat". Soon after, Li Hechun and Liang Daiai from Daming County, Yan Tongwu (stage name Broken Cauldron) and Qi Xiuyun from Guangping County, Gong Xianmei from Quzhou, Wei Lianxiang and Cui Xiuzhen (stage name Nine Years Old Red) from Wei County, and other liuzi artists also took to the stage one after another. Edit this section Shenze Pendant Opera Shenze Pendant Opera is one of the unique styles of opera in Hebei Province, and also one of the rare local styles of opera in the country Pendant Opera. Deepze County is the center of the development of the opera. Shenze fell play and then the curved Henan fell on the basis of derivation, fell play singing unique, to the real voice singing words, articulate, spit clear, easy to understand, elegance and vulgarity **** appreciation, euphemistic and fresh, beautiful and moving, with the characteristics of traditional opera, is the integration of song and dance drama in one of the comprehensive art. Pendant opera development history is a grassroots artists of the history of struggle, is for the farmers to learn and master the art of a folk opera, has a strong people's nature. Pendant opera art is colorful, colorful, with strong creativity and wide influence, and occupies a high position in local dramas. Pendant Opera is a rare type of opera, which originated in the area of Xiao County, Anhui Province in the early 1940s, and then spread to North China. In the process of development, the play borrowed from the Beijing Opera, Hebei Opera and other types of theater, such as Sheng, Dan, Jing, Chou, etc.; and absorbed the Yu Opera, Henan Opera, Hebei Opera and other types of singing and plate structure, and gradually formed an independent type of theater. The main musical instrument is the drop qin (also called drop hu), which has a melodious tone and is extremely expressive. The singing voice of Shenze Falling Skin Opera is euphemistic, fresh and beautiful. In decades of performances, its footprints involve Beijing, Tianjin, Jinan, Taiyuan, Zhengzhou, Shijiazhuang and other large and medium-sized cities and rural areas, and it is warmly welcomed by them.　Shenze Chuangzi evolved from Henan Chuangzi, an art form. In the spring of 1961, when the Xingtai City Pendant Troupe went to Beijing to report on its performance, at a symposium jointly organized by the Chinese Theatre Association and the Chinese Academy of Opera, Tian Han proposed to rename Pendant Troupe as "Pendant Opera".　"Pendant" is a form of opera in Henan Province, and is popular in Xingtai, Handan and Shijiazhuang areas in Hebei Province. In the winter of the 37th year of the Republic of China (1948), Du Xueqin, a veteran artist of Yan Xiaozhai Pendant Opera in Guangping County, Handan District, once put on make-up according to the image of the main characters in a book, hid himself behind a table, and then suddenly drilled out of the book when it was opened, which aroused a great deal of interest from the audience. The artists were also greatly inspired. From then on, they began to make up performances, and developed from single mouth and counterparts to multiple mouths, supplemented by simple performance movements. 1949 spring Du Xueqin in Linzhang County, Handan District, Guo Xiaotun Village, put the street stalls sang "make-up pendant" on the stage, the performance of the play is "sawing vat". Soon, Li Hechun and Liang Daiai in Da Ming County, Yan Tongwu (stage name Broken Cauldron) and Qi Xiuyun in Guangping County, Wang Yuanshan in Guan County, Gong Xianmei in Quzhou County, Luo Fucheng in Luancheng County, Wei Lianxiang and Cui Xiuzhen (stage name Nine Years Old Red) in Wei County, and other fell artists were also put on the stage one after another.　Initially, the pendant play, is based on the traditional pendant bibliography, slightly altered, using the original music and singing, using the Beijing Opera, Hebei Opera's gongs and drums, wearing opera costumes, additional lighting set and become, and is therefore known as make-up pendant. In the process of later development, Pendant further borrowed from Peking Opera, Hebei Opera, etc., and set up the rows of Sheng, Dan, Jing, and Chou; learned some performance action programs, and absorbed the singing voice and plate structure of Yu Opera, Henan Opera, Hebei Opera, etc., and gradually completed the process of opera, forming an independent type of opera called Northern Pendant, also known as Deep Zephyr Pendant. Pendant Opera By July 1958, there were twelve professional pendant troupes in Hebei Province, of which the more influential ones were the Xingtai City and Shenze County pendant troupes.　The traditional music of Pendant Opera consists of the following: overboard, introduction, [flat accent], [big and small cold rhyme], [five-word embedded], [cross rhyme], [fast board za], etc. Overboard is the music that precedes the verse. Over the board, is sung before the music over the door, the introduction, is sung before the beginning of the introductory sentence; [flat cavity] is the main singing of the play, mostly used for narration, there are slow, medium, fast three speeds, there are open and narrative sentence points, the open sentence is a four-sentence or two-sentence style; the narrative is a two-sentence style. [Cold rhyme is used to express sadness. There are [five-word inlays] and [cross rhymes], both of which are used as independent compositions and interspersed between [plainchant]. The [fast plate] is used for the end of the section.　The main instrument is the pianqin (also known as the pianhu), a stringed instrument made from a small three-stringed instrument with a wooden panel made of leather (there are also brass panels). When playing, more than with the dun loss, slide play and other techniques, the sound melodious and beautiful, extremely rich in expression. Other accompanying instruments include erhu, erxian, flute, sheng, suona and cello.　The initial repertoire of Shenze Pendant is mostly adapted from the middle and long traditional books in the Pendant, so there are a lot of plays on the same stage. For example, "The Case of Mr. Hai", "The Case of Mr. Liu", "The Legend of the Returning Dragon", "The Golden Hatchet Scheme of the Song Dynasty", "The Velvet Scheme", "The Double Golden Threads", "The Double Harmony of Seals", "The Casting of Wong Ching-ming as a Kissing Party", "The Two Plums", etc. The plays were mostly narrated in sung lines. The scripts are mostly sung to narrate the plots, and there are not many recitations. The lyrics are usually seven-character lines or cross sentences. After the sixties, the opera transplanted a number of excellent costume plays from other types of theater, and also rehearsed some new historical story plays, such as "The Trial of a Grant", "Yang Jinhua Takes the Seal", "Hua Mulan", "Qin Xianglian", "The Butterfly Cup", and "Female General of the Yang Clan", etc. The opera is also able to perform well. Pendant play can also better reflect modern life, the late fifties, Xingtai, Shenze two pendant troupes are actively creating and rehearsal of modern theater, in the audience left an impression of the plays are "White-haired Girl", "tears of revenge", "the party's daughters", "Seize the seal", "accountant girl", "the wind and dust of the last hate", "sunrise on the main road", "the red flag spectrum" (based on the novel of the same name of the Liang Bin, the five-book series of plays), "new buds" and so on. Sprouts" and so on. Edit this section of the Yunnan dialect singing P坠子戏用河南方言唱念，唱腔委婉清新、优美动听。 The artists attach great importance to their singing skills, emphasizing the clarity of their words, and their sentences enter the audience's ears. In addition, the story has a beginning and an end, the plot is coherent, and the lyrics are easy to understand, so it is very popular among the rural and urban residents, and it is said that "if you watch the fall, you will sell the quilt". Pendant theater, in more than 30 years of performances, the footprint involves Beijing, Tianjin, Jinan, Taiyuan, Kaifeng, Zhengzhou, Shijiazhuang, Baoding and other large and medium-sized cities and the countryside, leaving a very good impression on the masses.