Traditional forms of animation

The traditional animation form is 2D animation.

Traditional animation is transplanted from the traditional production method of art animated films. It uses the principle of film, that is, the visual persistence phenomenon of human eyes, to shoot and edit the gradual still pictures which can clearly reflect a continuous dynamic process one by one by the camera, and then make them move on the screen by the TV playback system.

Traditional animation has a series of production processes. First of all, it needs to design the key and turning point of each action in the animation shot, that is, it needs to draw the original picture first, then draw the middle picture according to the original picture, that is, animation, and then it needs to go through the process of drawing lines one by one, coloring one by one, shooting one by one and recording one by one.

The drawing method of modern traditional animation;

The traditional plane animation of animation production company is completed by a large number of related designers in groups, so they have a detailed division of labor in drawing work. After the mirror designer and the production designer established the overall animation style and direction, the action designer, that is, the original painter and others began to draw the original painting.

The original painting is the action of every picture and character drawn in the overall style of the lens. As we all know, animation is not as real as movies made by real people, but exaggerates and distorts characters on the basis of respecting rationality and logic to make them more imaginative.

Therefore, the designer of the original painting completed the work with imagination and sense of humor on the premise that the director and production designer reshaped the script, and the work was also full of creativity. The assistant animator, that is, the second original painter's job is to clear the original paintings of the original painter.

Clear draft is to outline the outline of the original painting in detail and determine the overall expression and action of the role, that is, to finalize each original painting. Then, the animator in the middle inserts the connection of their movements between these original paintings. And all this has a strict timetable and production table to limit the progress and quality.