Chinese art history expository questions: as a student of animation department from the traditional culture to absorb the relevant nutrients to talk about your views on the future development of anima

Chinese art history expository questions: as a student of animation department from the traditional culture to absorb the relevant nutrients to talk about your views on the future development of animation The current dilemma of China's animation market I will not say more, all aspects of the wonderful discussion has been too much. There are optimistic ones, but most of the comic fans are pessimistic. To be honest, I'm not optimistic either. But I think Chinese animation has a chance to break through. Everyone says that our animation industry is lagging behind, and has been in a backward state for a long time. I think so too, but since I read Sima's two books ("Living Colors" and "Male Teaching Assistant in Beauty Class") at the starting point, I have a brand-new understanding of the concept of performance. I think animation or anime and its derived peripheral products are the same as any movie or television production, it is an audio-visual product. Its core value lies in its expressive power, its ability to shock people or make them feel the desire to appreciate it. I never think that China's animation lacks expressiveness, is our country and the country over the years by the impact of material and money too much, we once insisted on the impact of things in pieces. I am a standard animation fan and I love all animated films no matter which country they come from. When we watched cartoons as children, we didn't seem to deliberately divide them into Chinese or foreign ones, and they were just as good as the ones from other countries. The classic puppet movies like "The Palace of Heaven", "Nezha in the Sea", "The Wonderful Book of Heaven", "The Snow Child", "The Gourd Brothers", "The Raggedy King", "Sheriff of the Black Cat" and also "The Legend of the Mirror's Edge", as well as our country's unique ink cartoons and a lot of them were quite good, and they are still pretty good now. First-class story, first-class creativity and production, the people watching the pleasing to the eye may not have the current rendering effect is also absolutely called a feast for the eyes and ears. When I think about it now, it seems that every animation work in our country was made at no cost. I don't know when the production of animation became more and more rough and unoriginal. From "Shuke and Beta", the picture is no longer so bright and fresh, but the story is still good. From "Big Headed Son and Little Headed Dad", the long new "Journey to the West", there is not even a bit of artistic content. Creativity for O, drawing style is a toddler sketch, the plot is to fool the children, Chinese animation has become synonymous with garbage and childish, and from then on began to stumble. Let the people of the country constantly disappointed, constantly scolded, and finally have to say. A turn of the decade, China's animation has finally taken off, to less in the production, visual effects on the past. From "Qin Shi Ming Yue" "Romance of the Three Kingdoms" and the recent Oscar-nominated "Dreaming of the Golden Sands" to see. But the soul of Chinese animation has not been recovered. Chinese animation has not yet regained its proper expressiveness or performance and creativity.

First, from the system we still need a more open policy, to absorb a wider range of subjects, we in the starting point of Chinese is actually a treasure trove of subjects. National encouragement to support the development of the animation industry must be supported to the point, in the approval must be really relaxed, less interference. Let the animation can be like a movie TV series have a lot of all-age subject matter.

Secondly, technically speaking, I still need a more excellent and professional director, screenwriter, producer, dubbing team, (as far as I know China does not lack of animation industry workers, there are a lot of foreign animation in China to do the latter part of the company /f?kz=500976687 ) for the Chinese animation really injected into the soul, to show that the Chinese animation should be the expressive power and performance ability. I also hope to see the unique Chinese puppet, paper-cut and ink cartoons again. I hope that our animation will also have a persona system centered on people and studios like in Japan, to put it simply, there is an expressive drawing style. Like Miyazaki Hayao, Toriyama Naru, Takahashi Rumiko, Anda Chun, Katsura Masakazu, Hojoji, see their works to know whose handwriting is out.

Similar to the emotions of a good actor when he is very much in the movie, you can see it everywhere in Japanese animation.

Chinese animation director, if you can like film and television director refers to film and television actors, to find to the animated characters to give the ability to give enough complexity and subtlety, creativity, and technical problems we are good to solve.

Third, we need to have the vision to have, have the courage of the enterprise, entrepreneurs to invest in the operation, may as well seek more international cooperation, absorb more successful experience, so that China's animated films really have money to earn. Let the people engaged in animation business money to earn, there are a lot of money to earn. This is the basis for the survival and development of Chinese animation. Speaking of animation is really a money industry, a 25-minute excellent animated film at least 200,000 yuan or so. There is a lot of risk and a lot of opportunity, and it looks like a lot of animation companies are ready to take the plunge, so good luck to them.

All that's left is for us manga fans and the people of China to support them, Chinese animation, please support the genuine version, don't watch it on the Internet and don't buy pirated CD-ROMs. Maybe everything I said is a bit too idealistic, but China's culture really needs to rise, and the animation industry is really a good breaking point. Japanese animation I have really seen enough, these years Japan's animation is relying on the inertia of the perfect industry system in the go, has not come out for several years to have a really powerful do works, after watching the "Symphony Lovers' Dream" the first part of the Japanese animated film I have not seen a complete again. After all, that is a cultural heritage is not deep country, their cultural system already do not know what can be mined, even in the rapid development of the time, Japanese animation is also completely fetishism, the world's cultural yuan to bring the patchwork out of the wonderful. No one doubts the power of Chinese culture, but the fact is that he really weakened, China's culture lacks a point that can be a long time to burst. An analogy is like the hundred lecture column, excellent lecturers, lectures on the Three Kingdoms, the Ming and Qing Dynasties, the Analects of Confucius, the Qin and Han let in the history and culture of the red-hot for a while, he that ultimately in a column, will be better to see the newer and more bizarre columns to replace. How many young people and the people have been interested in him, this column has nothing to dig when the natural time is gone. There is a saying that movie is a kind of defective art, just like a person holding a fine little in the desert, the tighter the hand holding the less lost in the fingers, can't make it perfect. The advantage of anime is that as long as the heart can express the original intention accurately enough, and even to the fullest, because anime characters as long as the soul is given to it will no longer be subject to the limitations of the real actor's acting skills, the limitations of difficult movements, and can be appropriately exaggerated to show a variety of emotions and scenarios, which is destined to be the work of the anime can be made through the production process infinitely close to the perfection of the art. I've watched Hayao Miyazaki's "The Thousand and One" many times, and I think it has to be better each time than the last, for this reason.

I hope that someone can really lead the animation industry elite, so that China's animation really good. QQ:32653709