Chinese Painting - Famous Artist

Lotus flowers and leaves, fragrant flowers, since ancient times has been loved by the people, the lotus has been known as "flowers in the gentleman", has a noble character, pure and beautiful and other symbols. Lotus has a parallel concentric, for a ti two flowers, and "lotus" and "pity" harmonic, is a symbol of good cooperation between men and women, love of husband and wife; Lotus multi-children, so can be entrusted to the wishes of the many children and many blessings.

Lotus in Chinese painting has a lot of symbolic symbols, Zhou Dunyi for us to shape a out of the mud, in the straight outside the image of the gentleman; "a product of honesty and integrity", the lotus implies justice and cleanliness, is the praise of the Qing official; "solid branch glory", the lotus flower Branches and leaves, with the lotus bush metaphor for solid foundation, prosperity, family prosperity ......

In addition to this, the painter's pen and ink in the atmosphere of the ink and lotus is to give us more space to think about roaming.

This picture was originally published in the "smoke and clouds set painting album. Unmarked, signed by Huang Ju寀. The feudal estate for the chyuan son. The commentary says: The feudal estate's painting of cranes, more chyuan bone. There are good points in his paintings, but it is not possible to determine their superiority. As for the flowers, bamboo, birds and birds, all of them do not lose the chyuan method.

This picture is painted with a lotus flower in the water, light red coloring, lined with green leaves under the flower, and three lotus stalks under the leaves. The author uses the technique of top-down close-up to depict the graceful appearance of the lotus and the qualities of the lotus. The whole picture brushwork, colorful, not see the ink brush hook marks, is the Southern Song dynasty painting in the courtyard style of the fine arts.

The large liquid pool of blue leaves, lotus cover, floating weeds, a few pairs of ducks are wandering in the lake; air color butterflies, swallow wings, a wind and sunny scenery. Leaves and flowers are filled with double hooks, and the relationship between pitch and back is drawn by the shades of color. The brushwork is very fine, the essence of courtyard painting.

Zhang Zhong, the word Zizheng, also known as Zizheng, Songjiang, landscape teacher Huang Gongwang, especially good at ink brush painting flowers, birds, bamboo and rocks, ink and simple, handsome style, belonging to the literati painting system. Withered Lotus and Mandarin Ducks Painting" uses light ink and brush to paint the defeated lotus, the slope stone by the water, and the mandarin ducks perched on the stone, the composition is simple and sparse, the ink and wash dabbing and the bone-in method is used, the brush and ink is simple, slightly realistic, and the color tone is light and elegant, which expresses the typical appearance of the bird and flower paintings of Zhangzhong.

In the picture, there are several lotus leaves with interjections, lotus flowers in bud or in full bloom, with different postures. The water is clear and the lake is full of reeds and grasses. A pair of mandarin ducks are playing in the water, with beautiful feathers and full of interest. A kingfisher rests on the lotus pole and is about to spread its wings and swipe out. The picture is a vivid image of scenery and objects, and the picture is clear and elegant, with both work and writing. To write the leaves with bone marrow, to hook the flowers with white powder, the work and writing harmonize, the brush and ink are natural, the color is light and elegant, the mood is clear and handsome.

Zhou ZhiLuan's bird and flower drawings, hooked and dotted tufts, both work and writing, to form a family, the creation of "hooked and dotted leaf school" technique, he will be LuZhi's color work and ChenFu's ink and watercolor writing painting method fusion in one. This picture is filled with colorful hooks and lines, elegant and elegant, and the tone is bright and clear.

The painting depicts a lotus pond and a bird of prey fighting against an egret. Eagle from the upper right of the picture to the left reversed and down, strong wings slightly closed, head and neck turned powerfully, two claws have been clenched down, fierce eyes staring at the prey, is like an arrow rushing to the egret in the remnants of the lotus and reeds running away, as if in an instant, the egret became the eagle's mouth of the food. The bottom of the picture, the egret in the reeds and reeds run away, other birds are horror to avoid, there is a duck open mouth looking upward, head and neck tightened, a picture of fear. In the specific performance, the artist will reed, lotus leaves, lotus, egrets, birds and birds arranged together in a messy way, better reflecting the egrets, birds and birds suffered from the attack of the panic scene. A few pieces of remnants of lotus, several branches of reeds, pointing out that it is the early fall season, the depression of the autumn scene rendered the atmosphere. Make the tone of the picture unified and harmonious.

The composition is simple and concise, and the layout is fresh and strange. Ink added the right amount of glue, to avoid ink seepage dispersion, is precisely the characteristics of this picture. The picture is painted in dripping ink with lotus leaves, and the crab is painted with a few strokes, which seems to be sketchy, but in fact, it is thick, light, withered, wet, hooked, wiped, and dotted with a variety of strokes, and the shape is exaggerated, but it has a sense of humor and ink interest. The painting is inscribed with a poem that reads: "There are things that are bold and thick, and I don't ask if there are any beads in the past years. Raised on the lone standard people do not know, when the yellow armor only passes on." Poetic humor.

The famous modern art historian Huang Binhong said: the old Lotus painting method dating back to the Jin and Tang dynasties, under the opening of the Yangzhou eight monsters of the precedent to the Shanyin Ren's and end. Summarizes the influence of Chen Hongshou works of teachers. Lotus Figure" brushwork is strong, jagged rocks, sharp and abrupt, the lotus is thick and simple, realistic style of painting.

Chen Hongshou on figures, landscapes, birds and flowers painting everything, at that time there is "South Chen North Cui" reputation. Bird and flower painting fine outlines, color and lustre, distinctive style. This picture shows a red lotus flower growing in a pavilion in the water. The ochre and inkstone-colored rocks set off the green leaves and red lotus. A pair of mandarin ducks are playing in the water. The birds and flowers are outlined with strong and thin lines, colored brilliantly, with delicate layers and subtle changes. Lake stone with a square folded hard brush, set off the depiction of fine rounded lotus flowers, lotus leaves. This contrasting technique is commonly used by Chen Laolian. The picture is self-identified: "Xishan Old Lotus Hongshou written in Qingyitang."

The composition is simple and concise, and the layout is fresh and strange. Ink added the right amount of glue, to avoid ink seepage dispersion, is precisely the characteristics of this picture. The picture is painted in dripping ink with lotus leaves, and the crab is painted with a few strokes, which seems to be sketchy, but in fact, it is thick, light, withered, wet, hooked, wiped, and dotted with a variety of strokes, and the shape is exaggerated, but it has a sense of humor and ink interest. The painting is inscribed with a poem that reads: "There are things that are bold and thick, and I don't ask if there are any beads in the past years. Raised on the lone standard people do not know, when the yellow armor only passes on." Poetic humor.

This is a frame of brushwork color floral sketches, techniques from the Song dynasty courtyard painting out of change. Hooked and dyed, deep strength. Flowers, leaves, fine lines and not dull, colorful and not greasy. The colors are brilliant and lifelike. Charming and skillful in conception, with localized in-depth portrayal to make the image particularly prominent and distinctive. In the middle of the frame, there is only one flower and half a leaf, and a water plant is interspersed with it in a casual manner. The veins and even the fibers of the lotus leaves have been sketched out with a fine brush. The whole picture seems to be relaxed and calm, tranquil and elegant.

This painting depicts a new lotus stem emerging from the air in the midst of a sluggish autumn wind, with its blossoming petals in full bloom, contrasting sharply with the withered and half-dead lotus leaves and the withered and colorless lotus seedpods. The lotus flower is painted in Yun Shouping's distinctive bone-less technique, with clear and cool tones, and the brushwork is free and airy, creating an airy eddy-like flavor. The inscription on the left of the painting reads: "This frame was painted several years ago in a drunken stupor on the East Pond, and the remnants of the lotus were cloaked in reeds and grasses, which made it a little lonely, and it was put in a messy book of paper remnants, but I don't know when it was obtained by the old man who was writing the book, and when it was occasionally presented in the fall of this year, the rest of us suddenly realized that it was like a room where we encountered our old belongings in the broken urns. Because of the old book to ask for the title of the play for the pen".

This painting takes a corner of the lotus pond, red lotus blooming, new lotus leaves into interest, pond water is clear, water plants floating. It presents a vigorous scene of the lotus pond in summer. This picture is painted with the method of bone, the dyeing of the lotus, powder with rouge, from the petal head into the gradual; lotus leaves in light colors for the base, and dark rendering to let out the leaf veins.

This painting is about two herons feeding in the shallow water of the lotus pond. The ink is used to the fullest extent, with heavy brushstrokes in thick ink to write about the vitality of the new lotus, or with withered brushstrokes in light ink to write about the old lotus withering away. The two herons are sketched in light ink, and their eyes, beaks and claws are raised in withered ink and burnt ink. They are vivid and vivid, and they are free and easy to use. The author of the Zongfa Xu Wei, more in the painting into the characteristics of its calligraphy, the picture has more dry, flying white and the traces of the rapidity of the brush, giving people a sense of free flow, a sense of completion.

This painting depicts a river pond with a fresh breeze, rippling water, and broad lotus leaves and flowers gently swaying with the wind. The water surface of the pond is not completely blank, but the artist has used wet brush and light ink to express the rippling water with a little touch of dynamic brushwork. This painting has the artist's own inscription: "Green smoke on the river, red clouds on the bottom of the waves. Don't shake the oars of the two oars, for fear of wetting the skirt. When we meet to pick lotus, the boat plays two oars. The egrets were startled and flew into the harbor of Hengtang.

Inscription: "Autumn colors in Putang, by Fuk Nam Tin Kung Ben, Yun Bing." Inscription: "Yun Bing" and "Qing Yu" seals.

The author has successfully portrayed the beautiful autumn scenery of Putang in a realistic way. The whole picture using the method of bone, pimpernel to color directly on the point, the lotus is pink dyed tips, then quickly haloed with water, color class secondary rich, shades of color excessive natural, true to show the beauty of the petals of the light and elegant.

Bada Shanren depicted the lotus pond, mostly shallow water dew mud, lotus handle slender, straight up, pavilion, with a gentleman's style. In this picture, and lotus echoed the left below the painting in the water dew stone, the combination is appropriate, the right part of the painting to stay outside the painting, the pen is free, sparse and angry. Bada shanren had self-classified: "the lake in the new lotus and the west mountain house side of the ancient pines, all my quiet observation and get God." Visible lotus painting is to observe the subtle, quiet observation of the realization of the right and to the image for the, hand in hand, the wonderful fun since the formation.