What are the types of theater in Shanxi, and what are the main categories?

Shanxi's opera art, not only a long history, its drama in 1980, there are fifty-two large and small drama. "Juggling children", "Daoxiang", "string cavity", "Qing opera", "Meidu Opera", are the oldest type of theater. There are many local operas in Shanxi with the name of "Daoxiang", including "Jinbei Daoxiang" (including Shenchi, Youyu and other counties), "Jinxi Daoxiang", "Hongzhao Daoxiang" and "Hongzhao Daoxiang". Hong Zhao Daoxiang" and rap form of "Yangcheng Daoxiang", "Yongji Daoxiang", "Taiyuan Daoxiang", "Datong Daoxiang" and so on. Datong Daoxiang" and so on. "Juggling children" is also called "cough cavity", popular in the north of Shanxi, "Juggling children" to the people of the country, although relatively unfamiliar, but its history is much older than the South Kunbei Ge, Dongliu Xibang. It is much older than South Kun and North Ge, East Liu and West Bang. "Juggling Children" has its own unique singing style, unique repertoire and unique performing arts. It is still unique and rooted among the people in the north of Shanxi Province. The tune of "Juggling Children" is simple, elegant, bold, delicate and full of local flavor, which is even more beautiful and touching to the ears with the cooperation of flute, sheng, pipes and strings. The excellent traditional repertoire of "Juggling Children" includes more than ten kinds of plays, such as "A Thousand Miles to Send Jingniang", "The Lion Cave", "Liu Jiazhuang", "The Story of the Embroidered Shoes" and so on. The "Daxing String Play" is a branch of the "Silk String Play" in Hebei, which evolved from the "Qingyin Table" and has a long history, and legend has it that the bowed string instrument "Banhu" was added during the Tongzhi period of the Qing Dynasty. It has a long history, and it is said that the bowed string instrument "Banhu" was added during the Tongzhi period of the Qing Dynasty. The repertoire is divided into two categories: "official tunes" and "Yue tunes", and there is a rich repertoire of folk legends. The Meitou Opera is said to have come from Meixian and Tuxian counties in Shaanxi Province. After it came to Jinnan, it gradually developed into one of the opera genres with Jinnan characteristics. Meidu was first used to play and sing stories, and later evolved into a form of playing on stage. Its tunes are rich in local flavor and express people's life in simple language, easy to remember and sing, and catchy. 72 major tunes, 86 minor tunes, and no rigid metrical restrictions. The recitation of Jinnan Meidu follows Pu Bai, but with slight differences in rhythm. In terms of performance, it has absorbed the skills of Pu Opera such as cap and wings, water sleeves and handkerchiefs, etc. It has a full range of roles, with Sheng, Dan and Chou as the main roles. The main traditional repertoire includes: "Zhang Lian Sells Cloth", "The Gate Between Yin", "Carrying Ten Thousand Golds", "Against Cosmos", "The Three Scholars", "Taishan Figure", "Zijing Pass", "Coral Fall", etc. The form of Meitou Opera is closer to that of Pu Opera, but with a slightly different rhythm. The form of Meitou Opera is closer to modern life. Since its establishment, the Jinnan Linyi Meitou Theater Troupe has insisted on performing modern plays for thirty years, which is quite related to this form of drama, besides other reasons. The "Qing Opera" is an offshoot of the "Qingyang Opera", which has been in a state of decline. Widely distributed in Shanxi Yangge opera, as many as sixteen kinds. These rice-planting opera from the music singing, is not a type, some for the folk song body, such as "qi too rice-planting song", "qinyuan rice-planting song", some for the early board cavity body, such as "huguan rice-planting song", "xiangyuan rice-planting song", "qiangyuan rice-planting song", "qiangyuan rice-planting song", "qiangyuan rice-planting song", "qiangyuan rice-planting song". Some have long joined the silk string accompaniment, such as "Fanchi Yangge", etc.; some are still sung on dry boards, such as Fenyang, Xiaoyi dry boards, etc.; some have long maintained the folk songs, such as "Qitai Yangge", "Qinyuan Yangge", and "Huguan Yangge", and some are in the early stage of the plate cavity, such as "Huguan Yangge" and "Xiangyuan Yangge", "Wuxiang Yangge". Some of them have long maintained the characteristics of folk songs, such as "Zezhou Yangge" and so on; some of them, due to the transplantation of the Bang Bang repertoire, has become a board cavity, folk song body mixed with the wind churning snow opera, such as "Shuo County Yangge" and so on. In short, there are many different styles, but the range of circulation is small, and the local people love it very much. "Shangdang Pihuang" is a branch of Beijing Erhuang that was passed down and localized in the early days. "Shangdang Drops" is from Hebei "Wuan Drops" came to the Shangdang area, and the local folk music combination of the product, has now formed a larger type of theater. There are also "Bowl Cavity", "Line Cavity", "Luo Luo Cavity", "Rolling Opera", "Toad Buzz", "Fengtai Small Opera", "Small Flower Opera", "Lahua", "Yanggao Opera", etc. There are many different kinds of operas. Some types of professional troupes, some amateur performances; some thriving, some of the audience is shrinking, and even some have been in decline or have been close to the state of extinction. Since the founding of New China, under the guidance of the Party's Double Hundred Policy and the policy of innovation, the various types of theater were given strong support, most of the rejuvenation. However, such as "Luo Luo", "roll play", "Meilian play", "Sai Sai", "Pair of plays" and a few other types of theater has not been easy to recover.