What innovations did local operas in Qing Dynasty make to traditional Yang Jiajiang stories?

There are two traditional Yang Jiajiang stories in local operas in Qing Dynasty. One is the transplantation and adaptation of traditional stories, such as Golden Beach, Tianmen Array and Yang's The Journey to the West. One kind is the stories newly compiled by folk artists, such as Shiro Visiting Mother and Yang Bamei's Spring outing.

Traditional stories are mainly based on the romantic stories of Yang Jiajiang, Yang Jiajiang and court dramas. This kind of drama, while moving the stories of romance and court drama, inevitably accepts their ideological influence, and regards loyalty to the country as the basic theme of the drama. Lu Xun said: "The times are changing, and human feelings are not the same as in the past. After a long time, you will be a little tired, and it will gradually become different ... The reason is that a literati may regret The Red Chamber ... and a popular feeling can no longer be in The Water Margin.

As a result, the content of Yang Jiajiang's plays shows a trend of "humanization", from blindly expressing loyalty and courage to expressing people's joys and sorrows.