How to play ocarina teaching video

How to play ocarina How to play ocarina, what is the fingering of ocarina?

The fingering is as shown in the picture, after familiarizing yourself with the articulation technique, you will naturally become a song.

Finger techniques Vibrato: It is the rapid opening and closing of the holes with the fingers on the holes, which makes the sound fluctuate. The most commonly used trills are the major and minor second, third and fourth trills, which can be flexibly applied according to the characteristics and styles of different works.

Vibrato practice is the most important part of the finger movement skills, practice requires flexible fingers and elasticity. The glissando: a common technique of ocarina, mostly used in witty, humorous, low, sad music, this technique greatly enriches the expressive power of ocarina glissando is divided into three kinds of glissando, glissando, and round glissando.

1. The upper glissando: after playing this note, the finger slides upward without a trace to the second note (higher than the note) at the same time, the exhalation strength is increased accordingly. 2. Downward sliding tone: After playing this tone, the finger slides downward without any trace to the second tone (lower than this tone) at the same time, and the strength of the exhalation is weakened accordingly.

3. Slide: after playing the first note, the finger without trace up or down to the second note and then return to the original position at the same time, the exhalation strength according to the slide, the upper slide and get. The round slide, also known as the compound slide, is a combination of the upper and lower slides.

The glissando requires a rounded, clean tone and accurate rhythm, and each glissando begins with a light spit; in addition, the fingers should not be tense when sliding, and it is appropriate to maintain a natural state. The sound should be soft and smooth, and no traces can be heard.

Gift tone, generally used at the end of the phrase, the end of the tone before the end of the short ornamental tone, also known as the send tone. Gift tone is a kind of decorative tone, almost does not take up the time value of the tone, can be heard, but not obvious, when playing should be short, light, fast, timely and accurate air change.

The tone is a short overlap of the second, third, fourth, etc., above the tone, and a short overlap of the flower down the line to the tone. When playing the superimposed tone, the fingers should be opened and closed quickly, the movement of the passing tone all out, but do not play into the obvious decorative tone, to the main, only the traces of the passing tone.

Superimposed sound has a long and short, according to different styles, different characteristics of the work of flexible application. Playing the sound, the use of fingers to play the sound hole, or the sound hole below the sound hole, so that the sound hole issued by the separation of the sound is called playing the sound.

The beating sound is also a common technique of the ocarina, which can add color and beauty to the music when used properly. When practicing, the speed and strength of the fingers should be exercised, the lower finger should not be hesitant, the finger playing should be strong, the equal tone should be distinguished, the phrase should be coherent, and the notes should be clear.

The combination of air and fingers should be clean and sharp. When the beat and vibrato overlap, the beat is sounded first, and the vibrato follows, sounding like a simultaneous sensation.

Remember: the articulation should be tight and well coordinated. Empty hit sound with a finger to play the sound hole, so that the ocarina body cavity issued by the *** sound is called empty hit sound.

When playing the empty sound, you don't need to blow, but open the sound hole and play the sound hole of the *** sound. Intonation is adjusted by hearing and controlling the size of the blowhole angle with the lips.

The empty sound requires the fingers to have strength and elasticity, and to make the pronunciation accurate and full suitable for playing far-reaching implicit melody and imitating some special acoustic effects in nature. The ocarina should be blown upward when blowing the high notes, strengthen the mouth force, narrow the mouth wind; then it can be easily blown out of the high notes.

The ocarina can be used to play a wide range of sounds, from the top of the head, to the bottom of the neck, to the bottom of the neck. The ocarina's air blowing techniques include long tones, air vibration, lip vibration, etc. The long tones are the foundation of the ocarina's blowing techniques, and they must be full and mellow, loud and smooth without any noise.

The ocarina's common techniques can be summarized into three categories: long tones, gas vibrato, finger vibrato, lip vibrato, vibrato, glissando, spit, hit, empty hit, cycle of breath, double spit cycle of breath, false blowing tone and so on. These skills are necessary to play the ocarina.

In the ocarina playing skills, the long tone is the basis of the ocarina breath training, through the practice of the long tone can master the correct breathing method, develop a good mouth shape and smooth, full, pure pronunciation. Therefore, it is necessary to keep practicing for a certain period of time every day, which can be combined with the strength **** with the same, and the tone must be full and round, loud and smooth without any noise.

The air vibration sound is also called "abdominal vibration sound", relying on the abdominal contraction force caused by the airflow tremor and produce. Air vibrato has a big, small, fast, slow points, in the actual performance should be based on the needs of the content of the music.

Such as the singing melody should be used uniformly free air vibrato, ***, grief and anger of the melody is used to exaggerate the air vibrato. The vibrato can be used flexibly under the premise of guaranteeing the pitch, and it is required to be even and smooth.

Lip vibrato is a special kind of fluctuating sound produced by using both hands to drive the body of the ocarina to make the wind door and the blowhole move back and forth quickly. When the ocarina body moves backward, the blowhole becomes smaller and the sound is lower; when the ocarina body moves forward, the blowhole becomes larger and the sound is higher.

This technique is often used to express a magical, ethereal mood. The tongue technique is a common technique of the ocarina.

Suitable for playing enthusiastic and lively tunes, the sound is strong, clean, flexible, and the rhythm should be even and smooth. The spit is divided into single spit (including single spit, single spit), double spit, light spit, gas spit, lip spit and so on.

Single spit (mark T) in keeping the correct blowing mouth shape on the basis of the tongue naturally upward, slightly affixed to the inner edge of the upper lip, the exhalation quickly retracted, so that the airflow rushed into the blowhole issued a short and powerful sound, similar to the "spit" sound. Single spit (mark K) in maintaining the correct blowing mouth shape on the basis of the root of the tongue retracted to block the palate, the exhalation of the root of the tongue quickly forward, so that the airflow rushed into the blowhole to make a short and powerful sound, similar to the "library" sound.

Double spit is a combination of single spit and single spit, the speed is twice as fast as single spit, the sound is similar to "spit library" or "library spit", suitable for playing cheerful, exciting tunes. The sound is strong, clean and flexible, and the rhythm should be even and smooth.

The light spit and the common spit is not essentially different, but the short range of tongue activity and small, spit sound weakened, sound light and soft, similar to the "zone" sound, like a stringed instrument light bow, suitable for the performance of lyrical fast music. The air is exhaled by the sudden contraction of the abdominal force, coupled with the diaphragm's strong upward support, so that the airflow is short and powerful rushed into the blowhole and the sound.

Similar to the "hoo" sound, the air spit sound thick, round, but because of the slow speed of the spit, so not widely used, only in special circumstances occasionally used. Lip spit is to rely on the power of the upper and lower lip muscles, in the moment of conscious opening and closing of the upper and lower lips, the use of the impulse of the abdominal airflow, the airflow into the blowhole and sound.

Who knows how to play ocarina?

◆ Basic posture

Generally divided into standing and sitting, solo generally with standing, ensemble or accompaniment generally with sitting, the basic essentials are: standing performance, the body should be stood firmly in a vertical position, legs slightly apart or a foot in front of the back of the foot, fingers, wrists, elbows, arms, and the whole body of the joints should be naturally relaxed. Sitting posture requires the body to sit relaxed on a chair, the seat height should be suitable for the legs naturally separated, the body to sit upright, sitting on two-thirds of the surface of the stool, the feet naturally separated on the ground. The above two playing positions, are required to straighten the head, shoulders naturally flat, fingers press the sound hole, looking straight ahead, in order to maintain the flexibility of the fingers and the breath of the smooth flow.

Hold the ocarina method

Hold the back two holes with your thumb, the front holes from bottom to top with the little finger, ring finger, middle finger, index finger, the little finger does not press the holes, should be placed naturally on the bottom of the ocarina to hold the ocarina body, each finger in the hole must be tight, can not leak, do not relax too much or stiff fingers.

The mouth shape of the ocarina

The mouth shape of the ocarina is very important, it directly affects the ocarina's pronunciation, and is the most important basic skill. It is the most important basic skill. Mouth shape contains three factors, namely "wind door, mouth wind, mouth strength", the three organic and close combination to achieve good pronunciation.

(a) wind door

When blowing the ocarina, the gap formed between the upper and lower lips is the place where the airflow passes through, called the wind door. It can be large or small. It must be adjusted and changed with the tone of the high and low, the bass airflow is slow, the wind door is big, and vice versa, it must be done freely. Otherwise, the sound will be very false and insubstantial. Beginners generally blow ocarina for the first time will put the wind door is very large, and like to put several holes at a time, the old blowing ocarina, the reason is that the wind door is too large, a lot of air is not blown into the blow hole, but blown to the outside, the original treble will need to be more rapid airflow to blow well, open more holes is certainly more blowing, beginners must pay attention to these two points.

(2) the mouth wind

is the speed of the flow of gas, the mouth wind of the rush, is controlled through the Dantian, with the tone of the high and low and change, soprano mouth wind rush, the flow of fast, bass is the opposite. This is not a day's work, to practice for a long time, in order to realize how the use of the dantian qi, beginners blowing ocarina will feel dizzy, this is not the use of the dantian qi, just inhaled the oxygen out of the blowing, caused by lack of oxygen.

(C) mouth force

is to control the size of the wind door and the mouth breeze when the upper and lower lip muscles and cheek muscles repeatedly put in and out of the force. When blowing bass, the wind door large mouth wind slow, the mouth force is relatively small, the opposite is true for treble.

The angle of blowing the ocarina

After pressing the sound hole, lift the ocarina and put it to the side of the mouth, the lips and the hole of the ocarina form an angle of about 75 degrees, and the head is tilted up slightly, but the angle is not static, the angle of the high notes will be increased, and the low notes will be smaller, which can be experienced slowly.

Breathing method

Breathing is very important for any wind music, practicing the correct breathing method is not a one-day effort, inhale the whole body should be relaxed, do a deep inhalation, marking an example, to move a very heavy heavy things up, before moving the inhalation, is a deep inhalation.

How to blow the ocarina to have a rhythm

The playing posture of the ocarina is divided into two kinds of standing and sitting:

1. Standing, that is, the posture of standing and playing. Standing posture requires the player's head is straight, waist straight, shoulder flat, two eyes looking straight ahead, hands holding ocarina naturally raised, arms open about 45 degrees angle; body smooth, two legs upright, two heels apart about 15 centimeters, into a figure of eight, the body's center of gravity falls between the two legs, fingers, wrists, elbows, arms and other parts of the body should be naturally relaxed. Generally used for solo, repertoire and basic training.

2, sitting style, refers to the posture of sitting on a stool or chair. Requirements of the player's upper body and the same as the vertical, the seat height should be appropriate, the two feet naturally separate on the ground, the hips about two-thirds of the stool chair, the center of gravity falls on the buttocks on the seat point. Generally used for accompaniment, ensemble.

When holding the ocarina, the palms of both hands are naturally curved, and the holes are closed with the fullness of the finger bellies (without too much force), and when playing the highest notes, the ocarina finger holes are all open, and you need to use the lips and the knuckles of both hands to push the ocarina inside and outside of the way, and use a certain amount of force to keep the ocarina body stable, so that the performance will not be affected, and the performance will go on smoothly.

In addition, we also need to pay attention to the shape of the mouth, that is, the shape of the mouth when playing, and its correctness is directly related to the beauty of the instrument's pronunciation, the accuracy of the pitch, and the strength of the clear.

The ocarina's mouth shape is formed by the concerted action of the lip and facial muscles. The upper and lower lip muscles are attached to the dental bed, slightly to the middle of the human contraction close to the center, so that the central part of the lips to form an "oval" wind door. The tongue is in a natural state, and the mouth expands into a state of containing air (this can increase the oral *** sound and beautify the tone of the ocarina). The first thing you need to do is to make sure that you have a good understanding of what you are doing and how you are doing it, and how you are doing it.

The ocarina's gas-type blowing techniques include long tones, gas vibration, lip vibration, etc. The long tones are the foundation of the ocarina's blowing techniques, and they must be full and rounded, and loud and smooth, with no murmurs.

The ocarina's common techniques can be summarized into three categories: long tones, gas vibrato, finger vibrato, lip vibrato, vibrato, glissando, spit, hit, empty hit, cycle of breath, double spit cycle of breath, false blowing tone and so on. These skills are necessary to play the ocarina.

In the ocarina playing skills, the long tone is the basis of the ocarina breath training, through the practice of the long tone can master the correct breathing method, develop a good mouth shape and smooth, full, pure pronunciation. Therefore, it is necessary to keep practicing for a certain period of time every day, which can be combined with the strength **** with the same, and the tone must be full and round, loud and smooth without any noise.

The air vibration sound is also called "abdominal vibration sound", relying on the abdominal contraction force caused by the airflow tremor and produce. Air vibrato has a big, small, fast, slow points, in the actual performance should be based on the needs of the content of the music. Such as singing melody should be used evenly and freely air vibrato, ***, grief and anger of the melody is used to exaggerate the air vibrato and so on. The vibrato can be used flexibly under the premise of guaranteeing the pitch, and is required to be even and smooth.

Lip vibrato is a special kind of fluctuating sound produced by using both hands to drive the body of the ocarina to make the wind door and the blowhole move back and forth quickly. When the body of the ocarina moves backward, the blowhole becomes smaller and the sound is lower; when the body of the ocarina moves forward, the blowhole becomes larger and the sound is higher. This technique is often used to express a magical, ethereal mood.

Spitting is a common technique of the ocarina. It is suitable for playing enthusiastic and lively tunes, and requires the sound to be strong, clean and flexible, and the rhythm should be even and smooth.

Spitting is a common technique of ocarina. It is suitable for playing enthusiastic and lively tunes. The spitting is divided into single spitting (including single spitting, single spitting), double spitting, light spitting, air spitting, lip spitting and so on.

Single spit (mark T) in keeping the correct blowing mouth shape on the basis of the tongue naturally upward, slightly affixed to the inner edge of the upper lip, the exhalation of the rapid retraction, so that the airflow into the blowhole to send a short and powerful sound, similar to the "spit" sound.

Single spit (mark K) in maintaining the correct blowing mouth shape, the base of the tongue back to block the palate, the base of the tongue quickly forward when exhaling, so that the airflow into the blowhole to make a short and powerful sound, similar to the "Ku" sound.

The double spit is a combination of a single internal spit and a single external spit, twice as fast as a single spit, with a sound similar to the "Ku Ku" or "Ku Ku", which is suitable for playing cheerful, exciting tunes.

The spit requires a strong, clean, elastic sound and an even, steady rhythm.

The light spit and the common spit is not essentially different, but the short range of tongue activity and small, spit weakened, light and soft sound, similar to the "zone" sound, like a stringed instrument light bow, suitable for the performance of lyrical fast music.

The air spit is a sudden contraction of the abdominal force, coupled with the diaphragm's strong upward support, so that the airflow is short and powerful rushed into the blowhole and sound. Similar to the "hoo" sound, the air spit sound is thick and round, but because of the slow speed of the spit, so it is not widely used, and only occasionally used in special circumstances.

Lip spit is to rely on the power of the upper and lower lip muscles, in the moment of conscious opening and closing of the upper and lower lips, the use of the impulse of the airflow in the abdomen, the airflow into the blowhole and sound. Similar to the "flutter" sound, lip spit pronunciation soft, only suitable for the weak starting section of the starting tone or special circumstances.

The floral tongue is a tongue-twister. The tip of the tongue slightly touching the palate, in the exhalation of the tip of the tongue at the same time the impact of the tip of the tongue to produce continuous, rapid fluttering, and issued a "toot, toot" sound.

Who knows how to play the ocarina?

Yes.

Press it all the way down. A way to check if you are pressing down on the finger holes.

Wrap your lips around the blow hole. The blow hole of the ocarina.

Push air into the body of the ocarina, like pumping up a car. The finger holes are not blocked, so the air leaks at the finger holes.

Only the sound that comes out of the finger holes, when they are all pressed down, is a good fundamental sound - a unison sound. Open the finger holes in a sequential manner, according to the fingering requirements of the syllable.

Blow out the syllables. In the early stages, you can blow a few notes, just 12345.

Little by little, you will be able to play high notes. Then the next step, blowing out of the house blowing 17654321.

Theoretically, the house blowing to the bass of 1.... It is difficult to control to this tone of ... Blow, ocarina.

The breath of the ocarina is between that of the flute. The breath of the ocarina is between that of the flute and that of the xiao.

The strength of the breath is between that of a flute and a xiao. The same ocarina, the same person, the same fingering position, blowing breath angle, different, the height of the tone is much different.

Learning ocarina pre, to find the angle of the breath of the best *** sound. That is, the angle of blowing.

How to play the ocarina

I'll probably tell you, to learn or to find a teacher to learn one, blowing This point really need some enlightenment.

The main points of the first, make sure that each hole is covered tightly, do not leak, blowing the full cover of the sound; points of two, do not be too hard, the more hard but not good blowing; points of three, the air flow is not all blowing to the blowhole, part of the blowing hole, part of the blowing to the outside; points of four, gently change the ocarina and the angle of the lips to find the right position. After mastering these four points, try more, you should be able to play it.

Then don't be in a hurry to blow the next note, just blow the whole cover, and blow as long as you can, and practice to the point where you can pick up the ocarina at any time and blow the whole cover, and then you'll go on to the next step of the exercise. Second, the scales This process is really a bit boring ah, reminds me of practicing the piano hanging fingers .

If the full muffle is a 5, some ocarinas can play the 5, and lift a finger and there is no sound. The blowing of two neighboring tones is very similar, and I recommend blowing 565656 continuously without changing breath until you have a proper grasp of the breath.

This slowly you find the feeling of 6, and then single blow 6, but also to do at any time to pick up the ocarina can directly blow 6 to.

This is the first time I've ever seen an ocarina in the world, and I've never seen one in the world, so I'm not sure if I've ever seen one in the world, but I've never seen one in the world. This practice method kills two birds with one stone, one is practicing the scale, and the other is practicing the flexibility of the fingers.

Third, the tune You don't have to wait until you've played all the scales to start practicing the tune, because the interest will diminish. If you can play 6 notes, you can go and show your friends how well you play [Two Tigers].

If you can play 9 notes, you can interpret the famous song "A smile on the sea". Practicing scales and tunes at the same time will make you more motivated.

How to play the ocarina by mouth?

(A) Playing posture 1. Body posture Sitting posture requires the body to relax on the chair, the seat height should be appropriate, the body should be square, and the legs naturally separate on the ground.

Sit on two-thirds of the surface of the stool, do not sit on the whole chair. Vertical posture requires the body to stand, with the feet slightly apart or one foot slightly in front and one foot slightly behind.

Holding the ocarina in both hands, aim the blowhole at the wind door, keep your head straight, open your arms at a 45 degree angle, and keep your elbows down. The whole body is naturally relaxed into a vertical shape, to ensure that the breath is smooth.

Note: Because the length of the ocarina is shorter than other instruments, it is important to keep your head straight when playing. 2. Hold the ocarina method Fingers naturally bent, finger belly press hole.

Finger press hole should be tight, not leakage. When opening the hole, the finger should not be lifted too high or too low, too high affects the playing speed, too low affects the pitch.

Generally speaking, the finger is lifted to 2-3 centimeters above the sound hole of the ocarina body. Eight holes ocarina: right hand ring finger presses the first hole, middle finger presses the second hole, index finger presses the third hole; left hand ring finger presses the fourth hole, middle finger presses the fifth hole, index finger presses the sixth hole.

The two thumbs hold down the seventh and eighth holes, and the little finger gently rests on the bottom. Nine holes ocarina: right hand little finger presses the first hole, ring finger presses the second hole, middle finger presses the third hole, index finger presses the fourth hole; left hand ring finger presses the fifth hole, middle finger presses the sixth hole, index finger presses the seventh hole.

The two thumbs hold down the eighth and ninth holes respectively, and the left little finger gently holds the bottom of the ocarina. Note: The eight-hole ocarina and the nine-hole ocarina have been standardized and developed by Mr. Zhang Ronghua, and have become customized.

The fingering of the eight-hole ocarina is the same as that of the flute, and the cylinder tone is 5, which is flexible and convenient, and the nine-hole ocarina has one more big second than the eight-hole ocarina, and the cylinder tone is 1. The players can choose according to their own needs.

3. Play mouth shape The mouth shape of the ocarina is accomplished through the concerted action of the lip muscles, orbicularis oris muscles and facial muscles. The correctness of the mouth shape directly affects the tone of the ocarina, the pitch, and the ability to control the strength and weakness of the ocarina.

When playing, the lip muscles naturally stick to the bed of the teeth, the two corners of the mouth are properly contracted (in the form of a smile), so that the force point of the upper and lower lips rely on the middle, the center of the lips to form an elliptical wind door, the mouth expands. The tongue is naturally stretched out flat.

According to the needs of the music, the ocarina's mouth shape will change at any time, and its changes are concentrated in the wind door, the mouth wind and the mouth force three aspects. When playing, the gap formed in the center of the upper and lower lips is the "door" through which the air passes, called the "wind door".

The airflow blown through the wind door is called "mouth wind", the lip muscles and facial muscles of the organic synergistic contraction, relaxation and support of the force is called "mouth power". It is also called "mouth power".

The size of the wind door, the mouth of the wind and the size of the mouth force with the music of the different high and low regions, the volume of the changes in the strength and weakness of the changes. The relationship between the three is shown in the following table: bass wind door large mouth wind slow mouth power small soprano wind door small mouth wind urgent mouth power strong wind door large mouth wind urgent mouth power weak wind door small mouth wind slow mouth power (2) breathing method The breathing in our daily life is passive, a subconscious action, inhalation and exhalation of roughly the same amount of time.

The ocarina requires active breathing, short inhalation time and long exhalation time. Mastering the correct breathing method is the key to playing the ocarina well.

Let's talk about two stages of inhalation and exhalation. 1. Inhalation When inhaling, the mouth and nasal cavity quickly open, the mouth and nose at the same time quickly inhale the air, then the diaphragm drops, the chest and abdominal cavity has a clear sense of expansion, which is commonly used in the process of playing the chest and abdomen combined with inhalation.

This method of inhalation is large and not easy to fatigue. In order to facilitate the understanding of beginners, here are two examples of daily life: First, a bouquet of fragrant roses, you can not help but inhale y, to experience the feeling of refreshing the heart; Second, to blow out a lit candle placed one meter away, then you will be violently inhaled, this state of the inhalation must be relaxed, full, thoracic-abdominal style, which is what we need to play.

When playing shorter phrases or needing to change air rapidly, you can also use abdominal inhalation. We can also give an example from life: when a person is aggrieved and keeps on sobbing, he or she uses such a method of inhalation.

The advantage of abdominal inspiration is that it is easy and quick. Therefore, according to the needs of the work, the longer phrases, the use of chest and abdomen combined inhalation method, playing shorter phrases or the need for rapid change of breath, abdominal inhalation method.

Learn to adjust your breathing according to the structure of the phrase 2. If inhalation is the preparatory stage of articulation, then exhalation is the real articulation stage. If the inhalation is the preparation for the articulation, then the exhalation is the real articulation. The correct inhalation is to exhale better.

The exhalation process is accomplished by the organic cooperation and control of the lip and abdominal muscles. We control the airflow through the lip muscles into a "bundle", and rely on the mouth to adjust the size of the wind door to complete the requirements of the gas can not be scattered, no noise blowing, full and solid sound.

Through the control of abdominal muscles to make the exhaled airflow uniform, smooth, can not be fast and slow, strong and weak, so that the sound will be smooth and heavy. In respiratory training, we should pay attention to two points: First, inhalation should be deep, but not too full, otherwise it is easy to cause respiratory muscles and the excessive tension of the muscle groups, so that the quality of the exhalation of the decline; Second, the exhalation of the so-called "gas to stay in three," can not wait until all the gas is used up and then change the gas, or it will affect the next stage of the inhalation of the quality of the gas.

In short, the ocarina requires a rounded tone, solid and heavy, strong but not noisy, weak but not false. The training of breathing method and the breath control in the next chapter requires the learner to practice and experience for a long period of time in order to grasp the essentials correctly, so as to be able to use it freely in the performance.

Air blowing techniques The air blowing techniques of the ocarina are long tones, air vibration, lip vibration, etc. The long tones are the foundation of the ocarina blowing techniques, which must be full and round, loud and smooth without any noise. The ocarina's common techniques can be summarized into three categories: long tones, gas vibrato, finger vibrato, lip vibrato, vibrato, tremolo, glissando, spit, hit, empty hit, cycle of air, double spit cycle of air, false blowing tone and so on.

These skills are necessary to play the ocarina. In the ocarina playing skills, the long tone is the basis of ocarina breath training, through practicing the long tone can master the correct breathing method, develop a good mouth shape and smooth, full, pure pronunciation.

Therefore, it is necessary to keep practicing for a certain period of time every day, which can be combined with the strength **** with the same, and the tone must be full and round, loud and smooth without any noise. The sound of the gas vibration is also called the "belly.

How to play the ocarina six skills

How to play the ocarina six skills

The ocarina is an open mouth wind instrument, the tone of the sound of a simple and clumsy hold Su unique for the music of the sky, in the world's history of primitive art occupies an important position. Some stones have a natural cavity, when the ancestors used such a stone to throw the prey, the stone cavity due to the role of airflow and produce whistle. Ceramic ocarina is one of the popular musical instruments in ancient times, belonging to the blowing sounding instruments, as early as in the Neolithic period of the Hongshan culture period, ocarina playing is very prevalent, continues to this day.

1, learn to play the ocarina should not be impatient. The beginning stage must be patient to practice the basic skills, do not rush to blow the tune. Practice good gas and long tone, practice familiar finger hair, practice lips. First long then short, first slow then fast, first slow then urgent. Repeatedly practicing, there will be a gain.

Learning to play the ocarina of course there are many difficulties, but as long as the method is appropriate, insist on practicing more. These difficulties can be overcome. For example, the function of the lungs, the elasticity of the fingers, the elasticity of the lips and tongue, memory and so on can be strengthened in the practice, more practice exercises to find the inspiration to play the ocarina well.

2. Playing ocarina is also a good way to exercise the body, finger movement is healthy brain, practicing memory is good for the brain. The breath movement is healthy lungs, practicing breathing is good for the lungs. Ocarina is a good aerobic exercise. It is a fun aerobic exercise.

Listen to some of the famous artists blowing the tune, listen to be beneficial. In the listening experience flavor, experience technique, experience skills. Listen to the famous tune to be carried through in the process of learning, to say too much, is to let the famous blow tune often accompanied by their own, infected their own, influence their own, to achieve their own.

3, the practice of playing the ocarina not only to draw special time to practice, of course, with special time to practice better, put the ocarina in the hand, have time to practice for a while. Even if it is a few minutes, so that you can set zero for the whole, accumulation of less into more, some scattered time are mobilized.

Practice should have a rough plan, in a period of time to have a focus. For example, to practice a technique, first to focus on practicing, that is to say, in a period of time to focus on practicing this technique. When this technique is almost done, then you can practice other techniques. The same is true for practicing repertoire.

Note:

In the process of practicing the ocarina, you should practice more long tones, fingering, and ocarina playing techniques, and then you should practice more practice pieces.

The ocarina is made of ceramic, so usually do not put the ocarina in a dangerous place, so as not to fall and break.

How to play the ocarina six skills

How to play the ocarina six skills ocarina is an open mouth wind instrument, the tone of the sound of a simple and awkward hold Su unique for the music of the sky, in the world's history of primitive art occupies an important position.

Some stones have naturally formed cavities, and when the pioneers used such stones to throw prey, the cavities in the stones produced whistles due to the action of air currents. Ceramic ocarina is one of the popular musical instruments in ancient times, belonging to the blowing sounding instruments, as early as in the Neolithic period of the Hongshan culture, ocarina playing is very popular, and continues to this day.

1, learn to play the ocarina should not be impatient. The beginning stage must be patient to practice the basic skills, do not rush to play the tune.

Practice good air and long tone, practice familiar finger hair, practice lips. First long and then short, first slow and then fast, first slow and then fast.

Repeatedly practicing, there will be a gain. Learning to play the ocarina certainly has many difficulties, but as long as the method is appropriate, insist on practicing more.

These difficulties can be overcome. For example, the function of the lungs, the elasticity of the fingers, the elasticity of the lips and tongue, memory and so on can be strengthened in practice, more practice exercises to find the inspiration to play the ocarina well.

2. Playing ocarina is also a good way to exercise the body, finger movement is healthy brain, practicing memory is good for the brain. The movement of the breath is good for the lungs, and the practice of toning is good for the lungs.

The ocarina is a good aerobic exercise. It is a fun aerobic exercise.

Listen to some famous artists blowing tunes, listen to be beneficial. In the listening experience flavor, experience technique, experience skills.

Listening to famous artists should be carried through in the process of learning, to say too much, that is, let the famous artists blow the tune often accompany themselves, infect themselves, influence themselves, and achieve their own. 3, the practice of playing the ocarina not only to draw special time to practice, of course, with special time to practice better, the ocarina on the hand, have time to practice a while.

Even if it is a few minutes, so that you can set zero as a whole, the accumulation of a few into many, some of the scattered time are mobilized. You need to have a rough plan for practicing, and you need to have a focus for a certain period of time.

For example, if you practice a technique, you should first focus on practicing it, that is to say, you should focus on practicing this technique for a period of time. When you have practiced this technique, then you can practice other techniques.

The same is true for practicing repertoire. Note: In the process of practicing the ocarina, you should practice more long tones, fingerings, and ocarina playing techniques, and practice more practice songs.

The ocarina is made of ceramic, so don't put the ocarina in a dangerous place to avoid breaking it.