What are the full works of Chinese painting categorized by technique, respectively?

The techniques of Chinese painting are categorized into: realistic, realistic, and brushwork.

One, realistic

Representative of the realistic category of Song Zhang Zeduan "Qingming Shanghe Tu", which is a national treasure, the content of the painting as large as the vast wilderness, the vast rivers, towering cities and towns, as fine as the nails and rivets on the boats and trucks, vendors on the small goods, the text on the market sign, everything, in the painting, there are the Shi, farmers, merchants, doctors, divination, monks, Taoism, Xu, women, children, Penny Masters, cablemen and other figures and donkeys, oxen, camels, etc.. In the paintings, there are figures such as farmers, merchants, doctors, diviners, monks, Taoists, Xu-ministers, women, children, boatmen, cablemen and livestock such as donkeys, cows and camels. It is like a realistic picture of a Song Dynasty marketplace.

Two, writing

Ming Dynasty, one of the bird and flower painting school, mainly to painters Chen Chun (Baiyang), Xu Wei (Tianchi) as a representative of his flowers, insects, bamboo and stone, good use of ink and ink, dripping and sparse, randomly, splash ink boldly, and do not adhere to the established method. Ink, dry and wet, just right, in the middle of the Ming Dynasty was extremely prosperous, forming a fashion. The Qing Dynasty Shi Tao, Bada Shanren and the "Eight Monsters of Yangzhou" had a great influence.

Three, brushwork

Brushwork painting, also known as "fine brushwork", ancient painting, advocating realism, looking for similarity. Work-brush painting is a way of expression of Chinese painting that depicts the scenery with precise and delicate brushwork.

The Hairpin Painting of a Lady by Zhou Fang, Tang Dynasty

Expanded Information

Chinese Ink Painting Techniques

Chinese ink painting techniques emphasize the five colors of ink. The five colors are "burnt, thick, heavy, light, and clear", which means that water is used to regulate the ink's multi-layered intensity, lightness, dryness, and wetness. In addition to the above five, there are thirsty ink and broken ink.

Scorched ink: the use of ink viscous, dry lines, ink color scorched black and withered, the effect of old and bold.

Thick Ink: The ink is thick and black with little water, and it has a heavy and heavy feeling.

Heavy ink: contains more water than thick ink, and the color is slightly lighter.

Light Ink: The ink contains a lot of water and has a strong penetrating power, the ink is gray and transparent, and the feeling is far away and refreshing.

Clear ink: a little ink mixed with water, strong penetration, light and transparent ink color, a sense of purity and clarity.

Thirsty Ink: The ink is light and the brush is dry, so you can draw light and hairy ink, giving you a relaxed and lively feeling.

Broken Ink: Before the ink dries once, draw another ink color, with a sense of intermingling and oozing.

Characteristics of Chinese Painting

1. The main use of lines, clusters of dots and changes in ink color to depict the object and express feelings. Each kind of painting has special tools, and the function produced by the use of a certain special tool will form a unique artistic ability. Chinese painting with a special animal hair brush for painting, with "sharp, Qi, round, healthy" characteristics: sharp, sharp brush tip; Qi, brush hair flat open, inside and outside of the ho flush lay; round, the body of the brush is round and full; healthy, healthy to the end of the vice-hair. The terminology used to describe the many variations of line, point, ink (including color), and water is called "brush and ink". As far as Chinese painting is concerned, "brush and ink" is art in itself, with a relatively independent beauty.

2, a Chinese painter's feelings, intentions, situation, character, style, skills, etc. in the creative process, all through the "ink and brush" presented." Brush and ink" is a fundamental element of Chinese painting, and for thousands of years the term "brush and ink" has been regarded as a general term for Chinese painting techniques. The beauty of Chinese painting is in the "brush and ink".

3. The method of composition is not limited by space and time. The main connotation of Chinese painting, heavy mood, as well as charm, seeking interest, so in the composition guidelines are not bound by the field of vision, free from the focus of the restraints of perspective, to take the scattered perspective and visual memory to set up the situation and composition, the chapter of the Chinese painting composition, broad and free to the virtual with the real, imaginative, is a major feature.

4, a high degree of generalization, highlighting the theme of the expression. To "turn scenery into thoughts", "see things to get the idea", "write things to be creative", only a high degree of generalization, in order to highlight the theme in a work, to create a mood. Chinese painting in the creation of ideas, although there are occasionally added, but the main purpose is to give full play to the author's artistic ideas, the work of painting the best.

5. Continuously absorbing the essence of foreign arts, and purifying and enriching oneself through drawing. Each kind of national painting, due to different regions and materials, has superiority and limitations. What are the characteristics of Chinese painting?" Absorbing the foreign and enriching oneself" is one of the laws of artistic creation. Chinese art has never been xenophobic, and the Han and Tang dynasties were a glorious period of boldly absorbing foreign art. We have never objected to "foreign relatives", but the "spirit" must be "internal", which is not only the objective law of artistic development, but also the foothold of artistic innovation.

Chinese Painting - Baidu Encyclopedia