Ceramics work design instructions On ceramics work design and pioneering

Pottery, as an emerging art discipline, is increasingly attracting people's attention with its unique creative process and psychological feelings. It either embodies the author's subtle feelings with the beauty of form and rhythmic sense of rhyme, or conveys profound meanings and connotations with its plain, simple and even unobtrusive appearance. A handful of potter's clay fired into pots and jars, through thousands of years of civilization development, not only did not exit the stage of history, but in modern life plays an increasingly intimate and warm role. Potters have implemented individual studios to handcraft pottery and integrate it into modern life. Plain living vessels, non-flamboyant cups, plates, bowls, and pots have come into the living space of modern people. The connection between people and things is established from the aspects of touch and vision, so that people's vision is opened up. Under the guidance of the wave of modern pottery, living pottery also quietly enters thousands of households with unique charm and becomes a symbol of social culture. Life pottery set art and practicality as one, with a kind of spiritual and simple life interest, has been favored by more and more urban consumers.

First, the connotation of pottery

Pottery is divided into practical pottery and non-practical pottery. Practical ceramics generally referred to as life ceramics, as the name suggests, is the functional ceramics straight to life. Non-practical ceramics is generally the creator of a personal thoughts of a kind of expression. Both are with the help of ceramic materials, through the clay, glaze, decoration, kiln fire interaction changes, the expression of the creator's personality, emotion, consciousness and aesthetic value of a form of ceramic works.

Handmade life pottery, the surface of the vessel left deep handprints and spinning, from which you can feel the potter's emotions quietly cathartic. The charm of pottery and the flavor it exudes is irreplaceable.

Life pottery is not only a product of modern pottery development, but also a continuation of traditional life pottery. It contains both the aesthetic consciousness of modern people and carries the spirit of traditional culture; it has both use value, ornamental value, and certain collection value. The pursuit is ? Art living, life art? Such a quality. Thus, it is welcomed by urban consumers.

Second, the aesthetics of ceramic works

The aesthetics of ceramic works, mainly in two aspects, one is the daily life of ceramics supplies art, ceramics function is more living.

As from ? Artwork living? Analysis from the perspective of modern ceramics to create the embodiment of personality to the pure artistic, conceptual development has become a trend, ceramic works in pursuit of a sense of fun to the beauty of ceramic materials to unveil the practical function. Creators can make according to their own interests and hobbies, from which to feel the fun of handmade. The living of artwork gives the general public an outlet for their handmade desires and an opportunity to express their creativity, especially the seldom-exposed activity of kiln firing, which is full of enthusiasm and hope. This kind of long awaited excitement is difficult to be brought by any activity. In the hectic pace of life, this feeling of touching the clay without harshness is a real feeling.? The slogan of "Art Comes to Life" becomes very meaningful.

The slogan of "Living Art" has become very humane, and the process of making pottery has also become a kind of support for people's feelings.

Third, the development of pottery

The development of pottery has changed a lot, due to the constant exchange of countries and foreign stimulus, pottery not only retains its own inherent things, but also absorb the concept of creation of other countries. Such as in Japan, they do not exclude the modern pottery, do not despise the traditional pottery quality control, and skillfully balanced, Japan-made tea sets, cups, candlesticks, tableware are conceptually strong pottery wall decorations, pendants are exuding a strong sense of life, they pay attention to the skillful use of clay glaze, a strong sense of craftsmanship, the manufacture of a rigorous and ingenious way to make a small piece of ware can let you see a lot of moving places! A small vessel can show you a lot of heart. For example, their cups, at the bottom of the cup and the cup body are very casual hanging, cutting, carving form, let you feel so relaxed and natural; and then for example, rough pottery made of tea sets, you seem to be able to smell the breath of the field, each piece is unique. Japan's rigorous process technology formed by the beauty of the form, so that the Japanese pottery presents a different style, with a strong market competitiveness.

China as a porcelain-producing countries, but in the life of the pottery to develop the popularity of doing pottery and pottery appreciation problems. How do we expand the life of pottery market?

First of all, it must be clear that the life of ceramics and industrial ceramics consumer groups are different, in order to meet the consumer's personalized aesthetic needs and the existence of, but we do not have to imitate the Japanese-style life of ceramics, because of the living habits of countries, cultural background, aesthetic awareness, consumer psychology are different, the Japanese ceramics are more than a number of tableware, wine, tea, and so on, and with a strong regional cultural characteristics. Such as square food dish, small wine set, in fact, is not suitable for Chinese consumers, so we design and produce life pottery, must understand the Chinese aesthetic and consumer psychology, living habits, pioneering the design of personalized and in line with the Chinese consumers practical and appreciate the pottery as a whole.

Secondly, pottery not only refers to food cups, bowls, pots, it includes everything related to life, can beautify the life of supplies, such as vases, wall decorations, fruit dishes, lamps, etc., can be created space is very broad, China has a wealth of ceramic resources, rich cultural soil and a rich tradition of ceramic humanistic connotations, which are the Japanese pottery can not be compared with it.

Fourth, the work of the design description

1, tea set My first set of works is a tea set, people often use in life, is a kind of life essential supplies. Tea can refresh and relieve fatigue and other functions. Under the premise of the continuous improvement of people's living standards, people are no longer satisfied with the simple requirements of the use of the purpose, but to pay attention to both functionality and artistic taste, in the use of the basis for the pursuit of modern people's enjoyment of the sense of aesthetics. This set of tea set is formed by hand-pulled billet, billet application of striped texture, similar to the feeling of trees, glaze color for the green-gray wood grain glaze, embodied in this set of works is not only its single use function, the most important thing is to let the tea drinker have a feeling of closer to nature, so that the tension of the city to get a kind of natural relief.

2, wall decorations The second set of works is three wall decorations, with the progress of human history and cultural level, there is a certain pursuit of art. Sword is an ancient weapon, now can not use this backward weapon, but from it can always see a spirit of struggle and resilience. The idea for the creation came from a picture on the wall of the former bedroom ? Qin? word, its meaning is to remind people in the fierce competition in society, hard work and positive upward, my work is also from this point to conceptualize and create.

3, inlaid ware The third set of works is two inlaid ware, inlaid ware content is mahjong in the? The third set of works is two inlays, the content of the inlays is the mahjong? and "white board". The third set of works is two inlays, the inlays are the red center and the white board in mahjong. Mahjong is a kind of pastime and entertainment in life, and I didn't use the realistic method to show it when I made it, the purpose of making it is my personal view and feeling on the society, and also reflecting some of the problems and bad state of the society at this stage.

I was born in Jingdezhen. Living in this city with a low level of consumption for more than twenty years, I have a certain understanding of it. The mahjong culture in Jingdezhen is very heavy, almost not for entertainment, but a xx nature. Many people sit at the mahjong table day and night, and I was very impressed by this degenerate state of life. Black and white were chosen for the artwork, highlighting the fact that those of an xx nature do not distinguish between black and white and are not doing their job. The choice of ? red center? and? White Board One is that they were originally part of mahjong. The second is that the former is like a sword and the latter is like a shield, and the sword and shield are relative to each other. xx have lost and won, want to rely on xx win money is undoubtedly a waste of time.

Fifth, the development of ceramics in China's views

First, improve cultural taste. Life pottery development in China is still in its infancy, but in Europe and the United States and Japan has a faster development, in addition to a strong economic strength as a backing, and their balanced high cultural literacy also has a lot to do. The characteristics of the pottery itself also determines the appreciators and consumers should be a relatively high cultural quality of a class in China, have an independent aesthetic, good cultural taste and economic base, because the pottery is not only well-made, novel and chic modeling, beautiful decorations, but also should have a relatively rich humanistic connotations.

Second, to cultivate the market and consumer groups to participate in the production of interest, more ceramic art exhibitions, so that the public fully aware of the art of fire and earth, because the gradual rise in the aesthetic quality of consumers and the gradual popularization of cultural activities have become the development of ceramic life in China's favorable factors. The rise of pottery culture, do pottery, love pottery, buy pottery market formation, life pottery can have great development.

Third, improve the packaging design. If the living pottery design is the first life, then packaging is its second life, which is very reasonable. Failure of packaging design can not bring high value-added ceramic products, but will make the exquisite ceramics greatly reduced, this point of Japan's packaging practices are worth learning, their box front is open, so that people can clearly see the shape, the glaze color of the exquisite, and its idea of purchase.

Fourth, adjust the price, do a good job of brand promotion. Life pottery is, after all, practical life utensils, the face of a large market population, such as high price, will make consumers dare not ask. The development of life pottery will also have a negative impact. In addition, a good brand impression is the consumer's guide to purchase, create a famous brand strategy, tree brand awareness, is to expand the life of pottery as an effective means.

Conclusion

Modern people in the material civilization is extremely rich today, people's emotional structure is becoming more diverse and complex, resulting in different aesthetic personality needs. Abundant economic foundation, higher cultural literacy, so that they have the ability and strength to improve the quality of life, talking about the art of living, living art. The rapid development of economy, the fast pace of life and the pressure of work make people want to return to the countryside and nature. Life handmade practical pottery is thus naturally accepted. Because the relationship between clay and human beings from ancient times to the living, intimate and natural. Promote pottery life products, let people feel handmade pottery simple and caring.