What is the highest peak of dance art in China?

Music and Dance Art in Tang Dynasty: The dance art of China in Tang Dynasty reached a more mature new realm after the leap of dance skills in Han Dynasty and the intersection of Chinese and foreign music and dance in the Southern and Northern Dynasties. This is the peak of the development of ancient dance art in China. One of the main reasons for the vigorous development of its dance is its strong national strength, open social thinking and full absorption and integration of various ethnic groups and foreign cultures. Mass dance activities are very common in all walks of life, and watching dance performances has become an important part of people's artistic life. A large number of magnificent and large-scale court music and speech dances have also emerged from the people, and after artistic processing, they can be called a great victory of the Tang Dynasty dance. Tang people regard dance as a kind of cultural accomplishment to express emotions, show talents, and express etiquette by means of literary talent, martial arts and singing and dancing. In the prosperous Tang Dynasty, a perfect Taichang Hall and a teaching workshop were set up in the court to manage the court music and dance. During the reign of Emperor Xuanzong of the Tang Dynasty, a large number of musicians and maids with the highest skills were selected from Zuobu and Maid-in-waiting, and a pear garden was established to specialize in the rehearsal and performance of songs and dances. Famous representatives include Tang Xuanzong, who is good at composing and dancing, Yang Guifei, who is good at dancing, and Li Shimin, who rehearses huge pieces in person. Li Bai, a poet who improvised lyric dance. Religious music and dance in the Tang Dynasty were also very developed, such as crane dance and flower dance, which are very common in Buddhist temples. Ritual witch dance has been popular from Bachu to the deserted villages in northwest China. The exorcism of the court in the Tang dynasty was mask dance, which inherited the scale of the court musical instruments in the Han dynasty, that is, grand. Dunhuang art is also called Dunhuang Buddhist grottoes art and Dunhuang grottoes art. Including murals, colored sculptures, architecture, music and dance, calligraphy art and so on. Among them, the most famous is the art of flying ... Dunhuang art: Dunhuang grottoes art is a three-dimensional art integrating architecture, sculpture and painting, which has the local characteristics of Dunhuang and provides precious materials for the study of ancient Chinese politics, economy, culture, religion, ethnic relations and friendly exchanges between China and foreign countries, and is a cultural treasure and spiritual wealth of mankind. There are 492 paintings and colored sculptures in more than 500 caves in architectural art, including Zen caves, palace caves, pagoda caves, dome caves, "shadow caves" and some pagodas. The largest cave is more than 40 meters high and 30 meters wide, and the smallest cave is less than a foot high. The Central Tower is a foreign grotto form preserved in the early days, which reflects that ancient artists assimilated foreign art while accepting it, making it a national form in China. Many of them are masterpieces of existing ancient buildings. Colored Sculpture Art Colored Sculpture is the main body of Dunhuang art, including Buddha statue, Bodhisattva statue, disciple statue, heavenly king, King Kong, Lux, God and so on. Color plastic forms are rich and varied, including round plastic, floating plastic, shadow plastic and good plastic. The maximum height is 34.5 meters, and the minimum is only 2 cm (Shan Ye clay sculpture and wood carving), which is rich in themes and exquisite in craftsmanship, and can be called the Buddhist colored sculpture museum. The portrait sculpture in Cave 17 in the Tang Dynasty is abhorrent to the unification of Hexi Capital, and the statue is painted with staff near the waiter, which integrates the statue with the mural. It is one of the earliest realistic portraits of eminent monks in China and has high historical and artistic value. Mural art The grotto murals are rich and colorful, and various Buddhist stories, landscapes, pavilions and other architectural paintings, landscape paintings, flower patterns, flying Buddha statues and various scenes made by working people at that time are artistic representations of folk customs and historical changes from the Sixteen Kingdoms to the Qing Dynasty 1500 years. In a large number of mural art, it can also be found that ancient artists absorbed the advantages of ancient art in Iran, India, Greece and other countries on the basis of nationalization, which is a symbol of the developed civilization of the Chinese nation. Murals in different dynasties showed different painting styles, which reflected the political, economic and cultural conditions of China's feudal society. They were a glorious chapter in the ancient art history of China and provided precious graphic historical materials for studying the ancient history of China. In the 26th year of Guangxu reign of Dunhuang Art (A.D. 1900), about 50,000 scriptures, documents, embroideries, portraits, etc. from Wei Jin to Northern Song Dynasty were found in the northern wall of Cave 16. In addition to written documents in Chinese, written documents in Park Jung Su, Baltic, Huigu, Tubo, Sanskrit, Tibetan and other national languages account for about one-sixth. The contents of documents include religious documents, literary works, contracts, account books, official documents and letters. The discovery of Dunhuang art is famous at home and abroad, and it is of great research value to supplement and sort out the ancient documents in China.