Appreciation of Zheng Chouyu's mistakes

Mistake has nine lines and 94 words. The whole article is not long, but its artistic skills are not only praised, but also recited orally. Structurally, it implies two clues: vertical and horizontal. The obvious vertical line is from large view to small view, with distinct layers. The first two sentences are set in the vast south of the Yangtze River, then the camera moves to the small town, then to the streets, curtains and window leaves, and finally falls on the horseshoe, breaking the silence ahead. This kind of writing is quite similar to the spatial treatment of the big scene from "There are no birds in a hundred mountains" to the small scene in Jiang Xue by Liu Zongyuan, which pushed the poem to a climax. Judging from the horizontal line, the first two sentences should be the end. It is precisely because' I' walked from Jiangnan to that woman's place and didn't go in. The woman's expected' face is like a lotus', and the enthusiasm for waiting has become disheartened. The last two sentences should be' I'm not a passer-by, just a passer-by', so' my horseshoe is a beautiful mistake'. Here the poet used a small inversion sentence. This arrangement has created an uneven level of structure, which is more poetic and shines brightly in disharmony. Another touching thing about this poem is the beauty of its language, especially the words "beautiful mistakes". This sentence is inherently contradictory. The horseshoe of Dada sings the hope of reunion in women's hearts, so it is beautiful. However, the horseshoe just passed in front and didn't stop for her expectation. This is a mistake. This ups and downs, back and forth reversal scene, has produced a high degree of drama, but also formed a refreshing ups and downs. If it is associated with the China nature of this poem, it is similar to the artistic conception expressed by William Wang's "A glass of glowing wine urges you to drink the pipa at once". At the same time, Zheng Chouyu also used the images in China's traditional classical poems, such as lotus, catkin, horseshoe, spring rain, etc., especially Dongfeng, which is Li Shangyin's untitled book. The meaning of "the east wind rises and a hundred flowers blossom" once again shows the most fundamental nature of China in Zheng Chouyu. Yang Mu's long article in "The Legend of Zheng Chouyu" said: "Zheng Chouyu is a China poet in China, and he wrote in good China characters with accurate images, gorgeous voices and absolute modernity", which emphasized the China nature of Zheng Chouyu's poetic language, thus reflecting China's thoughts and feelings. Pure writing is another advantage of this poem. When talking about the skills of writing poetry, Zheng Chouyu said, "Writing poetry should be loyal and honest to yourself, not bluffing. If you are not sure about yourself, you are disloyal. Therefore, Zheng Chouyu's Wrong emphasizes purity, neatness, freshness and lightness, and tries to express the poet's most faithful feelings with the most faithful words without playing word games or making up rhetoric. This is a true and sincere poem. Mistake still touches the heartstrings of countless readers. I think the most important factor is not to win with words, but to impress people with its inner feelings. This kind of emotion is not disguised or carved, which makes the scene harmonious and consistent in the poem and has endless artistic appeal.