Kneel for the opening words of classical water sleeve dance

Speaking of sleeves, no one will feel strange. It originated from traditional Chinese opera and dance. Today's China classical dance draws on and inherits the unique and distinctive style and form of traditional Chinese opera and dance. Sleeves are also a part of inheritance and development. The two "forces" to be discussed in this paper-exertion and expressiveness-are complementary and inseparable. If you don't train by the correct "hard method", on the stage, sleeves are like two pieces of cloth that don't listen to you. They can't get it back or get it out. Actors and audiences are sweating, and there is no sense of beauty, let alone "expressive force". On the other hand, if you only master the technique of water sleeves when you go to the audience in Dallas, and don't express the beauty of water sleeves through physical expression, then water sleeves are just a skill, which not only can't reflect the beauty of rhythm in dance, but also feels redundant and far-fetched. I think the relationship between these two forces is that I have you and you have me, which complement each other and are inseparable. It can also be understood as two stages of the same "force": starting from the "force method", that is, using the coordination and performance of the body to drive the sleeve to make the correct force skills; Based on "expressive force", the slender and changeable sleeves are used to express the human body shape and thoughts and feelings.