What lines were there in the Tang Dynasty?

First, the pattern of women's wear in the Tang Dynasty broke the creative thinking of single gift in the past and became more realistic and pragmatic.

People look for creative inspiration in life and nature, and change the real flowers, birds, fish and insects by sketching, but people don't care about the traditional dragons.

The xenophobia produced by the Style Bureau should be mainly influenced by the divine right of the imperial power.

Secondly, the pattern design of women's wear in Tang Dynasty presents a unique artistic style of fullness, freedom and rigidity. Every petal, every flower.

Every leaf is full and plump, which makes people feel the prosperity of Datang. Today, we see these gorgeous satiety.

Full, luxurious and beautiful clothing patterns are precious video materials that Dunhuang grottoes painters have preserved for future generations with hard work.

Thirdly, the patterns of women's dresses in the Tang Dynasty are rich and bold, with prominent main patterns, often symmetrical composition and bright colors.

By the middle and late Tang Dynasty, the costume patterns were more exquisite and beautiful. Flower-and-bird costume pattern, border decoration pattern, group flower costume pattern, etc.

Wait, it's really colorful to decorate the soft clothes of silk yarn. As Wang Jian of the Five Dynasties said, "Luoshan leaves embroider gold."

There is a flock of Yin Feng geese, each of which dances in two directions and writes "Long live peace". "

Second, the types of women's clothing patterns in the Tang Dynasty

In the development of China patterns, clothing patterns in Tang Dynasty experienced and completed the development from animal patterns to flower-and-bird patterns.

Change. The patterns in women's clothing in the Tang Dynasty are rich in variety, wide in subject matter and various in patterns. To sum up, they can be roughly divided into the following types:

1. Treasure flower pattern

Baohua pattern in Tang Dynasty is the most classic and representative pattern in costume patterns in Tang Dynasty. The word "Bao Xiang" in Bao Xiang Hua

It means "Buddha statue", also known as "treasure fairy flower", which is a very auspicious pattern in ancient times and is considered as a symbol of wealth and good fortune. Treasure pattern

The patterns are mainly blooming flowers, petals, budding flowers, buds and leaves, and some are in the form of freehand brushwork.

Now, some of them appear in the form of realism, and most of them recombine according to the law of radial symmetry to form decorative patterns.

Due to the prevalence of peony flowers in the Tang Dynasty, peony flowers are the main patterns of precious flowers, and lotus flowers and dahlias combine to form flower patterns.

2。 Curled grass pattern

Another representative clothing pattern in the Tang Dynasty is the scroll grass pattern, which is also called "Tang grass" and forbeares.

Based on the winter grass pattern, it is one of the most widely used clothing patterns and decorative patterns in the Tang Dynasty. Curled grass pattern and treasure phase

Like the pattern, peony flowers and lotus flowers are the main features, and some pomegranates, grapes, fairies, birds and animals are dotted, which is full of aesthetic feeling and strong sense of movement.

3。 Bundle pattern

The group pattern is a pattern that is circular in shape or suitable for being circular. The structure of this pattern is a skeleton composed of parallel and continuous circles.

The pattern is rotating or radial. The periphery of the circle is decorated with beads, the center of the circle is decorated with bird or animal patterns, and the outside of the circle is empty.

Occasionally decorated with a treasure pattern that radiates around, as shown in Figure 2. This group pattern is full and symmetrical, rich in content and rich in spatial levels.

Second reasonable, decorative.

The pattern of group images is not a traditional pattern in China, but a pattern of Sassanian dynasty in Persia (AD 226-640).

Develop and evolve under the influence of. This pattern may also be the best-selling pattern of export trade in the Tang Dynasty, from the Northern Dynasties to the Tang Dynasty.

Popular in the middle period, this imported pattern gradually disappeared from people's lives after the Song Dynasty.

Step 4 twist the pattern

Branch-bound pattern is a popular female costume pattern in Tang dynasty, also known as branch-wearing flower. Its structure is based on wavy lines, and it is connected with flowers, grass, branches,

Leaves, etc. , combined to form a rich and lingering decorative pattern. From the form of the pattern, the branch pattern is a very beautiful and feminine pattern.

Curved patterns, but there are also some winding patterns that are tough. Twisted branches spread all over the world with their soft and lingering shapes.

In the Song, Ming and Qing Dynasties, it even had a far-reaching impact on the design of modern clothing patterns.

5. Auspicious patterns

Every nation has its own auspicious patterns, which are an important part of traditional culture. Auspicious patterns are colorful and rich in meaning. they

It contains the profound cultural heritage of China for thousands of years and is the spiritual symbol of the Chinese nation.

In the Tang Dynasty, people thought that the auspicious patterns were peony, dragon and phoenix, longevity characters, pine cranes and so on, because of its beautiful symbolic significance. Such as peony

It symbolizes "great wealth", and the dragon wind symbolizes "wealth", "auspiciousness" and "happiness"; Shouzi and Songhe symbolize "longevity" and "happier longevity". Heat ratio

Such as dragon wind, dragon and phoenix dance, dragon playing with beads, cranes and deer in the same spring, magpies climbing plums, and phoenix playing peony, all revealed people's good wishes for auspicious, safe and happy life at that time.

Dispersion patterns of small clusters and small flowers

In the early Tang Dynasty, women's dresses in the Tang Dynasty were mostly geometric patterns, such as tortoise shell, double distance, chess, double wins, brocade and wishful thinking.

Form, in the prosperous Tang dynasty, developed into a more lively flower-shaped pattern, with small clusters of flowers and small scattered flowers, that is, made of the natural shapes of flowers and leaves.

Symmetrical small clusters of flowers and arrange them into scattered points. Although this pattern is not as full as the treasure pattern, it is also elegant.

Rich and colorful.