Traditional Culture Encyclopedia - Traditional customs - Distribution mode of erhu bow method
Distribution mode of erhu bow method
erhu bow distribution method
erhu bow distribution method, as one of our traditional musical instruments in China, there are also many people who like it. In fact, it takes some time to contact the erhu, and it is not difficult to learn it. Let's learn about the erhu bow distribution method. The distribution method of erhu bow is 1
1. The distribution method of erhu bow is as follows.
2. Longbow: Longbow is also called full bow, or full bow, and the bow segment used is from the root to the tip. Bows can also be divided into "slow longbow", "medium longbow" and "fast longbow" because of their different running speeds.
3. Longbow is the basis of all erhu bows, and many bow methods are changed from longbow methods. Therefore, learning erhu should start with longbow practice. In addition to mastering the main points of bow opening, bow walking and bow changing, and keeping the bow flat, straight, even and stable, we should also emphasize the calm strength, even pronunciation and full bow.
The steadiness of strength comes from the relaxation of all joints in the right arm and the coordination of movements; Uniform pronunciation means that when the bow is transported to different bow segments, the bow force and bow speed should be balanced; Dissatisfaction with bow transport is one of the most common problems in practicing erhu. Beginners often leave dead ends at the root and tip of the bow, which is caused by the stiff right arm and insufficient extension.
4. The performance requirements of the slow longbow are that the strength should be loose and heavy, and the bow should be as uniform as drawing silk; The performance requirements of the medium and long bow should be moderate pressure and smooth bow strength; The performance of fast longbow requires skillful and smooth movements and flexible bow changing.
5. The practice of longbow is very important, and it should be continued in the whole process of learning erhu according to the correct methods and basic requirements. When practicing, you can start from the medium speed or the slow longbow. After proficiency, you can practice with various bow techniques.
6. Split bow: What is split bow? Divide the bow is to play one tone with one bow, which is called divide the bow. The split bow can be played with different lengths of bow segments, but in general, the middle bow or the left half bow is used more, and the length of the bow used is within half of the bow, which is mostly an eighth note.
7. The divided bow of erhu is good at music melody used for live wave jumping. The combination of divided bow with long bow and even bow can often increase the dynamic of melody. Matching with fast bow and other bow methods often makes the melody full of strength and stability.
8. The activities of elbow, forearm, wrist and knuckles are the main activities, followed by shoulders and big arms. In addition to emphasizing the rhythm stress and tone stress, we should pay attention to the balance of the power of pulling and pushing the bow and the flexibility and rapidity of changing the bow when playing the split bow. It is easy for beginners to play the split bow as "one light and one heavy" or dull and clumsy.
9. Split bow is a bow method between long bow and fast bow. If the bow speed slows down and the bow segment lengthens, it is a long bow. A fast bow is when the bow speed is increased and the bow segment is lengthened. Therefore, mastering the split bow is very helpful for practicing fast bow. Erhu bow distribution method 2
-What is bow sequence?
"bow sequence" is the order of carrying bows, that is, when to pull the bow and when to push the bow in music. Of course, the bow method of erhu is ever-changing, and the bow order is mainly arranged according to the specific needs of music, and can not be stipulated by one model. In actual performance, exceptions abound, and skillfully arranging bow order is an important aspect for players to deal with music. The following is just a general rule:
< 1 > Music usually starts with a bow and ends with a bow.
< 2 > If it is a weak bar, it is usually started by pushing the bow.
< 3 > In folk music or opera music, the bow is used at the beginning of the phrase, but the first bow may be a connecting bow, so that the first sound of each beat in the future is played by pushing the bow, and when there is a contradiction in the middle, it can be adjusted by padding the bow or connecting the bow.
< 4 > In case of strong sound or syncopated stress, you can arrange to play with a bow as far as possible according to the situation.
< 5 > In composing music, fast bow usually begins with pulling the bow, especially in paragraphs with bar stress rules, and when encountering the "forward" bow method, you must use pulling the bow; In folk and opera music, it is basically the same as the above-mentioned third situation; In passages with complicated bow techniques, the first sound of a sentence is often used alternately by pulling and pushing the bow.
Division of bow segments of Erhu:
The key to the performance of the mixed bow method of connecting bows and dividing bows lies in the reasonable allocation of bow segments and the optimal control of bow speed. Generally speaking, the bow is wide when playing the continuous bow, and the bow speed needs to be slowed down appropriately; When playing the split bow, the bow is narrower and the bow speed is faster.
In a piece played with the same bow method, the bow segment and bow speed can be changed less. However, in the music played by the mixed bow method, the combination of bow methods is ever-changing, which requires the performer to properly allocate the use of bow segments, so that both the split bow and the connected bow can play the best effect with the best bow speed in the ideal bow segment. The following is the division of the bow segments of Erhu and their respective names (as shown in the following figure):
The difference in bow transport methods and effects in different bow segments lies in the fact that the bow is heavy and the arm pressure is strong, and it is easy to play strong and powerful piano sounds, but it is not flexible. When the bow is at the tip of the bow, the weight of the bow is small, the arm pressure is weak, and it is easy to play continuous and light piano sounds, but it loses strength. In the same way, the bow root is heavy and prone to noise, and the application lies in control. The pressure on the bow tip is small and the sound is easy to float, so it is necessary to apply appropriate force when using it.
The "middle bow" is an easily controlled arch segment, which takes into account the advantages of the first two, while avoiding the disadvantages of the two, and is frequently used, but only using the middle bow will make the bow lack of changes. Therefore, it is a high skill to choose and apply the characteristics of various arch segments reasonably. Erhu bow distribution method 3
bow division:
once you understand the bow division, you can understand it more thoroughly in the later study. Bow segment refers to the different positions of erhuqin bow. Different parts of the bow have different exertion characteristics and performance artistic effects. If we can master the exertion laws and performance characteristics of each bow segment, the performance will be more vivid and endless. Common arch segments are divided into full arch, left half arch, right half arch, arch tip, arch middle and arch root.
division diagram of bow segments
The differences in methods and effects between two different bow segments are as follows:
< 1 > When the bow is transported to the bow root, it is easy to play strong piano sounds due to the heavy weight of the bow itself and the strong pressure of the arm, but the flexibility of the bow root is not enough. When playing, according to the situation, if the right hand holds the bow slightly lighter when transporting the bow to the bow root, don't exert too much force.
< 2 > When the bow is transported to the bow tip, due to the small weight of the bow and the small pressure on the right hand, the bow is easy to float, and the sound appears to float. Therefore, the right hand force should be increased when transporting the bow to the bow tip.
< 3 > Bow is a relatively easy-to-control bow segment, which takes into account the advantages of the first two, and avoids the shortcomings of the two, and is also used more when playing, but only using the bow will make the bow lack of change. Therefore, it is necessary to master the skills to reasonably select and apply the characteristics of each arch segment.
Basic skills of erhu:
In the process of learning erhu, due to the different direction, length, speed and methods of bow transportation, various bow methods of erhu are formed as follows:
< 1 > There are long bows and short bows according to the length of bow transportation.
< 2 > There are slow bows, fast bows, trembling bows and so on according to the speed of bow transport.
< 3 > According to the bow direction and bow sequence, there are bow pulling, bow pushing, bow splitting, bow connecting and so on.
< 4 > The methods and effects are used to distinguish between bowing, jumping and throwing.
All kinds of bow methods have different characteristics. If you understand and master these characteristics and skills, you can better play their respective uses.
The above is for you to be familiar with the division of bow segments and the types of basic bow techniques of erhu, so that you can learn more about erhu in the future and learn more conveniently. Next time, I will explain the nature and practice methods of all the basic bows of erhu for everyone.
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