Hyperrealistic Painting Technique

Ultra-realistic painting techniques

"Ultra-realistic" it belongs to the category of realism, is further realistic, more amazing reproduction. Here is my compilation of hyper-realistic painting techniques, welcome to view, I hope to help you.

Ultra-realistic painting skills

①, composition and outline of the outline

Ultra-realistic sketching of the composition and the usual long-term work of the composition of the rules and requirements are roughly the same, only in the placement of the still life, the items should not be too much, the easiest to place a piece of cloth, a jean jacket. A pair of traveling shoes, a broken clay pot and so on. Because the ultra-realistic sketch depicts the object is almost everything, the object is relatively small. So try to be as full and complete as possible in the composition, and try to keep the objects in the picture from being cut.

One of the most striking features of hyperrealistic sketching outlines is the use of a single line to outline. Accurately and concisely sketching the outline is one of the most important steps in hyper-realistic sketching, as if a frame structure of the building, with the frame, the walls have to rely on, the doors and windows have to rely on. In addition, the final effect of hyper-realistic sketching must be almost invisible traces of line arrangement. Therefore, when sketching outlines, first gently determine the position of the composition, and then gently outline the outer and inner contours of the object, and then use a single line to clearly outline all the contours after they are roughly accurate. Outlining must not use a double line, to be careful, and patience, completely change the previous method of outline with a double line, if there is an existing auxiliary line or a double line, to use the eraser to clean up in a timely manner, hooked up can not be in the tone on the arbitrary changes.

②, tone and texture of the fine delineation

Ultra-realistic sketching of the final performance effect is the object of the body can not have obvious traces of line arrangement, to melt the line as much as possible in the object tone and texture inside to go, we must pay attention to, in the ultra-realistic sketching picture of various objects can not have a clear distinction between the primary and secondary, and the distinction between the real and the imaginary. When laying the color tone can also get rid of the previous laying of large color tone. The way to do the big effect, you can start from the local drawing, one step, from one local extension to another local, until the completion of the whole picture. With the meticulous method, the object of the tone and texture of the performance of the best, as if in the realm of touch, a hyper-realistic sketches of the work is considered complete.

Common problems with hyper-realistic sketches

①, "dirty"

Dirty is the most likely problem. Ultra-realistic sketching first of all, the picture should be kept very clean, and secondly, the object part of the same to keep clean, only clean, the object texture can be fully expressed, and the picture is dirty, most of the reason is with the back of the hand of the drawer brush painting contact screen `contact surface, and back and forth friction has a relationship. Therefore, when the artist is painting with a brush, the hand should not touch the picture as much as possible. If you have to contact, you should use the fingernail of the little finger to the top, and try not to rub back and forth.

②, "greasy"

The reason for greasy is relatively simple, one is too much repetition of the pencil, and another is to use 6B or more soft pencils to lay down the bottom of the phenomenon is also easy to cause greasy. It should be noted that you should first draw with 3B_4B, drawing process after the stage, part of the need to be particularly black with 6B_8B pencil, and then one is absolutely do not use your hands or tools to touch, to erase.

③, "messy"

Hyper-realistic sketching requires the performance of the object texture or texture, do not obviously see the combination of lines, not to mention the pursuit of the thrill of the line, and the use of messy lines to vent their personality. Therefore, the arrangement of the lines should be organized, not to leave the expression of texture outside the texture of the messy lines.

④, "flower"

This situation does not appear much, mainly refers to the treatment of the tone of the deep piece of a shallow piece of color transition is not uniform, as long as the transition in the tone of attention to a little bit can be solved. Ultra-realistic sketching is not completely traditional techniques, nor is it the most cutting-edge and trendy concepts, the purpose of introducing ultra-realistic sketching into the teaching is to cultivate a kind of careful observation, patience and the ability to produce, especially for students studying arts and crafts. This ability to enter the community in the future, to adapt to the work of arts and crafts is a great role.

Super realistic sketching know-how

"Sketching" is a very old word, many people have made countless definitions for it, made countless explanations and illustrations, it seems that I don't need to add something, I just need to go to the library to look at the book, ask the teacher, draw a few more stills. I just need to go to the library and read more books, ask my teachers, draw more still lifes, plaster casts, nudes and sketches and I will be able to learn sketching well, I did think so before. But I didn't think that I could be so addicted to sketching, spending more than a year on sketching, studying sketching, and spending three whole weeks to draw a "full-factor" sketch. What's more, I didn't realize that this kind of realistic sketching can have such a rich expressive power and vitality, which has changed my view on many issues. I would like to take this opportunity to talk about some of my understanding of realistic sketching.

Drawing is the foundation of oil painting, as the saying goes, what kind of drawing is what kind of oil painting, each genre and style of oil painting works are corresponding to the basis of different drawings, to draw realistic oil paintings need to be realistic drawing foundation. Realistic drawing has always played the role of "basic skills" in teaching. However, the world has changed, and all kinds of painting styles are now available in China. On the surface, it seems that realistic painting is not very popular, and the life of realistic sketching is not easy either. Some people even suggested that the foundation of sketching is enough, we do not need realistic sketching training, we should remove the realistic sketching training from the basic teaching, in fact, they are the scope of the narrow definition of the painting, and then the scope of the definition of the foundation of sketching is narrow.

Painting realistic painting is not wrong, realistic has realistic charm, and this is completely different from person to person, the direction of the development of art was not decided by a few theorists. Drawing realistic sketch is not wrong, the key is what kind of oil painting you want to draw, you want to develop what kind of artistic expression you need what kind of sketch foundation. If I want to draw the human body in space, I need to learn the basic skills of how to draw the human figure in space with sketching. I want to draw the correct proportion perspective relationship between objects in my works, then I need to master a kind of how to correctly find the proportion between objects, perspective relationship between the basic skills of sketching, in the sketching to pay more attention to the color tone between the objects, texture and other performance is not very important. If a student hopes to become an "expressionist" artist, a human body sketch of everything is probably not necessary. Therefore, there is no such thing as enough basic skills, only what you need. After going abroad to see the original works of Leonardo da Vinci and Rembrandt and other masters, I y feel that our realistic ability is still far away, now realistic painting quite a lot of various styles, have to learn this, learn that, that is, there are not a few learning in place, there are not many paintings to the "hyper-realistic," in fact, because of the sketching is not in place, the basic skills of our realistic drawing. Our basic skills of realistic sketching are not enough but still far from enough.

Sketch should be realistic, there is no non-realistic sketch. Realistic sketching should be a kind of human's most simple way of depicting the natural world. On the one hand, it can reflect a person's point of interest, personality and the kind of mysterious temperament inside his body, and it is the most simple expression of every person's personality. The difference between Rembrandt's and Leonardo da Vinci's sketches, and the difference between Holbein's and Thrower's sketches can be sensed by the layman, and these differences are the result of their unique personalities. On the other hand, a sketch is inevitably a reflection of nature, there is no supernatural sketch, it may reflect only a certain aspect of the elements of natural phenomena, but no matter whether it is Leonardo da Vinci's sketches or Rembrandt's small copperplate prints, they all originate from the nature, from life, and from the visible world of our human beings. Therefore, every object exists in the light surrounded by light, there is light, there is shadow, there is virtual, there is real, a normal human eye should see a complete form that exists in the space, there is near, there is far, there is front, there is back, which is not the eyes of a fish, the eyes of a cow, the eyes of a dragonfly can see. The world we see is "reality", and there is no need to "see the world with the eyes of a child" or "observe with the eyes of a cow". I must believe that the world in front of my eyes is real and believable, and convey this message to the audience through my works. I have to believe that the world in front of me is real and believable, and convey this message to the audience through my work.

One must be moved by the authenticity reflected in the work before one can move others. We should strive to learn, study, and experiment in order to "reproduce" the reality in front of our eyes, which is called realism.