Violin Technique Tutorial

Violin Technique Tutorial

The violin is an overdubbed orchestral instrument and is the primary instrument in the string section of a modern orchestra. Practicing the violin not only improves your sound, but also develops your emotions. Here's a video of me teaching you how to play the violin.

First, dry practice method

This is a piece of music on a number of times to do the whole practice, the use of enough feelings, the layout of the music processing arrangements have been repeatedly considered to decide, everything for their own have a sense of saturation, and may be continued to practice through the whole practice, and then put into the feelings of practicing the freshness will be lost. A kind of adjustment exercise. In the dry practice method, do not put feelings, but to purely rational, analytical, anatomical, more in-depth, require a higher section of artistic processing.

Two, each breakthrough nibble practice method

The problems to be dissected listed, these problems may be more difficult to memorize a piece of music, may be a few difficult to pull the accurate double tone, may be some twisted combination, may be a bowing technique. The most effective and non-annoying way to practice these items is to use odd hours to work on them in spurts, which can be ? Take a shot at a different place? Trial and error to find the feeling and strengthen the ability to adapt. Sometimes some of the so-called difficult, not necessarily really difficult, just not used to their own, as long as the psychological elimination of tension, more contact a few times, will take effect. Although these exercises may not always be able to quickly see the results, but it is certain that: each practice deepens the impression of a time, feel the adaptability to enhance a time, when these difficult points have been? When these difficult points have been chewed over? After that, and then through the practice of music before and after the articulation of the practice together much easier, such as sweeping the road, the first to move away a few stones, throw away a few bottles, and then sweeping the ground much more smoothly.

Three, alternate practice method

In order to rationalize the use of the brain, to reduce fatigue, can be classified as alternate practice, music and technical parts of the alternating practice, in the focus on solving the problem of the left hand after the right hand practice, has been familiar with the practice and the practice of the turn of the rudimentary, look at the score of the back of the score alternating practice. In short, the purpose of the alternation is to change the brain's excitement, so as to have the labor and leisure arrangement of the different parts of the use.

Four, strengthen the exercise method

The music to be played a few times in a row through the practice, the occasional problem at the end of a piece of slightly processed practice, and then immediately after another time. In the intensity, expression, speed can also be intentionally increased, exaggerated, accelerated. This kind of practice is a kind of overload exercise and forced to play the ability of the method.

Fifth, the classification of practice method

The form of different but essentially the same items together. For example, the vibrato, vibrato, support changes in the combination of exercises, double-tone exercises, etc. in a time to practice, through such a concentrated practice, you can let the hand from all aspects of the full exercise, with the help of these projects to promote each other, to strengthen their ability. When practicing the right hand, you can put jumping bow, striking bow, bowing, throwing bow, continuous bowing, etc. in one time, and its effect will be strengthened as a whole, as mentioned above.

Six, easy to practice method

Playing the violin? The word "play" (演奏) means "to play". The word (play), in English, means to play, and literally translates directly to the word "play violin". Play violin? In this sense, playing the violin should not be a painful thing. Sometimes, listening to some players playing the violin is so handy and easy, like in? playing? (e.g. Chrysler? Heifetz, etc.), this easy feeling is not only reflected in the technical operation, but also in the improvisation of the musical performance. Embodied in the musical treatment of the unintentional soothing intensity, the sound is so rich in personality and charm!

We violin learners should also be in the practical, hard, boring `practice battle to find a relaxed feeling? Shouldn't we also try one day? The Cicada Shell? What is it? "The bitter sweetness of life"? Shouldn't we also try to be able to play the violin with ease one day? Never forget the purpose of practicing the violin. Never to do never-ending research and practice, never master! I once heard an audience member say about a player: "It's tiring to listen to him because he's so tired of playing. Listening to him play is very tiring, because watching him is very tiring, our hearts have become tiring our practice must be divided into two steps: First, down-to-earth and carefully practiced. The second is to let go of our feet and slip in style. One must never be forever like a foot-wrapped woman, walking on thin ice, and then doing ? When you do it again, you may not be able to take care of some details. When, perhaps some details can not take care of, regardless of it, slowly improve.

Slow practice

Slow practice is one of the necessary methods of practicing the piano, it can be clear that the fuzzy organization, you can deepen the impression of each sentence, you can double-check the practice of good intonation, you can calm your mind, etc. But I do not agree with too much slow practice. But I don't agree with too much slow practice, I don't agree with too much emphasis on slow practice, too much slow practice can form a bad habit? That is to procrastinate and not get up. And then there is the fault-finding in one's own playing, as if one can't meet people without washing one's face clean, and the process of learning to practice the violin is to go out and meet people without washing one's face clean. Because the mastery of the violin is a process from coarse to fine, it is a process of adaptation.

Eight, variable rhythm practice

This is a frequently used practice method. As the ability of each branch is not the same (some weekdays with more ability to strong, some use less, the ability to weak, such as the little finger), in order to make the fingers have the same sensitivity, which has to be trained. In training, not only to develop finger strength, but also pay attention to the height of each finger from the string should also be similar. Fingers have lengths, and if they are in a natural state, their heights from the strings are not the same, so the speeds of the strings may not be the same, and this requires attention to the hand shape. Although it is impossible to keep all fingers in the vicinity of the strings in a uniform manner, it is important to keep them in a similar state. It is not enough to strengthen the flexibility of the fingers, but it is also necessary to be able to adapt to a variety of changes in the use, which cannot be achieved simply by practicing at a regular level, and which should be promoted by changing the tempo. In doing finger strength and sensitivity exercises, must be practiced until very tired to rest, the amount of activity must be in place, or not achieve the purpose of exercise.

9, no piano practice method

If it is not convenient to practice on the piano, you can do some unarmed practice or heart practice. There are many ways to practice unassisted, moving fingers, fingers on the desktop tapping and so on. To master a skill, you should devote yourself to it for a certain period of time, or else it will be difficult to gain true knowledge and acquire ? supernormal capabilities? Regarding mental practice, it means thinking, memorizing the score, silent face, and envisioning? One can make the connection in imagination, as if the instrument is in one's hand and one is looking at another ? image? in another image. I am playing a piece of music. playing a piece of music while? Watch. while examining it, thinking about what is not skilled enough, what is not resolved, what is the best way to approach a particular phrase? What is the best way to handle a particular phrase? What are your shortcomings in comparison to others' playing? Many people don't have the patience to do this kind of contemplative practice, and most people don't start thinking about practicing until they have the instrument in their hands, which isn't enough, and it's a shame that this results in a poor use of time. Although the ability of each person is different, but in the mind to know how to play is the ideal state, do not be afraid of being people as ? Don't be afraid of being criticized for being over-ambitious. Only when you have a high level of skill, you will be able to move forward by grasping the hand. The term "over-ambitious" was originally used to describe a person who was unrealistically ambitious. originally describes a person's impracticality, but here I explain and apply it from another angle. Sometimes we can't practice because we're sick with the flu or have a limb injury, but for a dedicated learner with a little bit of persistence, they won't let that time go to waste.