Defending Honesty and Innovating Calligraphy Works

Shou Zheng's innovative calligraphy works are as follows:

1, Yu Youren's cursive "Poems of Huanghuagang"

Yu Youren is a modern politician, educator and calligrapher in China. Mr Yu Youren was a great pioneer of modern democratic revolution. He combined cursive script with modern Cao and Kuangcao, and created a "standard cursive script". He is known as "the sage of the barren generation" and "the sage of poetry" and is a monument in the history of modern calligraphy in China.

His unique personality and magnificent Kaiweibei regular script, running script and groundbreaking "standard cursive script" are well-known at home and abroad. It has a solid foundation and elegant modeling, and gradually formed a magnificent, free and brilliant unique book style.

2. Zhang Daqian's calligraphy collection

Zhang Daqian is a master of contemporary Chinese painting at home and abroad. His calligraphy achievements are also very high. When Zhang Daqian was young, he studied regular script in Jin and Tang Dynasties and Zhao Ziang calligraphy. In the early days, he studied under two famous calligraphers in the late Qing Dynasty, Li Ruiqing and Zeng Nongzuo, and formed his own delicate, square and slightly official calligraphy style.

On the basis of inheriting the tradition, his calligraphy art combines the artistic conception of landscape painting, and calligraphy and painting complement each other. Zhang Daqian's regular script is simple and curious, vigorous and elegant, soft outside and rigid inside, vigorous and elegant, and unique in style. Zhang Daqian, together with his lines and cursive scripts, was called "the big body" by later generations.

Creating a new image of Chinese character writing is inseparable from calligraphy itself.

Nowadays, the key to the exploration and innovation of calligraphy is to try to construct it on the basis of following the aesthetic law of calligraphy itself, instead of renovating it against the aesthetic law of calligraphy itself and marching around the city. The so-called "aesthetic law of calligraphy itself" is the law that calligraphy itself constructs the beauty of calligraphy rather than other means-that is, on the basis of inheriting the established stylization and stipulation of calligraphy tradition, through the organic changes of brushwork, ink method, structure and layout, the law of shaping Chinese character materials with personalized and artistic beauty is created.