Talk about the architectural spirit of Xi 'an ancient city?

Xi 'an comes from the distant Han and Tang Dynasties, and even the buildings are wrapped in prosperity. In the past, Xi 'an City had regular buildings and criss-crossed streets and lanes. From a distance, repeated buildings not only further strengthen the consistency of space, but also form a continuous rhythm, giving people an uninterrupted sense of rhythm. The continuous emergence of architectural climax is cleverly balanced in a series of buildings. This unified standard makes large-scale buildings show superiority in a large range, that is, it creates a magnificent momentum, which is amazing. Today, the Big Wild Goose Pagoda, a Tang Dynasty building preserved on the ground of Xi 'an, is very powerful. This 64-meter-high brick tower was built in 652 AD and has a history of 1350 years. Its exquisite shape and majestic momentum have amazed countless people throughout the ages. Cen Can, a poet in the Tang Dynasty, once said: "Pagoda rises from the ground and reaches the Heavenly Palace; Climbing, we seem to have left the world behind us, and we look down at the steps hanging in space; It is above the holy land and can only be built through spiritual hard work. " Contemporary Shaanxi folk songs also say: "xi 'an has a big wild goose pagoda, grinding the sky." "All these show the grandeur, loftiness and straightness of the Big Wild Goose Pagoda. Nowadays, the construction of the North Square of the Big Wild Goose Pagoda has made its space more spacious and its vision more open. Today, when you stand under the Big Wild Goose Pagoda, you will truly feel what is spectacular, what is great and what is touching. Another building in the Tang Dynasty, Little Wild Goose Pagoda, is called Little Wild Goose Pagoda because it was built later than Big Wild Goose Pagoda and its size is slightly smaller, but its momentum is not inferior to Big Wild Goose Pagoda. The towering tower, full of heroic spirit, has been telling people the vicissitudes of history for more than 1000 years. It experienced dozens of earthquakes, three cracks and three recombination, but the tower did not fall, creating a miracle in the history of architecture. In fact, this is all because of the scientific treatment of the foundation of Little Wild Goose Pagoda. The hemispherical rammed foundation, like a tumbler, ensures the safety of the tower, which is a unique creation of ancient Chang 'an people. People often praise the Great Wall of Wan Li as the backbone of China, and the wall of Xi 'an is surrounded by the Great Wall, which also reflects the soul of our Chinese nation. The four towers standing in the east, west, north and south, as well as the bell tower and drum tower in the city center, are the embodiment of the will and the symbol of the spirit. Today, if you look at Xi from the plane, people can't help admiring the solemn beauty and simplicity of this ancient city. If you walk under the city wall, you will feel a shock, which is not only a visual shock, but also a spiritual shock, giving people spirit and strength invisibly. Someone once compared the Big Wild Goose Pagoda to a golden seal on the yellow land, which seems to confirm that the great seal of China culture is in Xi 'an, so Xi 'an has become a well-deserved spiritual home of the Chinese nation. I have a new feeling. The ancient city of Xi is like a huge guqin. The city surrounded by the city wall is the guqin drum, the road is the strings, and the Big Wild Goose Pagoda is two twists and turns on this guqin. When the curtain of the times opens, Xi 'an will play a magnificent movement. The spiritual inheritance of Xi 'an architecture, as the cultural memory of this city, can best reflect the long history of this city. Xi 'an has a history of urban construction of more than 3 100 years and a history of capital construction of more than 165438 years. In this respect, Xi 'an has a unique advantage. In today's urban construction, Xi 'an faces reality, respects history and inherits tradition. Even under very difficult circumstances, I have not forgotten my historical position and responsibility. Protecting the ancient city, restoring ancient buildings, restoring historical blocks, inheriting historical context, highlighting national characteristics and maintaining the style of the ancient capital have become a long-term task of Xi 'an, and have been put into practice continuously. In 1950s and 1960s, xi 'an built the People's Theatre, People's Mansion, shanxi normal university library, Shaanxi Construction Engineering Group Office Building and other buildings with national characteristics. Among them, People's Mansion is a combination of simple and elegant national style architecture and gorgeous and unique western style, which absorbs foreign architectural elements while maintaining its nationality. The People's Theatre was rated as "Top Ten National Buildings" because of its outstanding personality and strong regional color, and was included in the world architectural history published by the British royal family. After the reform and opening up, Xi 'an Railway Station, which was expanded in the 1980s, is more magnificent, simple and elegant than before, while maintaining the original architectural style, and the colors are in harmony with the ancient city. "Three Tang Projects", Chang 'an City Hotel, Ancient Capital Hotel, Shaanxi History Museum, etc. Built in the 1990s, it reproduces the glory of the prosperous Tang Dynasty with its elegant style. Shaanxi History Museum, in particular, is magnificent, which fully embodies the massiness and profundity of Shaanxi history and culture. This project not only won the International Excellent Design Award and the National Luban Award, but also was recognized as a world-class museum by UNESCO. In the new century, Xi 'an has more clearly defined its historical value and orientation. The formulation of the "Revival Plan of the Imperial Capital" and the implementation of the division of old and new urban areas have fully demonstrated the style of the ancient capital. Especially in 2005, the reconstructed West Street presented a prosperous Chang 'an scene. The traditional classical buildings on both sides of the street are row upon row, strewn at random; Gray-blue roof tiles and vermilion colonnade windows look spectacular and harmonious from a distance, full of tang style Tang rhyme. The newly completed archway of Chenghuang Temple is gorgeous, exquisite and elegant, with overlapping archways and gorgeous colors, which has become the epitome of Xi 'an cultural accumulation and a prominent place to carry forward the national spirit. In recent years, with a wave of his hand, Xi 'an once again built cultural projects such as Datang Furong Garden, Qujiangchi Ruins Park and Datang City that Never Sleeps, reappearing the breath of the prosperous Tang Dynasty. In particular, Ziyun Building, the landmark building of Tang Furong Garden, is even more commendable. Magnificent, tall and majestic, it can be called "tang style is peerless and magnificent in architecture". In addition, the arch bridge sculptures, promenade pavilions and other buildings in the park are colorful. Today's people stroll among them, but it seems that they have entered the holy land of Datang. These buildings symbolize that the Chinese nation has entered a great era of rising, and they are also the witness of Xi 'an's prosperity and development on the basis of inheriting the tradition. In addition, the completion of Xi 'an Museum, the reconstruction of Datang Xicheng, the completion of the reconstruction of Shuncheng Lane, and the renovation and opening of the academy gate and the north courtyard gate all show Xi 'an's unique cultural charm. This year, the renovation of the exterior wall facing the street in the city, with its simple and solemn colors, fresh and spacious, gives people an antique, elegant and bright feeling, highlighting the elegance of the ancient capital. Xi 'an regards architecture as the cultural carrier of the city, and inherits China's traditional cultural thought of "harmony between man and nature". At the same time, these architectural forms reflect the philosophy and aesthetics of architecture, and show the broad mind of our city through these buildings. Xi 'an Architecture is a high-spirited banner. (