What's the difference between Hanfu and traditional Japanese and Korean clothing?

First, it is certainly feasible to distinguish from the mode. We can identify some very native Japanese patterns as kimono patterns, but we should also pay attention to the fact that quite a few Japanese patterns are imported from China. Since these patterns are all from China, there is nothing wrong with them.

List the patterns from China: generally, they are relatively old patterns, such as Horyuji patterns (many patterns are circulated with Buddhism, such as Horyuji patterns, which are living fossils, from which we can see the patterns of the Tang Dynasty hundreds of years ago), goldfish patterns, pine cranes, cloud cranes, thousands of birds (in fact, hundreds of birds and thousands of birds in China are just empty fingers), Qinghai waves (wave patterns, please pay attention to the Qinghai waves at the hem of China official clothes, which are similar to those in Japan).

List Japanese original patterns: generally newer than the above, such as cherry blossoms (older ……), Japanese wind chimes, fans (please note the difference with China fans), balloon flowers, morning glory, city pine (a conventional pine leaf pattern) and so on. -These will not appear in Hanfu.

Sometimes it's hard to tell from the pattern. I have seen a bird pattern in Japan, which is almost twins with the phoenix bird in Chu. It is best to distinguish it from the style.

Second, the difference in style is the key point. Professional judgment is what kind of clothing, or from the style.

1, kimono is different from Hanfu.

Kimono's neck is different from China's horizontal neck and China's straight neck. The most typical feature is that the neck is exposed outside the clothes. Hanfu is flush with clothes.

There is also a layer of cloth attached to the neck of the kimono to make a * * * collar, which is not sealed and used to insert the collar core (something that makes the collar hard). Hanfu has never been received.

2. The sleeves of kimono are mostly square sleeves, while those of Hanfu are mostly round sleeves.

Why are kimonos mostly square sleeves? Because there are also a few round styles, such as round sleeves, and modern kimonos are generally square sleeves. As for Hanfu, most of them are round sleeves, but it should be noted that there are also a few square sleeves. Some dance sleeves in the Tang Dynasty were square, such as those worn by the famous dancer Tao Yong.

3. Kimono sleeves are not sealed at the back, but at the bottom of the front end of the sleeves, which is just the opposite of the representative clothing in Song and Ming Dynasties in China.

As early as the Qin and Han dynasties, a part of the front end of the sleeve in China was also sealed, leaving only a relatively small mouth to protrude. This is the so-called hanging pot sleeve-zigzag visible. This sleeve shape evolved into the Tang Dynasty and was gradually replaced by the big sleeve, but the back of our sleeve has never been sealed. The back of the sleeve is not sealed, and the opening to the armpit is the characteristic of kimono.

4. Hanfu is worn with a tie. Kimono has no lace.

There is no belt on kimono, and it is completely fixed by belt. If the belt is loose, it will be completely opened, so the belt of the female kimono will be tied very exaggeratedly.

5. The length, complicated play and pattern of kimono belt are not available in Hanfu.

Hanfu's belt is waist-length, so it is enough to tie it a little and drop it a little. Women's kimono belts need to be more than 4 meters long and can be used to make various patterns on the back.

6. Accessories on Hanfu, such as hoop, sachet, peach symbol, colored thread, ribbon and silk, are not available in kimono. Of course, kimono also has its own decorations, not to mention. Hanfu is decorated with a small sabre and a sword.

Here are some false statements:

1, "kimono with wider belt."

Wrong. The kimono belt is really wide, but it is also very narrow. In fact, they range from 3 to 4 centimeters to more than 30 centimeters. In contrast, the waist seals of Hanfu also have various widths, such as those used by some military commanders, with a total width of more than 30 cm. It is obviously unreliable to distinguish Hanfu from kimono only by the vague concept of waist circumference.

2. "Kimono is a flower with many patterns."

I have nothing to say about this argument … only silence. In fact, the weaving and dyeing technology in the Tang Dynasty was world-class, and I don't know where it was more gorgeous than Japan.

"Kimono has square sleeves."

Wrong, there were many square-sleeved dance clothes in the Tang Dynasty. It can be inferred that they are the ancestors of kimono.

"The narrow lower body is a kimono."

Wrong. In fact, kimono itself is not narrow. On the contrary, all little women can wear the width of men (actors). We see that its lower body is very narrow, because it is wrapped in various accessories according to the wearer's figure. This is because the way of dressing is different from our country, not because of how narrow it is, but because it is still very wide. It is not appropriate to judge Hanfu kimono only by the width of clothes.

5. "Hanfu is mopping the floor below, and kimono is short at the foot."

Still not right. For example, the standard length of women's kimono is more than 190 cm, and the floor is about 30-60 cm. We see that it is too short to reach our feet because the waist will be folded back when we wear it, and the result will be shorter. That's how good women dress. Practitioners in the drama and sex industries wear different clothes, so they will wear different clothes. If we only rely on the length of the clothes themselves, I'm afraid we can't judge whether it's Hanfu or kimono.

6. "Comb your head, your white face, the makeup of your little cherry mouth, and so on. It's all Japanese stuff. You shouldn't wear Hanfu like this. "

No, these are all from the Tang Dynasty. You can wear Tang suit like this. Characteristics and styles of Hanfu;

The main characteristics of Hanfu are horizontal collar and right lap. Instead of buttons, they are tied with ropes, giving people an impression of freedom and elegance. Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly three kinds: "top and bottom clothes" (ancient top refers to bottom skirt), "deep clothes" (top and bottom clothes are sewn together) and "skirt" (short clothes). Among them, the coronation under the coat is the most solemn and formal dress for emperors and officials; Robes (deep clothes) are generally worn by officials and scholars, while skirts are worn by women. Ordinary working people generally wear short clothes and trousers.

The connection and difference between Hanfu and Japanese kimono: During the Nara period in Japan, that is, during the prosperous Tang Dynasty in China, Japan sent a large number of Tang Dynasty envoys to China to learn from China's culture, art and law, including the dress code. At that time, they also issued a "clothing order" imitating the Tang system. Until now, the Japanese still refer to embroidery and other textiles as "five clothes", which means that it comes from Wudi, China (now Jiangsu and Zhejiang). The early kimono was a copy of the Tang suit, and later the coat of the Twelve Commandments was also called "Tang suit". Although kimono developed from Hanfu, it has formed its own national characteristics after a long historical period. For example, after the Edo era, women's belts gradually became wider and larger, and the drum section of the belt moved backward, showing various styles, which is also the main symbol to distinguish kimono from Hanfu. The decorative patterns on kimono fabrics often have distinctive Japanese national characteristics.

The connection and difference between Hanfu and Hanfu: Silla was closely related to the Tang Dynasty, and its clothing characteristics were almost the same as those of the Tang Dynasty. After Lee's mid-Korea period, Hanfu, especially women's clothing, developed into a high-waisted skirt, and the difference with Hanfu gradually increased. However, official clothes, court clothes and important court dresses still retain many Hanfu systems, which change with the changes of Hanfu. For example, the back tie of the official black veil in the Tang Dynasty is drooping. For example, the dress of Empress Li Chao has always been the style of Empress China. The main differences between modern hanbok and hanbok are as follows: hanbok generally has a right collar and double-breasted (V-neck), while Korean clothing has developed into a small V-neck; The women's dress is very tall, and the hem is very wide and fluffy.