Peking opera old Dan famous who

1, Tan Zhidao: the father of the famous Peking Opera veteran Tan Xinpei during the Tongzhi and Guangxu years. Hubei Jiangxia people. Non-class origin, by amateur hobby opera (Han opera) and turned into a professional actor. Should work Lao Dan, but can also play Lao Sheng. Because of the narrow sound of the voice, as if the trembling bird, the trembling bird is commonly known as "called the son of heaven" (some say that the lark), and thus get "called the sky 's art name.

In 1853, because of the Taiping Heavenly Kingdom armed revolution, Wuchang became a battlefield, Tan Zhidao, together with his wife and son Xinpei, took a boat from the waterway to the Tianjin area first to "run outside the curtain" (i.e., rural townships of the CaoTai theater), and then turned into Beijing. After coming to Beijing, he switched to Beijing opera. He was a member of the Sanqing Class under the auspices of Cheng Changgeng.

2, Luo Fushan: Peking Opera old Dan. 1865 Tongzhi four years (b clown) was born on July 12, 1929 October 8 in the lunar calendar, the first six days of the ninth month of the year of the ji si, died in the apartment is located in the west mouth of the woolen hutong within the Shier hutong (now has been merged with the West Yangmao hutong). He was sixty-five years old. Luo Fushan, nicknamed Geng'er, was the second son of Luo Qiaofu, a famous Peking opera clown actor in the late Qing Dynasty.

Luo Fushan from a young age, sitting in the section of small Fusheng, out of the section in the four Xi class class performance for many years, and Gong Yunfu is the same period of the old Dan actor, has been for Tan Xinpei, Tian Guifeng, Wang Yaohuqing, Mei Lanfang, Yu Shuyan and other masters of the theater. Since the Republic of China, he has been performing with Mei Lanfang and Yu Shuyan, and has been highly valued by them.

3, Xie Bao Yun: original name Shirong, nickname Zhao'er. Initially, he studied Hua Dan, and then changed to Lao Sheng. His voice was very high, and he learned Cheng Changgeng's singing style, which made him sing with a good flavor, but because his voice was almost boring, and because he was dressed in a bitter manner, he specialized in Lao Dan. In the thirty-third year of Guangxu, Zhou Changshun taught at the Qing Palace, and Gong Yunfu was the best of the best. Unfortunately, Xie lost his voice in his middle age, so he often played supporting roles.

Tan Xinpei had been working with Tan Xinpei for many years, and Tan relied on him, such as Tan's performances of Scholar's Spectrum, Stealing the Scroll of the Patriarch, Sitting on the Floor and Killing the Shy, Visiting the Mother, and The Eight Hammers, and so on, which had to be accompanied by Xie in the role of the old Dan. On the stage, because of the limited voice conditions, the performance is mostly flat, only in the climax of the whole play, tilt the throat of a sentence to win the applause of the audience, so there is a "Xie a sentence" of the nicknames.

4, Gong Yunfu: the original study of jade craft, because of the love of Peking Opera, began in the South Palace Park Hualan Xiyun box office to learn to sing the old man, and then worship Liu Guiqing as a teacher, ride into the Hongkui class. He was also promoted by Sun Juxian to enter the Four Happiness Class, where he studied under Xiong Lianxi and switched to singing the Old Dan. Later, he joined Yang Xiaolou and Mei Lanfang's classes. His singing and recitation are characterized by a clear and strong voice, with a melodious and melodious flow, and an orderly rise and fall.

"Fishing for a Golden Turtle", "Training a Son on the Road", "Mother Xu's Scolding of Cao", "Breaking off the Empress Dowager", "Playing the Dragon's Robe", etc. were among the repertoire that he often staged. Since he began, Lao Dan has become an independent line, changing the rules of Hao Lantian and Tan Zhidao, who played both Lao Sheng and Chou, and gradually standardizing the singing, recitation and stance of the messenger Dan, which has a unique style.

5. Li Duoqui: At the age of 4, he came to Beijing with his father, and at the age of 8, he entered the Qing Shou and the class to learn from Mr. Jia Zhichen about the Hebei Opera and the Peking Opera Lao Sheng. he appeared on the stage at the age of 9, and at the age of 12, he sang the major axes of the "Golden Bough" and the "Mole of Vermilion Sands"; at the age of 16, he learned the Peking Opera Hu from Mr. Cheng Chunlu, and at the age of 24, he recovered his voice, and at the age of 26, he changed to study the Lao Dan by studying under the mastership of Mr. Luo Fushan.

Li Duoqui has a unique "Zhongfeng Rangtang" voice, his voice is rich in the expression of elderly women's kind of female voice and the decline of the voice, for the spitting, spouting are very careful. Over the decades of artistic practice and in-depth research and improvement, on the basis of Gong Pai, he formed his own singing style in the old Dan line and created a highly influential "Li Pai". Later on, he also became a senior artist with high reputation in the old Dan line.

Baidu Encyclopedia - Tan Zhidao

Baidu Encyclopedia - Luo Fushan

Baidu Encyclopedia - Xie Baoyun

Baidu Encyclopedia - Gong Yunfu

Baidu Encyclopedia - Li Dokui