Why is the original value of Yang Can Shou Ping's "White Eyebrows" more than10 million yuan?

Why Yang's original "Bai Meitu" is worth more than ten million authors;

Yang, a native of Chongzhen in Ming Dynasty, was good at drawing figures, studied under Tang Yin, and was fluent in pen and ink. He turned the pen with great force, and his lines fluctuated. His painting style is simple and elegant, with a sense of rhythm, and he occasionally makes landscapes and exquisite tools. This painting has different vivid facial expressions of children, which shows the author's high painting level and artistic foundation, and has high collection value and artistic enjoyment.

Yang's "Belle Tu" is accurate in image, exquisite in workmanship, bright in color, subtle in implication, elegant and beautiful in color, and integrated with the subject matter and pen and ink interest advocated by literati paintings. This painting not only maintains the neat and elegant classical tradition, but also incorporates elegant and fresh interest, forming a new paradigm of work without board and research without sweetness. The White Eyebrows is a long scroll, generally about four meters long and thirty centimeters wide. The figures in this painting are lifelike, which is a masterpiece worth collecting.

Before 1990s, the ancient calligraphy and painting market was mainly in new york, Hongkong and Southeast Asia. The Gu Shuhua price in new york, USA has influenced the Gu Shuhua market in China for a long time. In the early 1980s, Bluegrass and Grass by Zhao Ziang, a great painter of the Yuan Dynasty, appeared in new york market. As a result, Walter and Melinsine of San Francisco won Zhao's works for $363,000, which was sky-high at that time and shocked both at home and abroad. 1989, Christie's in new york released the Autumn Hunting Map, which was created collectively by court painters in the Yuan Dynasty. The result was warmly sought after by overseas buyers, and it was sold for $6.5438+0.87 million, setting a record for calligraphy and painting in China at that time.

The trend of ancient calligraphy and painting is quite strong. Because the ancient calligraphy and painting available in the market is very limited, many buyers generally don't throw it away easily after eating, resulting in fewer and fewer ancient calligraphy and painting in the market. On the contrary, the growing number of Gu Shuhua collectors, especially the participation of some institutions and enterprises, further aggravated the imbalance between supply and demand in Gu Shuhua. Therefore, the market prospect of ancient calligraphy and painting will be very promising. Whoever owns the fine works of ancient calligraphy and painting will have considerable growth in the future. Similarly, large, medium and small brands have market opportunities.

We will pay more attention to the era flavor of a painting and calligraphy when we identify the age of ancient paintings and calligraphy in China, which is very abstract. But if you know something about art history, you will know what era it should be when you see a painting.